Barron Edited (106 results)

Softbound. Condition: Very Good. Octavo, paper covers, xiv, 346 pp.

Paper. Condition: Good. Good paper copy ex. cat 288 pp, profusely illus. in B/W.

Hardback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Soft cover. Condition: Near Fine. Cover art by Gary Dumm (illustrator). 1st Edition. FL. Florida Atlantic University, April 1984 First Edition, First Printing 42 pages Cover art by Gary Dumm. A near fine copy with light dust soiling to the covers. See Photos mag 13 / E.

Soft cover. Condition: Near Fine. Cover art by George Barr and Tim Kirk (illustrator). 1st Edition. FL. Florida Atlantic University, March 1984 First Edition, First printing 42 pages Cover art by George Barr and Tim Kirk. A near fine copy with light dust soiling to the covers. See Photos mag 13 / E.

Soft cover. Condition: Near Fine. Cover art by Ken McGregor (illustrator). 1st Edition. FL.Florida Atlantic University, May 1984 First Edition , First Printing 42 pages mag 12art by Ken McGregor. A near fine copy with light dust soiling to the covers. See Photos Mag 12/ E.

Soft cover. Condition: Near Fine. Cover art by Hank Jankus (illustrator). 1st Edition. FL., Florida Atlantic University, January 1985 First Edition 54 pages Cover art by Hank Jankus. Contents page in the photos. Magazine dated January 1984 printing error. A near fine copy with light wear. See Photos Mag 21/ E.

Trade Paperback. Condition: Very Good. Barron Kroky (Book Design) (illustrator). 281+ pp. Tightly bound copy with clean and crisp pages. Clean text. Occasional highlighting and a slightly creased spine. Foxed fore edge.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Mass Market Paperback. Condition: Very Good. Louisa Hare (Cover Image) (illustrator). 28th Printing. 186 pp. Solidly bound copy with minimal external wear, crisp pages and clean text. Light foxing on page edges.

PB. Condition: very good, wraps (softcover). B&W illustrations (illustrator). 288pp ISBN 0875870953 This exhibition catalogue describes the goals and efflorescence of Russian modernism and its waning in the late 1920s when the avant-garde impulse was no longer tolerated by the Soviet government.

Hardcover. Condition: Good. 1st Edition. 6 X 9 inches. 544 pages. Orange cloth hardcover with black type, No DJ Hardcover. First Edition, published May, 1930. Illustrated with color and black & white plates. Frontispiece photo portrait of Henry Correvon. Withdrawn library copy with stickers cover and stamps on end pages. Internal sheets all clean.

Hardcover. Condition: Fine. Dust Jacket Condition: As New. 1st Edition. Gift quality; jacket in fine mylar cover.

Hard Cover. Condition: Very Good. No Jacket. Color and b&w illustrations (illustrator). Second Printing. [xvi], 544pp [1935 ink ownership inside front cover; mild soiling to yellow-orange covers] Size: 8vo - over 7¾" - 9¾" tall.

Cloth. Condition: Very Good. No Jacket. Various Artists (illustrator). Cloth. Good+/No Jacket. 8vo - over 7¾" - 9¾" tall. hundreds of black & white illustrations, photos, color frontispiece.

Hardcover. Condition: Fine. 1st. Pictorial boards, 112 pages, illustrations; 26 cm. Catalogue produced to coincide with the exhibition: Unseen: London, Paris, New York, held 20 May to 27 August 2016 at Ben Uri Gallery & Museum. Firm binding, clean inside copy. Profusely illustrated. *** "The first publication to bring together three major twentieth-century photographers - Wolfgang Suschitzky, Dorothy Bohm and Neil Libbert - presenting their artistic responses to three great world cities across three crucial decades. Today, London, Paris, and New York are so familiar that it is hard for a modern viewer to imagine them afresh without the visual expectations fostered by art, film and advertising in the digital age. Yet when each of these photographers arrived at their respective destinations, they found cities that were strange and new to them and responded by photographing them without prejudice or expectation. The photographs reveal that all three cities were not only places of social division and political tension, but also of beauty and magic. The publication and exhibition includes many works never previously exhibited in the UK, and each series presents an opportunity to view an aspect of the work of a renowned photographer in real depth." - Publisher. Size: 4to. Collectible.

