Barlingay (25 results)

Condition: New. pp. 94.

Hardcover. Condition: New. 94pp.

Condition: New. pp. xxvi + 374.

Condition: New. pp. xxvi + 374 Index 1st Edition Text in English and Sanskrit.

Condition: New. pp. xxvi + 374 Acknowledgements Epilogue.

Condition: New. pp. x + 371.

Condition: New. pp. x + 371 Index 1st Edition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. New Delhi, IN: D.K. Printworld (P) Ltd, 2007. Hard Cover w/ DJ. First published in India in 2007 (stated), 8vo, 374 pp. Text in English and Sanskrit. Bound in maroon cloth with gilt spine titles; binding sturdy. Front cover shows a faded strip near the lower edge and light soiling along the top on the front and back, with minor edge wear and bumped corners (see images). Patterned endpapers are clean with a small bookstore sticker at the upper right front. Pages are clean and unmarked?no names, bookplates, or library markings; not ex-library but are not completely flat due to a publishing flaw. Dust jacket is clean and bright with light rubbing and a small bookstore sticker on the rear flap, protected in a fresh Brodart archival mylar cover. Book introduces key ideas in Indian aesthetic theory, including concepts of beauty, art, and emotional experience (rasa). The book explains classical Sanskrit theories alongside modern interpretations, showing how art evokes meaning and feeling across literature, drama, and visual forms. The book is in stock and ships within 24 hours in a new box.

Condition: New. pp. x + 371.

Soft cover. Condition: New. ISBN:9788124603789.

Hardcover. Condition: New. ISBN:9788124601075.

Condition: New. pp. xxvi + 374.

Condition: New. pp. xxvi + 374 Index 1st Edition Text in English & Sanskrit.

Condition: New. pp. xxvi + 374 Acknowledgements Epilogue.

Condition: Fair. 1965. First Indian Edition. 238 pages. Illustrated dust jacket over brown cloth boards. Gilt lettering. Clean pages with light tanning and mild foxing throughout. More pronounced to free endpapers and pastedowns. Ink stamp inscription, pen and pencil marks to front free endpaper and pastedown. Moderate tape marks to free endpapers. Binding remains firm. Boards have mild edge-wear with slight rubbing to surfaces and bumping to corners. Gilt lettering is bright and clear. Visible wear marks to boards. Unclipped jacket. Panels and spine have light edgewear with tears and creases. Moderate tanning and wear marks to flaps, panels and spine.

Hardcover. Condition: New. ISBN:9788124603772.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good-. First Edition; First Impression. Shelfwear to spine, covers, corners. Light wear to dustjacket. ; A critical re-examination of the major classical Indian philosophical schoolsfrom Carvaka, Jain and Buddhist systems to Nyaya, Yoga, Sa and Vedanta to name a few. Barlingay questions conventional "Indian" labels, exploring how these doctrines grapple with broad issues of epistemology, metaphysics and valuessuggesting that their concerns transcend cultural boundaries. This edition offers an accessible yet rigorous overview for students and scholars alike, emphasising logical clarity and historical depth. ; Octavo; x, 371 pages.

Hardcover. Condition: New. Dust Jacket Condition: New. 2nd Edition. Contents: Foreword. The threshold. 1. Reunderstanding Indian philosophy. 2. Concepts in the philosophy of Indian origin. 3. Some thoughts on the beginnings of religion, philosophy and culture in the Indian context. 4. The significance of Pratitya-Samutpada, Samanyalaksana and Apoha in Buddhism. 5. Some aspects of Gaudapada's philosophy. 6. A background picture of Jainism an Buddhism. 7. The theory of meaning in Indian grammar system. 8. The concepts of Duhkha, Trsna and Vaira as found in Dhammapada. 9. Buddhism and change. 10. Jiva and Ajiva. 11. Philosophy of Kundakunda. 12. The grammar of Indian moral concepts. 13. Maya-vada: a critical examination of the theory of world-illusion in post-Sankara period. 14. Sankara on prescriptive and descriptive sentences. 15. Vedantic theory and the practical Vedanta of Swami Vivekananda. 16. Paryapti relation. 17. Nyaya logic and epistemology. 18. The concept of Tarka. 19. Inductive elements in Indian logic. 20. The origin of Indian idealism. 21. Four phases of Hinduism. 22. Dialectics: Buddhist and Marxist. 23. Indian philosophy: retrospect and prospect. Index. Is it determined by any geographical boundaries? Does it emerge out of cultural patterns of the society? With such and other basic questions Prof. Barlingay analyses the concepts theories and trends in philosophy as they have developed in our sub-continent over the ages. Although this account of philosophy is called 'Indian' he emphasises that the issues discussed by the ancient and medieval philosophers are essentially abstract and there is nothing 'Indian' about this philosophy exclusively. Moreover, the understanding of Indian philosophy that has emerged in the past two centuries owes its direction and commitment to indologist of western orientation. Prof. Barlingay's aim is to overview the Indian philosophy as presented by ancient and medieval philosophers and not the 're-routed' interpretation. Hence, he refers to it as a 'Re-understanding'. In this challenging endeavor Prof. Barlingay has discussed in-depth and critically the basic issues and problems raised by the orthodox and unorthodox systems like Carvaka, Jain, Buddhism, Nyaya, Vaisesika, Samkhya, Yoga, Purva Mimamsa and Vedanta. The book is replete with his logical reasoning. Within its anthropological context the author establishes a epistemological, metaphysical and axiological significance of the Indian philosophy offering the reader a unique insight in the subject. (jacket).

