Arp Hans, Signed (54 results)

Leinen. Condition: Gut. 248 S. Guter Zustand. Schutzumschlag fehlt. Einband leicht berieben. Seitenschnitt leicht fleckig. Papier alterungsbedingt vergilbt, sauber. Mit Signatur des Autors. Sprache: Deutsch Gewicht in Gramm: 300.

Condition: Gut. 63 S. Ill. Mit handschriftlicher Signatur des Autors. Guter Gesamtzustand. Sprache: Deutsch Gewicht in Gramm: 400 Gr.-8°(=22,5-25cm) , Broschiert. Original-Ausgabe in einer von Michael Arp signierten Auflage von 1000 Exemplaren.

8°, 191 S., illustr.OBrosch., minim. Gebrauchssp.; schönes Expl. Erste (Jubiläums-)Ausgabe (LCB-Editionen 100) in der Übertragung von W.H.Fritz, L.Harig, K.Riha, J.Wolfkind, W.Drost, O.Pastior u.a. Dieses Exemplar von Laschen mit seinem Besitzvermerk sowie 'Handexemplar - Beleg, EA '89' versehen!

Postkarte. Condition: Sehr gut. Wahlkampf Faltblatt-von Hans-Jörn Arp bildseitig mit blauem oder schwarzem Stift signiert (Mehrere Exemplare von diesem Motiv vorrätig).- Hans-Jörn Arp ist ein deutscher Politiker und Abgeordneter des Landtages von Schleswig-Holstein. Er ist seit 2012 Parlamentarischer Geschäftsführer der CDU-Fraktion im Schleswig-Holsteinischen Landtag. Geboren: 6. August 1952, Wacken Partei: Christlich Demokratische Union Deutschlands /// Autogramm Autograph signiert signed signee /// Standort Wimregal PKis-Box10-U004ua Sprache: Deutsch Gewicht in Gramm: 10.

Postkarte. Condition: Sehr gut. Portrait-Postkarte von Hans-Jörn Arp bildseitig mit blauem bzw. rotem Stift signiert (Mehrere Exemplare von diesem Motiv vorrätig).- Hans-Jörn Arp ist ein deutscher Politiker und Abgeordneter des Landtages von Schleswig-Holstein. Er ist seit 2012 Parlamentarischer Geschäftsführer der CDU-Fraktion im Schleswig-Holsteinischen Landtag. Geboren: 6. August 1952, Wacken Partei: Christlich Demokratische Union Deutschlands /// Autogramm Autograph signiert signed signee /// Standort Wimregal PKis-Box9-U021ua Sprache: Deutsch Gewicht in Gramm: 10.

M. Tuschzeichn. u. Prägungen v. Henry Günther. 26 S. OLwd. m. Farbpräg. im Schuber. Nr. 3 v. 15 Unikatexemplaren, im Druckverm. v. H.Günther signiert. Poetische Miniaturen III.

Couverture souple. Condition: Bon. Edition originale. In-4° broché, format carré, couverture illustrée. 11 gravures sur bois pleine page. Tirage limité à 220 exemplaires numérotés, un des 160 numérotés de 41 à 200. Exemplaire signé au crayon par l'artiste sur le titre. Émouvant poème en prose de Jean Arp en propos liminaire, poème-hommage à Sophie Tauber-Arp, son épouse, décédée le 13 janvier 1943 à Zurich, asphyxiée par les émanations d'un poêle à bois dans son sommeil. Dévasté par cette soudaine disparition, Jean Arp continuera de créer à travers elle et pour elle. Signé par l'auteur.

Couverture souple. Condition: Très bon. 1ère édition. 21 x 16 cm, en feuilles, non paginé [8 pp.]. Première édition séparée parue dans cette "Collection anthologique" de poèmes d'Hans Arp, imprimée sur alfax Navarre. Signature autographe de Hans Arp, au crayon à papier, sur un feuillet quadrillé joint. Signé par l'auteur. Livre d'occasion.

