Bartolozzi Francesco, Used (180 results)

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: good. Used - Good: A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Paperback copy in plain white card cover, unclipped dustjacket in new removable protective clear sleeve. 43pp. Illustrated throughout, separate price list. Not library copy, no inscriptions. (41/6).

Condition: Very good. Color stipple engraving drawn by Bartolozzi and engraved by him with image 30 x 23 cm.

Condition: Very good. Sepia stipple engraving drawn by Bartolozzi and engraved by him with image 18 x 23 cm.

Soft Cover. Condition: Good. This engraving was drawn and sculp by F. Bartolozzi; no published date; titled believe to be "Cignani"; ins. Carolo Maratta; paper size: 13 x 18-1/2in, image size; 11 x 16in; image is complete and good for framing; nick and tears to margins; rubbing and some tiny foxing to paper; otherwise in GOOD COND.

No Binding. Condition: Near Fine. Engraving (illustrator). First Edition. Image size 10 5/8" x 7 5/8", wide margins, 1" chip extending in about 3/8" from edge but remaining 3/8" beyond the plate mark; light foxing. Beneath the image, there are the credits to Reynolds and Bartolozzi, "Proof", "Ugolino", "London Printed for R. Sayer and J. Bennett, No. 53, Fleet Street, as the act directs, June 28, 1778.

Condition: As New. Unread book in perfect condition.

Bild-Maße: ca. 15,5 x 9 cm. -- Original Kupferstich. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original engraving. -- slightly stained on the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10.

No Binding. Condition: Good. F. Bartolozzi (illustrator). 1st Edition. 18th century oval aquatint engraved by the Italian artist/engraver Francesco Bartolozzi, the print is unframed and is laid onto the backing card, some light colouring with flesh tones and blue, some browning and a few light age spots, the actual image is clear the age wear is in the surrounds and margins, Measures approx 10 x 7.5 ins to the plate line and 12.5 x 10 inches edge to edge, Genuine and original. NOT a modern copy. dated Sept 8th 1783 and that is Guaranteed.

hardcover. Condition: Mediocre (Poor). ST1180RCopertina rigida,in lingua francese, volume in discrete condizioni, in gran parte  illustrato, segni da scaffalatura agli angoli della copertina, segni di usura sulla copertina, 70  pagine circacopertina come da foto. Book.

Bartolozzi, Francesco (illustrator). small 4to. original vellum covered boards with cord sewing cords exposed along hinges, gilt stamped, top edges gilt, others uncut. (xi), 211, (9); (vii), 152, 10 pages. Two volumes. No limitation given, but obviously a limited edition printed by this noted English printer. Volume one crudely tape repaired, minor wear to edges. Boards of both volumes soiled. Else a fine set. A biographical and descriptive account of the life and career of Francesco Bartolozzi, with some observations of the demand for and value of his prints. It explains ways to detect modern impressions from worn-out plates and how to recognize falsely-tinted impressions and deceptions attempted with prints. It also includes print collecting, judging, and handling, together with a list of over 2,000 of the great engravers works, the most extensive record ever compiled. Illustrated and indexed. original vellum covered boards with cord sewing cords exposed along hinges, gilt stamped, top edges gilt, others uncut.

Soft cover. Condition: Good. 1st Edition. Sq. 12mo. Original paper covers. Engraved frontis, one two colour plate, 802 item catalogue. Covers rubbed and frayed with loss at one corner, light foxing and creasing.

Single Sheet. Condition: Near Fine. Original Antique Engraving. Original Antique Stipple Engraving On Antique Laid Paper. Plate Mark 39.6 X 2.6 Cm. A Domestic Scene, Young Man Sitting At Right, Reading, With Two Women Working On Clothes, A Small Child, And A Dog. Original Hand Coloring. "Painted By Morland" At Lower Left, "Bartoloxxi St" At Lower Right, With Large Text "Domestic Happinesf" In Large Script At Bottom. Plate Mark Approximately 15 7/16" X 11 1/2"" Rectangular; Image Is Also Rectangular; Large Margins. Francesco Bartolozzi Ra (1727 - 1815) Was An Italian Engraver, Whose Most Productive Period Was Spent In London. Bartolozzi Was Born In Florence. He Was Originally Destined To Follow The Profession Of His Father, A Gold- And Silver-Smith, But He Manifested So Much Skill And Taste In Designing That He Was Placed Under The Supervision Of Two Florentine Artists, Including Ignazio Hugford And Giovanni Domenico Ferretti Who Instructed Him In Painting. After Devoting Three Years To That Art, He Went To Venice And Studied Engraving. He Particularly Admired The Work Of Joseph Wagner. His First Productions In Venice Were Plates In The Style Of Marco Ricci, Zuccarelli, And Others, While Working For Wagner, Which Began To Draw Attention. He Then Moved For A Short Time To Rome, Where He Completed A Set Of Engravings Representing Frescoes At Grottaferrata By Domenichino Depicting The Life Of St Nilus. He Soon Returned To Venice And Left For London In 1764. He Lived In London For Nearly Forty Years. He Produced An Enormous Number Of Engravings, Including Clytie After Annibale Carracci, And Of The Virgin And Child, After Carlo Dolci. A Large Proportion Of Them Are From The Works Of Cipriani And Angelica Kauffman. Bartolozzi Also Contributed A Number Of Plates To Boydell's Shakespeare Gallery. He Also Drew Sketches Of His Own In Red Chalk. Soon After Arriving In London, He Was Appointed 'Engraver To The King' With An Annual Salary Of £300. He Was Elected A Founding Member Of The Royal Academy In 1768, And In 1802 Became The Founding President Of The Short-Lived Society Of Engravers. His Pupils Were Michele Benedetti, Ignatius Joseph Van Den Berghe, Thomas Cheesman, Lambertus Antonius Claessens, Daniel Gardner, Christiaan Josi, Johan Fredrik Martin, Conrad Martin Metz, Luigi Schiavonetti, John Keyse Sherwin, Heinrich Sintzenich, Peltro William Tomkins, Don Bernardo Zilotti,[2] And Gabriel Scorodomoff. Bartolozzi Was Not The Inventor Of The So-Called Crayon Manner Of Engraving, Which Imitated The Subtleties Of Chalk Drawings, But He Made It The Fashion. In 1802, Bartolozzi Accepted The Post Of Director Of The National Academy Of Lisbon, The City Where He Died. His Son Gaetano Stefano Bartolozzi, Born In 1757, Was Also An Engraver, And The Father Of Madame Vestris. (Source: Wikipedia).