Hardcover. Condition: New. Contents: Foreword. Preface. 1. Prologue. 2. Psychology of Bhavas. 3. Theory of poetry. 4. Rasa theory--historical survey. 5. Bharata's Rasa theory. 6. Bharata's Rasa theory (continued)--Dharmi, Vrtti, Pravrti and Siddhi. 7. Rasa theory--additional evidence continued. 8. Rasa theory--Bhattanayak and Abhinavagupta. 9. Post-Abhinavagupta development of Rasa theory. 10. Abhinaya. 11. Medium, language and parameters. 12. Observations and remarks: distinction between Rasa-dhvani and Rasa-siddhi. 13. Epilogue. Appendices. Bibliography. Index. "The foundation of the Indian aesthetic theory can be traced to Bharatamuni's Natyasastra where he gave his theory of beauty (theory of Rasa) which was later elaborately developed by learned scholars. In this work, Prof. Barlingay examines the development of the Rasa theory by various authorities on art and aesthetics and finally present his own critical understanding of it. The volume begins with a survey of the history of Indian art by examining painstakingly the relation between art and beauty, perception of time and space in art, and classification of arts. It then plunges into a detailed study of origin and development of Rasa theory: from Rasa in the Vedas and Upanisads to Bharata's Rasa theory and perspectives of Abhinavagupta, Bhattatauta, Bhatta Lollata, Kuntaka, Dandin, Mammata, Vamana, Rudrata, Visvanatha, Bhamaha, Jagannatha and others who enriched it further with their own theories. It explains how principles were employed and re-employed by the masters to reveal various meanings, inter-relationships, symbols, and perceptions of art. It highlights the salient features of each master's unique manner of interpretation of art concepts. The work is a must for scholars and students keen to study the fundamentals of concept and theory of Indian art, particularly with reference to drama and poetics.".

Hardcover. Condition: Acceptable. pen signature on title page, ex-library hardcover with usual stamps and markings This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Standard-sized.

Hardcover. Condition: Used - Very Good. Dust Jacket Condition: Fair. 1st Edition. First Indian Edition, textured tan board hardcover with white lettering. Dust jacket remnants laid in. Some moisture bubbling/lifting under glued-down end pages. 8.5 x 5.5 x 1. 238 pages.

Hardcover. Condition: New. Language: English, Sanskrit. THIS RARE/ANTIQUE BOOK PUBLISHED IN THE YEAR 1982 BY The Adyar Library And Research Centre HAVING 124 PGS AND SIZE 8.50*5.50 WRITTEN IN English, Sanskrit. THE BOOK IS IN READABLE CONDITION Originally in Softcover with some issues like loose binding and some Pin Holes. THE IMAGE OF THIS BOOK IS GIVEN FOR YOUR REFERENCE. WE CAN REBIND THE SAME IN LEATHER BINDING FOR EXTRA $ 25. 124.

Hardcover. Condition: New. Language: Sanskrit. THIS RARE/ANTIQUE BOOK PUBLISHED IN THE YEAR 1981 BY The Chowkhamba Sanskrit Series Office HAVING 101 PGS AND SIZE 8.50*5.50 WRITTEN IN Sanskrit. THE BOOK IS IN READABLE CONDITION Originally in Softcover with some issues like loose binding and some Pin Holes. THE IMAGE OF THIS BOOK IS GIVEN FOR YOUR REFERENCE. WE CAN REBIND THE SAME IN LEATHER BINDING FOR EXTRA $ 25. 101.

Hardcover. Condition: New. Language: English. THIS RARE/ANTIQUE BOOK PUBLISHED IN THE YEAR 1980 BY Malabar Hill HAVING 80 PGS AND SIZE 8.50*5.50 WRITTEN IN English. THE BOOK IS IN READABLE CONDITION Originally in Softcover with some issues like loose binding and some Pin Holes. THE IMAGE OF THIS BOOK IS GIVEN FOR YOUR REFERENCE. WE CAN REBIND THE SAME IN LEATHER BINDING FOR EXTRA $ 25. 80.

National Publ. House, New Delhi, 1976, in-8, rel. éd. ss. jaq., XVIII - 231 p. Bon ex.