Bartlett Hayes (146 results)

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condition: Used - Good.

hardcover. Condition: Like New. Like New Inside and Out! Email for pictures.

Soft cover. Condition: Very Good Plus. An excellent regional literary review, edited by Charles L. Hayes (fiction) and Philip Pierson (poetry). Other contributors not listed above: Thomas Johnson, Ronald Wallace, John Allman, Errol Miller, Richard Frost, and P.B. Newman. 64 pages. CONDITION: a solid, unmarked, uncreased copy with moderate shelf-wear (soiled/discolored covers - see accompanying scan image), its interior pages uncompromised. This scarce copy is now in a clear, protective polypropylene bag with archival backing board. Paige Hayes (cover) (illustrator).…

Hardcover. Condition: Very Good. Hard Cover, In Slip Case - VG - No dust jacket if issued - Book is clean and tight with light wear - Illustrated.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Unmarked, clean and solid copy in clean blue dust jacket, price on flap $4.00. Light soiling and wear on dj from handling. Illustrated (illustrator).

Hard cover. 141 p. illus. (part col. ) ports. (part col. ) 25 cm. Includes: Illustrations, Portraits. Bibliography: p. 139-141. frayed cover binding top Clean, tight pages. No bent corners. No remainder mark. HC 383 Good. No dust jacket. Ex-library.

Paperback. Condition: UsedGood. Paperback; 5th printing of a 1954 copyright; scuffing, light soiling, and s helf wear to exterior; mark on front where sticker was removed; fading to p ages; in good condition with clean text, firm binding.

Hardcover. Condition: Good. no dj, some wear, still nice! - may have remainder mark or previous owner's name Standard-sized.

hardcover. Condition: Like New. Like New Inside and Out! Email for pictures.

Hardcover. Condition: Good. No Dust Jacket. In a decorative box.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. The writings of the dean of the New York School of Abstract-Expressionist Painting.The creative process lies not in imitating, but in paralleling nature; translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive and every work of art should be alive. Thus Hans Hofmann wrote nearly half a century ago. He left the Old World, Germany, for the New, at the age of 50. In 1948, when the retrospective exhibition was held at the Addison Gallery of American Art, Hofmann was 68; he had been in the United States for 18 years, a citizen for seven years. Yet he was scarcely recognized in Europe or America as an artist of significance and had never had a full-scale retrospective exhibition of his work. Beginning with a group exhibition in Germany in 1909, he had been given 12 one-man shows and had been included in four group exhibitions before the exhibit at Andover. Subsequently, he was to have 33 one-man shows and to be in over 60 group exhibitions, including the 1960 Venice Biennale, in which he was one of the four artists chosen to represent America. The catalogue of the 1948 retrospective at the Addison Gallery incorporated Hofmann's writings, all originally written in German, some pieces translated fluently, others awkwardly paraphrasing the original. He had written them over a period of 40 years for periodicals journals, or his own teaching purposes; occasionally they overlapped; there was no sequence of development. In the original volume of Search for the Real, published in 1948, it was felt desirable to edit his writing as little as possible, nevertheless to present the essays in the most lucid English true to his meaning, printed only with his approval. The Search for the Real in the Visual Arts, Sculpture, and Painting and Culture were all printed in full. The section Excerpts from the Teaching of Hans Hofmann was composed of selections from his essays On the Aims of Art and Plastic Creation. The last brief section, Terms, was gleaned from the other essays, lectures, diagrams, notes, and cryptic memoranda written to himself, headed by one of Hoffman's diagrams. It was a further distillation of his own definitions in the nature of a vocabulary. In the last 18 years of his life, recognition was his, nationally and internationally, in proportion to the originality and depth of his thinking, his versatility and comprehensiveness, his productivity and vigor. His was a prophetic visual expression of action in a three-dimensional world on a vibrating two-dimensional surface. He was a dynamic teacher; the wide range of his influence is to be seen in the list of artists comprising an exhibition Hans Hofmann and His Students, circulated in America and abroad during the three years before his death in 1966. Among the 32 painters and sculptors in this exhibition were students as varied in their developed personal idioms as Helen Frankenthaler, Larry Rivers, Louise Nevelson, Richard Stankiewicz, and Alan Kaprow. Running simultaneously and also shown in South America and Europe as well as in the United States, a one-man show of 40 major works initiated by the Museum of Modern Art, New York, is a testimony to the words of the dean of the New York School of Abstract-Expressionist Painting.…

paperback. Condition: Very Good. Illustrated. 4to. (Drawings of the Masters) Boston (Little Brown) (1965). Stiff wraps. A very good copy.

Softbound. Condition: New.

Hardcover. Condition: USED Good.

Soft cover. Condition: Good. 1961/1962.

Hardcover. Condition: UsedGood. Hardcover; 5th printing of a 1954 copyright; scuffing, soiling, and edge we ar to exterior; corners bumped; nick to cloth at side edge of front cover; tape marks inside front cover; in good condition with clean text, firm bind ing. No dust jacket.

Hardcover. Condition: Very Good. No Dust Jacket. First Edition. In tan cloth with black titling, square DJ 141pp Series: Drawings of the Masters. Size: 4to - over 9¾" - 12" tall. Illustrated by B&w and color illus. (illustrator). Book.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. No writing. Book is like new. Board sleeve is worn on edge and faded but solid.

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Hardcover. Condition: USED Good. Good Jacket.

Hardcover. Condition: Very Good. In a good condition slipcase.

Hardcover. Condition: Good+. Dust Jacket Condition: Fair. First Edition. Dust jacket is rubbed, with wear at edges and spine. Slight discoloration at bottom front edge of book cover. A bit of soiling on book cover. Book cover is slightly cocked. Light foxing on top of book.

Hardcover. Condition: Used - Good.

Hardcover. Condition: Used - Acceptable.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. One inch piece missing from top of jacket spine.