Softcover. 2nd printing. vii, [1], 69 p.; 18 cm. Index, p. 67-69. [later editions as: The Unitarian Universalist pocket guide] Good, side stapled, in orig. gray on ivory wrapper.

Softbound. Condition: Very Good. Small quarto, paper covers, 288 pp., b/w illustrations throughout, chronologies, selected biblography.

Paperback. Condition: fine. 2015 Soft Cover Edition. Very small bump to bottom cover edge. Pages unmarked. Looks new. No Expedited Shipping.

Paperback. Condition: Good. Card covers in tidy condition, a little sunned on the spine Size: 8vo - over 7¾" - 9¾" tall.

Soft cover. Condition: Near Fine. Glenna Barron (illustrator). **Bundle Up & Save On Postage** A very nice soft cover copy with plastic spiral binding, without flaw, 8.5 X 11" 150 pages. CLARA the Canadian Ladies' Amateur Radio Association, has brought together female amateur radio operators from across Canada and around the world helping them form lasting friendships. To celebrate the 40 year mark, CLARA members share their favourite family recipes with each other and with you. Spiced with humour, this useful book brings you interesting historical perspectives on a variety of dishes and foods. Each recipe has contributor's name and call number.

Soft cover. Condition: As New. No Jacket. 1st Edition. dj: none. book: oversized as new paperback. heavy.

Softcover. Condition: Fine. Volume 2, Nos. 1 and 2 (in one volume). Octavo. 92pp. Printed stapled wrappers. Ownership signature of a noted American psychologist and co-founder of the American Academy of Psychotherapists on the cover. Wrappers lightly toned at the spine, about fine. Proceedings of the third and fourth annual conferences of the American Academy of Psychotherapists. *Annals of Psychotherapy* Monographs 3 and 4.

Softcover. Condition: Near Fine. Exhibition catalog. 288pp. Illustrated in black and white. Spine faded, near fine in wrapper.

First edition with an A in the number line; small 4to.; cloth covered boards, hardcover; 463 pages; black and white photographic illustrations; very good in a very good unclipped dust jacket.

Paperback. 79p., wraps, 5.5x8.5 inches, illus., very good condition. Text in Spanish. Published by a landscaping company to provide training and inspiration to their Spanish-speaking employees in the form of a fictional story about an immigrant who achieves personal and professional success in the US.

Paperback. Condition: Fine. 1st. 239 pages, illustrations (chiefly colour); 29 cm. Published on the occasion of an exhibition organized by the Peabody Essex Museum, Salem, Massachusetts, in collaboration with The Nelson-Atkins Museum of Art, Kansas City, Missouri, and the Amon Carter Museum of American Art, Fort Worth, Texas. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** CONTENTS: The young executive and me, by Rob LaZebnik; Hollywood journey, by Thomas Hart Benton; True west: Thomas Hart Benton and American epics, by Austen Barron Bailly; John Ford, Thomas Hart Benton, and the American frontier, by John Herron; The Grapes of Wrath in pictures, by Margaret C. Conrads; "Dem shoes": Thomas Hart Benton's Romance, by Richard J. Powell; Movie culture in the segregated era, by Matthew Bernstein; Mining the dream factory: Thomas Hart Benton, American artists, and the rise of the movie industry; The Hollywood "notes", by Janet C. Blyberg; Machinery of the industry, by Leo G. Mazow; Thomas Hart Benton and the art of painting cinematically, by Jake Milgram Wien; The year of painting furiously: Thomas Hart Benton, 1942, by Jake Milgram Wien; Negro soldier: American manhood personified, by Pellom McDaniels III; Why I live where I live, by Griel Marcus; Benton, Hollywood, and history: a timeline, by Sarah N. Chasse. Size: 4to. Collectible.

