Barney Matthew, Signed (15 results)

176 pp.; 31.1 x 24.8 cm; sewn bound; other special feature[s]; black-and-white & color; edition size 2000; signed and numbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, October 20, 2008 - February 3, 2009. Texts by Douglas Fogle, Jade Dellinger, Matthew Barney, Tom Eccles. "This book showcases the work of one of America's foremost up and coming sculptors. Contemporary Magazine said 'Edmier's work celebrates popular culture's intrusion into our dreams, the way media images insinuate themselves into our unconscious, like uninvited guests'. Major retrospective exhibition, 20th October to 3rd February at the Center for Curatorial Studies Museum, Bard College Annandale-on Hudson New York. This ambitious publication redefines the artist's monograph in the same way as Booth-Clibborn Editions 1999 Damien Hirst book. It contains many examples of Keith Edmier's sculptures as well as his drawings. It also has a unique silicone wrap round cover, a specially created plastic rose and a loose leaflet showing the installation Bremen Town included in the Bard exhibition. Keith Edmier is known for work that fuses collective memory with personal narrative. He is a romantic, making work that has elements of theatricality and wonderment brought about by a nuanced appreciation for the world that we inhabit. Edmier has had solo shows at Friedrich Petzel Gallery, New York; Sadie Coles HQ, London; Metro Pictures, New York; The Douglas Hyde Gallery, Trinity College, Dublin; Galerie Paul Andriesse, Amsterdam; and Neugerriemschneider Gallery, Berlin. Recent group exhibitions include 'Mike Kelley - The Uncanny,' Tate Liverpool, Liverpool; 'Precarious Sculpture,' Kunsthalle Vienna; Whitney Biennial, Whitney Museum of American Art, New York; 'The Americans,' Barbican Gallery, London; 'Casino 2001: 1st Quadrennial of Contemporary Art,' Stedelijk Museum Voor Actuele Kunst and Bijloke, Gent, Belgium and 'Fact/Fiction: Contemporary Art That Walks the Line' at San Francisco Museum of Modern Art, San Francisco.He attended California Institute of the Arts in Valencia, California. Edmier was born in Chicago and lives and works in New York.' -- publisher's statement. New / Fine. In publisher's shrink wrap. Due to large size and weight additional shipping charges may be required.

Soft cover. Condition: Very Good. Publication accompanying exhibition at the Walker Art Centre. Paperback in moulded plastic slipcase. Story told through full page colour photographs with several fold-outs. Signed by Matthew Barney in black marker on title page. Slipcase is pristine. Light edge wear to covers. Other than signature, no marks to inside pages. No reading crease to spine. Binding is firm. s159. Signed by Author(s).

Soft Cover. Condition: Fine. First Edition. wrappers/folded card covers, sewn binding, as issued., no flaws - clean, no writing or markings, tight binding, an unused copy.; this copy is signed by matthew barney in black ink, on the title page.; unpaginated, profusely illustrated in color with stills from the film. Size: Oblong 8vo. Signed by Author.

Couverture souple. Condition: Très bon. Edition originale. Un volume broché sous couverture plastique, format à l'italienne. Ouvrage signé par l'artiste. Première édition de ce catalogue publié à l'occasion de l'exposition tenue au Walker art center, à Minneapolis, du 18 juillet au 17 octobre 1999. Très nombreuses reproductions en couleurs. Signé par l'auteur.

Hardcover. Condition: Fine. Dust Jacket Condition: fine. 1st. Signed.

softcover. Condition: Sehr gut. ca. 200 p. Catalogue signed by Matthew Barney on title page. The blue plastic slipcase is included. The CD is signed by Matthew Barney and Jonathan Bepler and includes an extra small catalogue insert. In near mint condition. Sprache: Englisch Gewicht in Gramm: 1128.