O.P. (13 Bl.) mit 3 ganzs. Holzschnitten von Hans Arp (vom Originalstock). Karton-Broschur, grüner Bütten-SU, schwarzer Deckeltitel, 13 doppelte Falt-Blätter, 29 cm. Schönes Exemplar mit leichten Gebrauchsspuren, Rücken gebleicht, Klebung des Buchblocks zum Einband aufklaffend. - Von Horst Heiderhoff und Manfred Marschner, Wülfrath Rheinland, die auch die Typographie besorgten, in 200 Exemplaren verlegt und aus der Normalen Bodoni Antiqua der Schriftgießerei D. Stempel AG, Frankfurt, handgesetzt. - Druckerei Robert Atteln in Wülfrath Rheinland. - Exemplare I bis L außerhalb des Handels, Nr. 51 bis 200 im Handel (hier Nr. 29). - Alle Ex. vom Autor u. vom Künstler signiert. - Selten. sg [Von Schweizer Bankkonten keine Banküberweisung, nur Kreditkartenzahlung über Abebooks/ZVAB] Sprache: Deutsch. - Gewicht in Gramm: 200. - Literatur: Gedichte, Dramen. - Stichworte: deutsche Literatur, Gedichte, Poesie, Lyrik, Kunst, Signierte Bücher, Kunst 20. Jahrhundert, illustrierte Ausgabe, Widmungsexemplar, Bibliophilie. -.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Copy #48 of 50 special copies signed by Jean [Hans] Arp, printed on special with an original woodcut. A very good hardcover copy in the original jacket and scarce original wraparound band (jacket has some nicks and closed tears to edges; lower corners bumped just affecting text).

Soft cover. Condition: Very Good. 1st Edition. Sm.4to. 250x215mm. Original patterened paper over card covers with mounted paper label. Unpag.; short introduction by Neitzel; Arp was responsible for the selection of the 15 b/w reproductions of works by Rousseau, Matisse, Van Dongen, Dérain and Picasso. Covers a little rubbed and pape frayed around spine Inscribed by Arp on the front endpaper. Signed by Author(s).

Soft cover. Condition: Very Good. 1st Edition. 4° - Unpaginated - 3 original woodcuts by Hans Arp (1886-1966) German-French sculptor, painter and poet. He was known as a Dadaist and an abstract artist. Seafarer's Wind - A Poem by Wieland Schmied (1929-2014) Austrian art historian and critic, curator, literary scholar and writer. First edition, published in 200 copies each signed by Arp and Schmied. Original boards. In Very good condition. Signed by Illustrator(s).

Condition: Used. Sophie Taeuber (illustrator). We first saw this book in real life at MoMA's Sophie Taeuber-Arp show sometime during Covid. (See what we saw here.) The whole show was pure delight, but when we saw this, we were especially moved. We texted a bookselling friend to see if he had a copy for sale. He did not. We tried to forget it, but we could not. The four lovely drawings by Sophie Taeuber stayed with us. And we can hardly ever sayNo to the typography of Jan Tschichold even if this particular item is a masterclass in restraint and there's not much to say about it other than he did his job perfectly by staying out of the way. But the whole thing is delicious. And this copy happens to be signed by Hans Arp. Cut this up and sell the drawings individually for a massive profit. Or, use it as intended and read it aloud to a lover. Either way, this one has got three towering figures of twentieth century art and design in one modest little book. Signed by Hans Arp on the title page. Otherwise spotless and fine with only minor wear to the edges because oversized paper bindings are a bad idea. But, really, a very fine copy. 454 Softcover in new cloth-covered box.

