Barry Mahon (32 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condition: New. New copy.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust Jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9781856044875.

Hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condition: Very Good. No marks or dust jacket splits. Minimal use.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 4to. - measuring over 10 3/4 in. x 11 in. 199 pp., gray boards with gilt stamped lettering on the front panel and spine. Illustrated throughout with b/w and color reproductions. A lovely copy in Fine condition in a Near Fine dust jacket.

Hardcover. Condition: VG. Dust Jacket Condition: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Hardcover. Condition: New. Dust Jacket Condition: New. New oversized hardcover with gray cloth to boards and gilt lettering to spine and front cover in a new dust jacket. 4to. (11.33 x 10.82 x 0.9 inches) Clean text free of marks or underlining. Exhibition catalog from Amon Carter Museum of American Art and the Saint Louis Art Museum. Color photos and illustrations on heavy glossy paper. Includes an exhibition checklist and an index. 200 pp. Fast shipping in a secure book box mailer with tracking. A new look at George Caleb Bingham's iconic river paintings and his creative process in making them George Caleb Bingham (1811-1879) moved to Missouri as a child and began painting the scenes of Missouri life for which he is now famous in the 1840s. Navigating the West explores how Bingham's iconic river paintings reveal the cultural and economic significance of the massive Mississippi and Missouri waterways to mid-19th-century society. Focusing on the artist's working methods and preparatory drawings, the book also explores Bingham's representations of people and places and situates these images in a dialogue with other contemporary depictions of the region. Of particular note are two landmark essays investigating Bingham's creative process through comparisons of infrared images of 17 of his paintings with both his preparatory drawings and the completed works, casting new light on his previously understudied process. Technical analysis of the artist's lauded masterpiece, Fur Traders Descending the Missouri, reveals Bingham's considerable revisions to the painting. In the concluding essay, the 20th-century revival of the artist's work is discussed within the context of American Regionalism and in light of a shifting sequence of narratives about the nation's past and future.

Condition: Like New. Like New. Clean, Tight and Neat. Five star seller - Buy with confidence!

Broschiert. Condition: Gut. 135 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Neben dem oben aufgeführten Aufsatz befinden sich auch weitere Beiträge auch anderer Autoren in dem Werk. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 215.

Hardcover. Condition: Good.

Hardcover. Condition: Near Fine. Dust Jacket Condition: As New. Sealed in the original shrink wrap.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 11.3 X 10.8 X 0.9 inches; 200 pages.

Hardcover. Dust Jacket Condition: New. Demy folio, [27.75cm/11inches], full gilt-embossed grey flannel with mylar-protected dust jacket, pp. 199, indexed. Illustrated with b-w halftones, colour plates &tc. Please feel free to ask for particulars and/or additional photographs. . The Wall Street Journnal noted: "The painting is George Caleb Bingham's "Fur Traders Descending the Missouri" (1845), one of the treasures of the Metropolitan Museum of Art's American collections and a high point of the fascinating exhibition "Navigating the West: George Caleb Bingham and the River," on view at the Met through Sept. 20. Organized by the Amon Carter Museum of American Art, Fort Worth, Texas, and the Saint Louis Art Museum, St. Louis, Mo., the show concentrates on Bingham's images inspired by the waterborne traffic on the Mississippi and Missouri riversin his lifetime, the great highways of the American frontierand the men who worked on the rivers' flatboats and rafts." (by Karen Wilkin Aug. 25, 2015).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. In excellent almost unused condition.

Hardcover. Condition: Very Good.

new book 24 hour despatch.

Hardcover. Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: New.

4°, cloth, dustjacket. 200 pp Bump to one edge. Sprache: Englisch Gewicht in Gramm: 2000.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Yale University Press, New Haven, 2014. 11-14" x 10-3/4", 199 numbered pages. This likely first edition book is in "As New" condition. The exterior is flawless: no corner bumps, edge dings, scrapes, fading or discoloration of any sort. It is bound in one-piece dark gray cloth with gilt lettering on the spine and front panel. This book was created for a 2014 exhibit at both the Amon Carter Museum of American Art and the Saint Louis Art Museum. It is a detailed academic analysis of Bingham's work, with numerous color plates and photos of his drawings. The interior is completely free of writing, stray marks, stains of any sort and page damage of any type. The "As New" quality jacket is also pristine: it is completely free of chips, tears, creases, folds, scrapes or any other sort of damage. It retains its original matte finish.

Vintage studio still photograph from the 1963 film. Provenance stamp on the verso. A "nudie cutie" from exploitation director Barry Mahon. An art dealer is attempting to create a scandalous art exhibition on the subject of the female form and asks local artists for paintings of nude women. Shot on location in New York City. 8 x 10 inches. Very Good, with an opaque residue from a remove label over the actress' breast on the recto.

Hardcover. Condition: New.

Condition: Good. Grade: Good. Est. Dimension: (27" x 41" or 27" x 40" (inches) if printed after 1980's) Year Printed: 1970 Printed: Single Sided Director: BARRY MAHON Original: Yes Shipped: Flat Product & Description Synopsis: Retelling of the classic children's tale from a 1960s psychedelic viewpoint. (Musical) Condition Specifics: Poster folded in good condition. There may be small scuffs to edges and fold, scuffing more damage than would be expected in specific areas, small holes at the corner of the folds, but overall the poster is in good condition for age. Please carefully inspect images before purchasing whilst remembering all posters are original and therefore used. Shipping: All items are professionally packaged to ensure zero damage, in the unlikely case that your items arrive damaged please do get in touch so we can help resolve the matter.

Vintage studio still photograph from the 1961 film. The mistress of a Louisiana plantation raises her brother from the dead in a voodoo rite, planning to use him to maintain control over the property. A Z-budget regional horror film shot on location in New Orleans, and produced by Mardi Gras Films, an independent studio that only financed one other movie-"Face of Fire" in 1959. Considered lost for many years, the film was rediscovered and released on Blu-ray by Severin in 2023. 10 x 8 inches. Near Fine.

Vintage studio still photograph from the 1964 film. A tutorial by a photographer on how to make a "nudie cutie" movie. Shot on location in New York City and Miami, Florida. 8 x 10 inches. Very Good, with diagonal creases at the bottom corners.

Two vintage studio still photographs from the 1965 film. A fake documentary of clips reputedly censored from various films, all shot by director and producer Barry Mahon (pictured in the second photo here). Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear.

Five vintage studio still photographs from the 1964 film. Printed label crediting "Bunny Yeager Photography" affixed to photograph versos. A magazine hires photographer and erstwhile pinup model Bunny Yeager to shoot a pictorial on the showgirls of Las Vegas, leading to a number of nude hijinks. Yeager was one of the first pinup photographers to work outdoors, in natural light, and subsequently became one of the most successful and prolific pinup photographers of the 1950s and 1960s. Yeager is perhaps best remembered today for her 1954 photographs of a then little-known Bettie Page, shooting a number of images which ran in "Playboy" magazine and would lead to Page's later stardom. Set and shot on location in Las Vegas and at the Hoover Dam. 10 x 8 inches. Near Fine.