SOFTCOVER. Condition: NEW. Dust Jacket Condition: NEW. 1st Edition. Signed by Matthew Barney on the title-page (no other marks or inscriptions). Published to accompany the touring exhibition of the same name which started at Museum Boymans-Van Beuningen (21 October 1995 - 1 January 1996)). Medium size 4to in colour printed card covers, 92pp on various types of paper, plates in colour and b/w (some folding), with the semi-opaque half-height printed plastic sleeve. Dual text in Dutch and English . [CONDITION: AS NEW in an AS NEW plastic sleeve. An excellent copy ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . NOTE: Depending on destination this item may require an extra payment for insurance. If so, orders made by card will be completed only after you have approved any such extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardbound in cloth-covered boards. First edition. One of 50 numbered copies signed by Barney. Profusely illustrated throughout. As new in publisher's slipcase (barely perceptible tiny blemish to slipcase). A handsome production.

Condition: Fine. First Edition. Artist-book exhibition catalog for Barney's traveling show of 2005-06. Wraps. 8vo. Flexible plastic wraps. 161pp. With full-color illustrations. Fine. SIGNED by Barney to title page. Signed.

Hardcover. Condition: As New. 1st Edition. 1st Printing. Signed. Unpaginated. Published in 2007. Artist Book. The fourth volume in Matthew Barney's continuing "Drawing Restraint" Series. Limited Slipcased Edition of 50 numbered and signed copies. Should not be confused with the Limited Edition of 1000 copies. There is no ISBN. The Limited Edition is now rare. An exquisite production by Matthew Barney and Jerry Kelly: Regular-sized volume format. Japanese raw silk cloth boards with metallic-silver titles embossed on spine, as issued. Art and text by Matthew Barney. Black hardboard slipcase. Printed on pristine-white, thick coated stock paper to the highest standards. Without DJ, as issued. Presents Matthew Barney's "Drawing Restraint Volume IV". New work that is part of "Drawing Restraint 9". "There are two chief aspects to Barney's work: One is his creation of sculptural objects and physical ordeals. The other is his performances, which incorporate the objects and ordeals. The performances are complex rituals that symbolically enact processes of artistic creation and personal transformation. Since its inception, the Drawing Restraint Series has united these two aspects of Barney's work. Barney's exquisite drawings are surrealistic evocations of the film's nautical setting, Japanese ceremonies, and aquatic transformations. The book also contains the first published images from Barney's latest project, Drawing Restraint 13, which he filmed at the Barbara Gladstone Gallery in the Spring of 2006, and publicly screened for the first time at his San Francisco retrospective in the Fall. The film shows Barney's continuing interest in dramatic encounters involving Westerners coming into contact with Japan. He plays General MacArthur in a performance that draws upon two historically significant moments from the late stages of World War II. The first is the landing on the beaches of the Philippines, a moment that established MacArthur's legend as he reclaimed territory for the United States earlier conquered by Japan. The second is MacArthur's acceptance of the articles of surrender from Japanese officials on board the USS Missouri, the ceremony that ended the war. Drawing Restraint Volume IV incorporates the best traditions of fine press printing. Facsimiles of drawings and letters are printed in LetterPress on Japanese paper and accompanied by lush duotone plates" (Publisher's blurb). Barney-become-MacArthur recalls the artist's interest in the fluidity of gender role-playing, which is pronounced in his early work and central to "Cremaster". If there is a symbol of masculinity at its most self-conscious, imperious, and flamboyant, it has to be General Douglas MacArthur. It is precisely because of these qualities that MacArthur is, willy-nilly, evoking femininity at the same time. MacArthur was a beautiful man, and so is Barney, whose transformation as MacArthur is utterly convincing. An absolute "must-have" title for Matthew Barney collectors. This is a copy of the Limited Slipcased Edition, indicated/numbered as such in black ink-pen on the title page itself. It is very prominently and beautifully signed in pencil by Matthew Barney. This title is a contemporary art classic. This is one of few copies of the Limited Slipcased Edition still available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. One of the most brilliant American artists of our time. A fine collectible copy. (SEE ALSO OTHER MATTHEW BARNEY TITLES IN OUR CATALOG). Signed by Author.

First edition. Oblong 4to. Color film stills throughout. Publisher's illustrated wrappers; fine Signed ("Matthew Barney") on the title-page.