Folio. (516 x 350 mm). [2 bifolia (text on smaller sheets) + 34 leaves of plates]. Leaf with title, leaf with list of plates recto and verso, leaf with Arp's introductory text recto and verso, blank leaf with justification verso (all on smaller sheets) and 34 lithograph plates by Max Ernst each printed recto only and numbered I - XXXIV (sheet size: c.498 x 324 mm or the reverse). Loose as issued in original publisher's cloth-backed blue, turquoise and black portfolio, printed title label to upper board, blue cloth ties. A superlative unsophisticated édition de tête example of exceptional rarity of Max Ernst's early frottage experiments. From the edition limited to 300 numbered copies (6 lettered hors commerce copies were also issued), with this one of the first 20 édition de tête copies on Japon Impérial signed and numbered '11' in ink by Max Ernst. 'Ici encore la surréalité et non la réalité reprendra ses droits.' (André Breton). One of Ernst's earliest childhood recollections was of an imitation mahogany panel opposite his bed which he was prone to peruse while falling asleep. Such an image helped spark his invention of frottage (rubbings of diverse materials such as planks, bricks, watch parts, cheese graters, buttons, etc.). Made during the latter half of 1925, this album represents only a small portion of the hundreds of frottages Ernst produced during that period. Bearing both poetic and descriptive titles (The Fascinating Cypress, The Vaccinated Bread), the plates are introduced by Ernst's dada compatriot Hans Arp by means of a long automatic prose poem. The text is printed without capitals throughout; the final plate ('éve la seule qui nous reste') is misnumbered '43' in the list of plates. 'vous voyez donc qu'on ne consume monsieur son père que tranche par tranche. impossible d'en finir en un seul déjeuner sur l'herbe et le citron même tombe à genoux devant la beauté de la nature.' (arp's final paragraph in the 'introduction'). 'Sans aucune doute l'ouvrage le plus beau dû à la technique du 'frottage', inventée par Max Ernst, comme équivalent pictural à l'écriture automatique.' (see catalogue de la Bibliothèque Daniel Filipacchi, Première Partie'). Copies of 'Histoire Naturelle' on Japon Impérial paper from the édition de tête, as here, are of exceptional rarity. As with Max Ernst's other early books, such as 'La Femme 100 Têtes' and 'Rêve d'une Petite Fille qui Voulut Entrer au Carmel' which were also issued in the édition de tête in small numbers on Japon Impérial, copies appear very rarely on the market. We can locate only three other examples on the market in the last 30 years: the Filipacchi édition de tête copy of Ernst's Histoire Naturelle, sold at Christie's Paris in 2004, a copy sold at Ketterer Kunst Doerling in 2016 and the copy of Jean-Paul Kahn sold at Pierre Bergé et Associés, 2020. 'Histoire Naturelle' was the second book published by the legendary gallerist and publisher Jeanne Bucher (1872 - 1946) after Jean Lurçat's 'Baroques' (1925). Bucher would publish some of the most important works of Surrealism including Miro's first book 'Il était une petite pie' (1928), Max Ernst's 'Une semaine de bonté' (1934), Hugnet and Duchamp's collaboration 'La septième face du dé' (1936), Eluard and Man Ray's 'Les mains libres' (1937) and Hans Bellmer and Hugnet's 'Oeillades ciselées en branche' (1939) among others. [see 'La Révolution Surréaliste', no. 9 / 10, 1927, pg. 41; see lot 112, 'Bibliothèque Daniel Filipacchi, Première Partie', Christie's Paris, Jeudi 29 Avril, 2009; see lot 107, 'Mille Nuits de Rêve, Collection Genebviève et Jean-Paul Kahn II', Pierre Bergé et Associés, Paris, Vendredi 9 Octobre, 2020].