Softcover. Condition: Fine. Volume 4, No. 2. Slim octavo. 30pp. Printed stapled wrappers. Ownership signature of a noted American psychologist and co-founder of the American Academy of Psychotherapists on the cover, wrappers very faintly toned at the edges, about fine. Proceedings of the sixth annual conference of the American Academy of Psychotherapists. *Annals of Psychotherapy* Monograph No. 6. Features two pages of comments by Alan Watts.

Hardcover. Condition: Good. Small quarto. 402pp. Pictorial blue cloth stamped in faded gilt with color illustrated label on front board.Pages one and two partially unopened with tear, spine and edges faded, corners and spine ends worn, a good only copy.

Paperback. Condition: NEW. 415 pages, illustrations; 25 cm. Published in conjunction with the exhibition "Made in California" held October 22, 2000 to March 18, 2001. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** "This companion volume to the exhibition Made in California: Art, Image, and Identity,1900-2000 at the Los Angeles County Museum of Art offers in-depth, illustrated essays on the making of California culture in the twentieth century. Written by a stellar cast of art historians and scholars in the humanities, the essays look closely at the forces that shaped fine art and material culture in California. The contributors weave their subjects around themes that are central to the milestone exhibition: the California landscape--both the natural and built environments--and the state's cultural and political relationships with Latin America and Asia. These provocative essays cover topics such as counterculture architecture, Watts Towers, border culture, identity and gender issues, the role of schools in California art, auto tourism, Hollywood, music, Beat culture, politics, literature, photography, and much more. Accessibly written and intellectually engaging, these essays sharpen our understanding of California in the twentieth century and bring together many diverse, yet interrelated, aspects of its art and culture./ Stephanie Barron is Senior Curator of Modern and Contemporary Art and Vice President of Education and Public Programs at the Los Angeles County Museum of Art. Sheri Bernstein is Exhibition Associate. Ilene Susan Fort is Curator of American Art. Howard N. Fox is Curator of Contemporary Art. Michael Dear is Director of the University of Southern California's Southern California Studies Center and author most recently of The Postmodern Urban Condition (2000). Richard Rodriguez is author of Days of Obligation (1992) and Hunger of Memory (1982), and is a frequent contributor to Harper's, The New York Times,and The News Hour on PBS." - Publisher. *** CONTENTS: Carey McWilliam's California: the light and the dark, by Kevin Starr; Altered state(s): California art and the inner world, by Ilene Susan Fort; Landscapes of consumption: auto tourism and visual culture in California, 1920-1940, by John Ott; California welcomes the world: international expositions, 1894-1940 and the selling of a state, by Carolyn Peter; Art school sketches: notes on the central role of schools in California art and culture, by Paul J. Karlstrom; All about Eden, by Blake Allmendinger; California through the lens of Hollywood, by Dana Polan; Music, migration, and myth: the California connection, by George Lipsitz; On location: the placement (and replacement) of California in 1930s photography, by Sally Stein; Crooning kings and dancing queens: San Francisco's Chinatown and the Forbidden City theater, by Anthony W. Lee; "Shocking 'Beat' art displayed": California artists and the Beat image, by John P. Bowles; Alternative shelter: counterculture architecture in Northern California, by Margaret Crawford; Dreamworks: a concept of concept art in California, by Howard N. Fox; A place in the sun: the Los Angeles art world and the new global context, by Lynn Zelevansky; Manzanar inside and out: photo documentation of the Japanese wartime incarceration, by Karin Higa and Tim B. Wride; The art of political engagement, by Peter Selz; From beats to borders: an alternative history of Chicano art in California, by Chon A. Noriega; Picturing the Watts Towers: the art and politics of an urban landmark, by Sarah Schrank; Gold fevers: global L.A. and the noir imaginary, by Norman M. Klein. Size: 8vo.