No Binding. Condition: As New. 1st Edition. This round CD disk is hand SIGNED by Matthew Barney and Jonathan Bepler; limited edition of 500 unnumbered copies; disk is illustrated with cowboy on a bull (signature next to cowboy); with a small 24pp catalogue insert, reproduced with some of the images from the large version; housed in a clear plastic CD holder ( 5-3/4 x 4-7/8in); with 10 musical numbers (playing time 58.40min); the CD was originally published to accompany the exhibition and catalogue; music on CD: 1) Compression Prelude (organ music) 2) Seance (organ music) 3)The Man In Black (lyrics, drums, vocal & bass and bee programing) 4) The Ballad of Gary Gilmore (lyrics and vocals) 5) Deseret Hymn (lyrics, tabernacle Bass choir,& organ music) 6-7) Interlude Saline (organ music) 8) The Executioner's Step ( lyrics, vocals, and Norian Philharmonic 9) The Drone's Exposition ( organ music) 10) Postlude Retreat ( organ & Norian Philharmonic); PROVENANCE: purchased from Printed Matter, NY City; in EXCELLENT COND. Signed by Author(s).

4°. Mit originaler Kunststoffbanderole. Minimale Gebrauchsspuren. Mit eigenh. Signatur des Künstlers.

No Binding. Condition: As New. 1st Edition. This LP record is hand SIGNED by both Matthew Barney and Jonathan Bepler on the center of the disc (hand engraved into vinyl); limited edition of 500 numbered copies also hand engraved into the vinyl on the side with man & bees (this is # 362/500); this is a two-sided vinyl picture-dis (12 in circular) and "folio jacket" ( 13 x 13in: closed) printed in four-colors on paperbound; "The disc includes images from Barney's CREMASTER 2 and Bepler's remixes from the film's soundtrack, featuring drums by Slaer's bad-ass drummer Dave Lombardo. The gatefold features a picture of Barney as Gary Gilmore, sitting in a car with his pants pulled down, his member reduced to a miniscule size."; LP &, slipcase in EXCELLENT COND. Signed by Author(s).

Condition: gut. Ostfildern, Cantz 1995. - "Eine Inszenierung des schöpferischen Prozesses" (Klaus Kertess). 1 von 50 numerierten Exemplaren, das Multiple verso signiert und numeriert. - Exemplar mit der oft fehlenden Banderole. Text in Deutsch und Englisch. - Die abgebildeten Szenen aus dem Kampf zweier bzw. dreier Satyrn in einem blauen Cadillac sind Filmstills aus einer gleichnamigen Videoinstallation. "Das vorliegende Buch ist die andere Version (keine Dokumentation) eines Videos (mit Stills daraus), das Teil einer Installation ist. Die Buchform zwingt der Handlung eine mehr lineare, aneinandergereihte Erzählfolge auf. Das Video ist eher zyklisch angelegt, und der Eindruck der Abgeschlossenheit, der der Anlage eines Buches von Natur aus innewohnt, ist hier weniger ausgeprägt. Die Handlung ist im Buch eingefroren und muß vom Betrachter (wieder) in Gang gesetzt, ausgemalt und vollendet werden. Die Bewegungslosigkeit läßt die ins Bild gebannten Figuren sogar noch skulpturaler erscheinen als in der zum Leben erweckten Skulptur (beziehungsweise in dem zur Skulptur erweckten Leben), die auf dem tonlosen Video zu sehen ist." (Aus der Einleitung von Klaus Kertess). EINBAND: Illustrierter Orig.-Karton, eingeschoben in signiertem Buch-Kunst-Objekt des Künstlers (numeriertes Multiple aus weißem Kunststoff mit türkisfarbenem Satinband). 23 : 30,5 cm. 1 of 50 numbered copies. Illustrated with videostills this book is another version of an installation of the same name and "presents an enactment of the process of making" (Klaus Kertess). Illustrated orig. boards, inserted in a signed and numbered case object by the artist (multiple made of white plastic with turquoise satin ribbon). 800 Gramm.