Small 4to. (270 x 210 mm). [7 bifolia including wrappers]. Front wrapper with typographic title, justification verso, text and verse by various dadaists recto and verso illustrated with four tipped-in illustrations on white paper (see below) by Arp, RIbemont-Dessaignes, Ernst and Duchamp, final leaf (rear wrapper) with 'Catalogue' recto and verso; sheet size: 270 x 210 mm. Original publisher's printed wrappers with typographic title to front cover in black, justification verso, catalogue to rear wrapper and interior, staple preserved, later stitching. A presentation copy of the very scarce 'SaLoN DAda' with the rare invitation to the highly controversial 'Soirée dada'. From the edition limited to 600 numbered copies, each stamp-numbered to the justification to front wrapper verso. Tristan Tzara's presentation is in black ink to the left-hand margin of the centre spread: 'à Hannie et Aldo / van Eyck / Pour le 30ème Anniversaire / de Dada // avec le souvenir amical / de / Tristan TZARA / Sur les lieux du crime / Zürich 23 févr. 46' and with a typical Tzara sketch of a flower. The spread includes (above) the legend 'Conformément aux règlements en vigueur l'amour est interdit aux végétaux des squares', (at left) Tzara's 'L'art et la chasse' and (at right) the tipped-in illustration of Duchamp's 'Mariée'. Opening with Philippe Soupault's 'Le Profil de dada', the catalogue 'SaLoN DAda' represents both the highwater mark and the beginning of the end of dada in Paris. 'SaLoN DAda' was convened in June 1921, after Picabia had left the movement (although he was to return) despite all he had done to initiate 'SaLoN DAda', Breton did not participate and Duchamp had departed both physically for New York and metaphorically: although his contribution to the catalogue (the reproduction of his painting 'Mariée') remains, his contributions to the exhibition (nos. '28' to '31' under his name are blank) were removed. 'SaLoN DAda' as an exhibition held at the Galerie Montaigne (within the Théâtre des Champs-Elysées) was largely successful albeit not without controversy, featuring international contributions from Arp, Baargeld, Man Ray, Charchoune, Walther Mehring, J. Evola, Aldo Fiozzi and Joseph Stella, as well as Jacques Rigaut, Jacques Vaché, Gala and Paul Eluard and Théodore Fraenckel among others. Literary contributors include the aforementioned Soupault ('Le Profil de dada'), Paul Eluard ('L'Ombre aux soupirs'), Arp (as poet: 'Le Pompe des nuages' from the German 'Die Wolkenpumpe'), J. Evola ('Croix jaune'), Stanislas Margarine [sic] (untitled), Man Ray ('L'Inquiétude'), Jacques Rigaut ('Fable'), Georges Ribemont-Dessaignes ('Plaisir secret'), Tzara (as above and 'Epiderme de la nuit croissance'), Benjamin Péret ('Mémoires de Benjamin Péret' and 'Mystère de ma naissance') and Louis Aragon ('Autre procès-verbal'). Also included, inserted loose, is the announcement for 'Soirée dada'. A single sheet of cream glossy paper printed in black recto only (270 x 206 mm), the announcement details the soirée to be held on June 10th, 1921, at 9 o'clock in the Galerie Montaigne with a programme of nine performances. Tickets were available for 10 Francs and for that price one could have seen the following: I. 'La Chanson du catalogue de l'exposition (au piano)' by Mme E. Bujaud; II. 'La Boite d'allumettes (Le Président de la République de Liberia visitera l'exposition)' by Philippe Soupault; III. 'A l'évangile' by Louis Aragon; IV. 'La Volaille miraculeuse (Danse créée par l'auteur)' by Valentin Parnak; V. 'Le livre des rois' by Georges Ribemont-Dessaignes; VI. 'Par le cou des brises' by Paul Eluard; VII. Le vol organisé (nouveau système de gyravion) by Benjamin Péret; VIII. 'Diableret (au piano Mmme. Pirouelle et M. Emile Sab)' by Philippe Soupault; IX. 'Le coeur à gaz (Pièce de Théâtre)' by Tristan Tzara. The performances were absurd and the reception mixed at best. By the time of the performance of 'Le Coeur à gaz', with a coterie of dadaists taking part, the audience was riotous: 'Après l'entracte, la troupe des dadaïstes représente 'Le Coeur à gaz' de Tzara. La pièce, totalement absurde, est lue avec une accentuation grossière et provoque l'hilarité du public qui exprime son mécontentement en partant massivement et bruyamment. Une fois de plus, Dada réussit à faire scandale . ' (Xavier Rey). Tzara's drama was performed again - and again aroused a furore - in 1923 at the final rupture of Paris dada; it was not published in book form until Guy Lévis Mano's edition in 1946. 'Ce projet, en germe depuis que le Salon des Indépendants a refusé de l'integrer à son programme, tient autant de Tzara que de Picabia . La création dada parisienne se présente à son apogée, provocation, humour talentueux et inventions incongrues agrémentant un programme particulièrement riche. L'exposition ouvre le 6 juin dans le hall du studio des Champs-ELysées, au huitième étage du théâtre, baptisé pour l'occasion 'galerie Montaigne' . Tzara parvient ainsi a réaliser ce qu'il recherche tant: la fusion entre les poètes et les artistes plasticiens dans une exposition inattendue qui abolit la frontière entre les genres . Ce catalogue, tout comme la plupart des cartons d'invitation et le programme, témoigne d'un certain retour à la rigueur typographique . La parole dadaïste trouve tout son éclat dans cette mise en page régulière, dotée d'une frise guindée . '. (Xavier Rey). Aldo van Eyck (1918 - 1999) and Hannie van Rooijen (1918 - 2018) were influential Dutch architects of international repute. In the 1940s the couple lived in Zurich where through Siegfried Giedion and Carola Giedion-Welcker they met a number of the artists and poets connected to dada: Arp, Tzara, Ernst, Brancusi and others; these friendships led too to a connection with CoBrA and, of course, through the architecture they held in common, Constant. Initially the pair collaborated or worked separately but from 1983 - Aldo's own studio with Theo Bosch was closed - they formed the.

Hardcover. Condition: Fine. Dust Jacket Condition: Good. 1st Edition. Gr.Folio (508x400mm) - 61pp - The complete set of 19 woodcuts printed in colors, including one on the slipcase & one extra woodcut on single sheet, one plate signed in pencil and numbered, also signed on the justification, stamp-numbered XIII of XX (total edition is 185 - 150+XX+5), with title page and text in French, on Rives BFK wove paper, the signed print on Auvergne paper, published by Louis Broder, Paris, contained in the original paper-covered boards, wrappers, and slipcase (19 prints). Hans Arp (Jean 1886-1966) Alsatian sculptor, painter, poet and abstract artist (1886 1966)Text in French language., Origimal board, chemise and slipcase. In Fine condition. Signed by Author(s).

Hardcover. 28,0 : 21,5 cm. Illustrierter weißer Original-Leinenband mit Rückentitel und Deckelillustration im Original-Pappschuber (dieser gering berieben). 30 unpaginierte, einseitig bedruckte Blätter und sieben Originalradierungen von der ungestählten Platte. Außen wie innen sehr sauber und in sehr gutem Zustand. Schöne Graphikfolge von Hans Arp, "dessen poetische Monologe - ob als Texte, ob gemalt, in Graphik ausgedrückt oder im Bildhauerischen formuliert - in einem Exkurs über Illustration nur schwer zu fassen sind. Sie stehen am weitesten entfernt von dem, was man gemeinhin mit `illustrativ bezeichnet. Wenn Arp zu seinen Mondsand-Gedichten mit eigenen Radierungen paraphrasiert, so ist auch dies Illustration, Einleuchten im weitesten und höchsten Sinne." (H. A. Halbey, in Tiessen I, 17f.). Der deutsch-französische Maler, Bildhauer und Lyriker Hans Peter Wilhelm Arp, zumeist Jean Arp ist einer der bedeutendsten Vertreter des Dadaismus und Surrealismus. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! FL5290.

Hardcover. 26,5 : 21 cm. Blindgeprägter Original-Pappband mit 52 Seiten inclusive dem Original-Holzschnitt "Fisch" (Arntz 180 c) von Hans Arp als Frontispiz. Zusätzlich mit dem signierten, lose beiliegenden Holzschnitt "Muschelgesicht" (Arntz 181 b). Schönes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! FL0498.

4to. (11 13/16 x 9 3/8 inches). [8], 11 etchings, with title, introduction, and colophon. 100 total copies: 60 numbered (1-60), 25 hors commerce for collaborators (I-XXV), and 15 artist proofs marked "E. A." This is number 39 of 60 copies. Black cloth with red and white dye-stamped lettering on front and spine, in black cardboard slipcase. Book holds 11 black and white engravings on handmade wove papier pur chiffon des Papeteries de Rives, each housed in a separate gray mount with a protective mylar window, information for each etching printed on verso of the mounts, signed in ink or pencil by artists and numbered 39/60 A complete spectacular set of 11 signed and numbered first edition prints from Surrealist luminaries such as Duchamp, Magritte, and Bellmer, in a beautiful book with slipcase. The story of a work of art's production is too often reduced to the individual, the artist of genius who arose sui generis to change culture. But it's only from within the interchange of ideas, the history of artistic conventions, and an artist's social context that artwork can be made, so it is edifying for the viewer to compare works from similarly disposed artists in the direct light of one another. Much more is learned here, via editor Arturo Schwarz's (1924-2021) Surrealism between Two Wars, about Surrealism and its unifying themes than could be ascertained from the study of any one of its individual artists. This book, the second of fourteen in the International Anthology of Contemporary Engraving series, is a museum unto itself. It contains original etchings by eleven major Surrealist artists, including household names like Man Ray and Hans Arp; it is a valuable addition to any collection of twentieth-century modern art. Jacob 3; Schwarz 360; Cramer 74; Anselmino 72. Not in Arntz.

Encuadernación de tapa blanda. Condition: Muy bien. 1Ş Edición. Santiago de Chile, Editorial Zig-Zag, 1935. 83 páginas. Ilustrado con un retrato de Hans Arp por Amadeo Modigliani (1884-1920) y una caricatura de Vicente Huidobro por Hans Arp. Con dedicatoria manuscrita del autor, dirigida a Cayetano Córdova Iturburu (1902-1977). Encuadernación rústica, cubierta ilustrada. Primera Edición. Dedicatoria autógrafa del autor.

Hardcover. Condition: As New. 1st Edition. Folio (360x510mm) Portfolio containing seven original color Etchings by Hans Richter (1888-1976) German painter, graphic artist, avant-gardist, film-experimenter and producer. First edition, published in 129 copies (99+XXX)our's N° IV/XXX, the etchings and the book are signed by Frida Richter, widow of Hans Richter who passed-away during the printing of the portfolio. Text in English language. Original boards and slipcase. As New. Signed by Author(s).

Hardcover. 28,0:21,5 cm. Illustrierter weißer Original-Leinenband im Original-Pappschuber (dieser gering kratzspurig). 30 unpaginierte, einseitig bedruckte Blätter und sieben Originalradierungen von der ungestählten Platte. Außen wie innen sehr sauber und in sehr gutem Zustand. Schöne Graphikfolge von Hans Arp, "dessen poetische Monologe - ob als Texte, ob gemalt, in Graphik ausgedrückt oder im Bildhauerischen formuliert - in einem Exkurs über Illustration nur schwer zu fassen sind. Sie stehen am weitesten entfernt von dem, was man gemeinhin mit `illustrativ bezeichnet. Wenn Arp zu seinen Mondsand-Gedichten mit eigenen Radierungen paraphrasiert, so ist auch dies Illustration, Einleuchten im weitesten und höchsten Sinne." (H. A. Halbey, in Tiessen I, 17f.). Der deutsch-französische Maler, Bildhauer und Lyriker Hans Peter Wilhelm Arp, zumeist Jean Arp ist einer der bedeutendsten Vertreter des Dadaismus und Surrealismus. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! Vitri6.

couverture souple. Kra | Paris [1929] | 13 x 19 cm | broché | Edition originale sur papier courant,après la destruction du tirage de 1923, suite à une querelle entre Tzara et l'éditeur. Une trace de pliure verticale sur le premier plat, quelques petites rousseurs sans gravité affectant principalement les tranches et les marges du premier dessin d'Hans Arp Exemplaire complet de son prière d'insérer. Ouvrage illustré de 10 dessins d'Hans Arp. Envoi autographe signé de Tristan Tzara au dadaïste belge Georges Marlier : "A G. Marlier sympathiquement. Tristan Tzara. Juillet 1929." | [ENGLISH DESCRIPTION FOLLOWS] First edition on current paper. A trace of vertical fold on the first plate, some small freckles without gravity affecting mainly the edges and margins of the First printinging of Hans Arp Full copy of his prayer to insert. Illustrated book of 10 drawings by Hans Arp. Autograph signed by Tristan Tzara to the Belgian dadaist Georges Marlier: "To G. Marlier sympathetically, Tristan Tzara, July 1929." *.

27x19 cm. 75, (6) pp. With 4 plates by Arp, coloured by him. Original wrappers. One leaf with marginal tear, otherwise vey good. Printed in 130 numbered copies, this is no. 50, signed by Arp.

Folio. M. 12 Orig.-Farbradierungen v. Bernhard Jäger. 39 S. Farb. OPp. m. DPräg. in HLwd.-Schuber.(v. Michael Knop, Berlin). Nr. 22 v. 50 (GA 58) Exempl., im Druckverm. v. B.Jäger signiert. tadelloses Exempl., Gestaltung v. M.Gubig. - Bernhard Jäger (gebr. 1935 München, lebt u. arbeitet in Frankfurt/M.), Maler, Grafiker u. Bildhauer, 1961 gemeinsam m. Thomas Bayrle Gründung der Gulliver Presse.

couverture souple. Kra | Paris 1929 | 13 x 19 cm | broché | Edition originale sur papier courant,après la destruction du tirage de 1923, suite à une querelle entre Tzara et l'éditeur. Double envoi autographe signé et daté de Tristan Tzara, d'abord à Paul Éluard - Ğà Paul Éluard. Tristan Tzara. Juillet 1929ğ - puis, après avoir biffé cette première dédicace, à René Char en septembre 1934: Ğà René Char avec toute l'amitié grande de Tristan Tzarağ. Ce second envoi est enrichi d'un petit dessin par Tzara, une main qui désigne de l'index le nom de Char. * À l'automne 1934, quand Tzara dédicace l'ouvrage à Char, les deux poètes commencent à s'éloigner du surréalisme. Ils forment alors, avec René Crevel et Roger Caillois, un petit groupe très critique à l'égard d'André Breton et notamment de ses positions sur le Parti communiste. Tzara comme Char quittera le mouvement quelques mois plus tard, jugeant le surréalisme contraire à la révolution. Bel exemplaire d'une provenance remarquable, superbe preuve du rapprochement décisif dans l'histoire du surréalisme de Tzara et de Char. | [ENGLISH DESCRIPTION FOLLOWS] First edition on ordinary paper, issued after the destruction of the 1923 printing following a dispute between Tzara and the publisher. Double autograph inscription, signed and dated by Tristan Tzara, first to Paul Éluard Ğ à Paul Éluard. Tristan Tzara. Juillet 1929 ğ then, after striking through this initial dedication, to René Char in September 1934: Ğ à René Char avec toute l'amitié grande de Tristan Tzara ğ. This second inscription is further embellished with a small drawing by Tzara, a hand pointing with its index finger to Char's name. * In the autumn of 1934, when Tzara inscribed the book to Char, both poets were beginning to distance themselves from Surrealism. Together with René Crevel and Roger Caillois, they formed a small group openly critical of André Breton, in particular his stance on the Communist Party. Like Char, Tzara would leave the movement a few months later, deeming Surrealism incompatible with revolution. A fine copy of exceptional provenance, a superb testament to the decisive rapprochement of Tzara and Char in the history of Surrealism.

Soft cover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. 8° - unpag. - 6 + 6 Original lithographs Marcelle Cahn schuf zum Gedicht von Hans Arp / 6 + 6 Original Lithographs created by Marcelle Cahn for poem by Hans Arp. First edition published in 100 copies, the first 25 copies with one extra suite of the 6 original Lithographs each signed and numbered (our's N° 21) by Marcelle Cahn (1895-1981) French painter and one of the members of Abstraction-Création. Original boards. As New ! Signed by Author(s).

Hardcover, 8.5 x 9.75, 126 pages. The catalogue from his Museum of Modern Art retrospective, featuring many of his most famous works. Arp has drawn a large, abstract sketch - a delightful example of one of his 'automatic drawings' - on the front free end page in pencil, signed and inscribed below "to florence and dick, j. arp". - Autographic condition: some trivial brushing to the graphite in the signature; boos is in excellent condition. Yellow cloth-covered boards; edges rubbed, with tiny tears in cloth at corners and spine-ends; gently shaken with small tear in paper over rear hinge; slightly yellowed. In protective plastic sleeve. Sprache: fr.

Hardcover. Condition: Good. Hans Arp / Jean Arp (illustrator). 1st Edition. hANS ARP (aka JEAN ARP) : BEHAARTE HERZEN 1923 - 1926. KONIGE VOR DER SINTFLUT 1952 - 1953. FRANKFURT: Meta Verlag, 1953. First Edition. Text in German. LIMITED EDITION. This is copy #62 of 500 copies (there was also a special edition of 100 copies that included an additional woodcut laid-in). Includes an ORIGINAL FRONTISPIECE WOODCUT by JEAN ARP [Poisson / Fish]. [Arntz, Hans (Jean) Arp, Das Graphische Werk 1912-1966, p.182, no. 180-181]. Hardcovers, marbled paper covered boards, sewn binding, 8 1/8 x 10 inches, 52 pages. GOOD condition, light soiling to the covers, light edge toning to the inner pages, overall holding well with the sewn binding, bright, clean, clear and unmarked. A wonderful and rare Arp limited and numbered edition from 1953. Hans Peter Wilhelm Arp, b.1886 d.1966, better known as JEAN ARP in English, was a German-French sculptor, painter, and poet. He was renowned as a Dadaist and an abstract artist. - Wikipedia. Signed by Author(s).

4°, Leinen, gebundene Ausgabe. XXI S. : mit Abb., 145 S. Abb. mit Text, Titelb. , Schutzumschlag etwas berieben u. knickspurig, Papier mit leichter Randbräunung, sonst sauber und gut erhalten. Mit datierter Widmung von Fr. Marguerite Arp auf dem Titelblatt. Sie war anläßlich der Übergabe der Skulptur "Clef de Jaquemart" durch Ministerpräsident Helmut Kohl an die Stadt Mainz, aus Paris angereist und hat an diesem Tag das Buch signiert. Beiliegend: 2 Einladungskarten zu der Übergabe u. zwei Zeitungsauschnitte, die die Übergabe beschreiben. Sprache: Deutsch Gewicht in Gramm: 3000.