Single Sheet. Condition: Near Fine. Original Antique Engraving. 16" X 21". One Of A Large Suite Of Engravings By Bertolozzi, After The Original Drawings By Holbien In The Collection Of The Crown. A Well Colored Impression, With Artist And Engraver Names Immediately Beneath The Portrait, And Publishing Information Below.

No Binding. Condition: Fine. Engraving (illustrator). Original Antique Engraving. Image Size 9 1/8" X 6 1/4", Wide Margins. Beneath The Image, There Are The Credits To Rubens And Bartolozzi, "Rubens' Second Wife / From The Original At Houghton Hall In The Collection Of The Earl Of Oxford" With The Printers Information And Date Below.

Paperback. Condition: Good+. First Edition. line engraving Francesco Bartolozzi, after William Owen the original picture in the possession of Lord Viscout Melville. One example of the engraving is in the National Portrait Gallery. This is coloured. Book.

In 8° grande, contenuto in carpetta, tratto da Iconografia italiana degli uomini e delle donne celebri.

Hardcover. Condition: Good. No Jacket. Francesco Bartolozzi (illustrator). 1st Edition. Please email for Photographs or further information. Good - First edition, Folio 40.5 x 27cm, complete The frontispiece is a portrait of the author engraved by F. Bartolozzi in 1777 2 vol. bound together, re-backed full-calf, frontispiece and 23 full-page plates, title/dedication pages toned with some repairs to paper, damp staining in places, some toning/light spotting/marking at edges, occasional small tear. 1780 1st Edition , A COMPLETE BODY OF HERALDRY Containing an Historical Enquiry into the origin of Armories; the Proper Methods of Blazoning and Marshalling Armorial Bearings; the Arms of all Sovereign Princes and States; an Historical Catalogue of all the Different Orders of Knighthood; the Arms of the Counties, Cities, Boroughs, and Towns Corporate in England and Wales; and of the abbies and Religious Houses; the Arms of Archiepiscopal and Episcopal Sees; a Discourse on Funeral Trophies; Glover's Ordinary of Arms Aaugmented and Improved; an Alphabet of Arms; and a Copious Glossary, By Joseph Edmundson Author Bio: Joseph Edmondson (died 1786) was an English herald and genealogist whose principal work is the Baronagium Genealogicum ("or the Pedigrees of the English Peers, Deduced from the Earliest Times: Originally Compiled by Sir William Segar, and Continued to the Present Time"), 5 volumes, published in London, 1764. Illustrated By: Francesco Bartolozzi Illustrator Bio: Francesco Bartolozzi RA (21 September 1727 - 7 March 1815) was an Italian engraver, whose most productive period was spent in London. He is noted for popularizing the "crayon" method of engraving. Synopsis: 2 volumes in 1, illustrated with copper plates, title continues after mottos: of all sovereign princes and states; as also the Atchievements [sic] of the peers, peeresses, and baronets, of England, Scotland, and Ireland. An historical catalogue of all the different orders of knighthood . The arms of the counties, cities, boroughs, and towns corporate, in England and Wales; and of the Abbies and religious houses founded therein: as also those of the royal boroughs in Scotland; and of the societies, bodies corporate, trading companies, &c. in London. The arms of Archiepiscopal and Episcopal sees in England and Ireland, and of those heretofore established in Scotland . A discourse on the origin, use, and abuse, of funeral trophies. Glover's Ordinary of arms, augmented and improved; an alphabet of arms, containing upwards of fifty thousand coats, with their crests, &c. and a copious glossary, explaining all the technical terms used in heraldry . A remarkable work who began as the painter of arms on the coaches of Queen Charlotte to the purchase of the manuscripts known as the Baronagium genealogicum (compiled by Simon Segar). Although he published other works, this is his most famous work which was subscribed by the royal family and a virtually all the higher aristocracy. It includes an alphabet of 50,000 coats of arms and owed much to the unpublished "offices of arms", an unpublished manuscript by John Anstit, the elder, Garter. One of the essential volumes on the great coats of arms of the English lords. (references: see A. Wagner, Heralds of England; W.T. Lowndes, The bibliographers manual of English literature). George III was among his major sponsors. the plates are all at the back of each Volume. Binding: Hardcover, folio (fo 12 × 19 in 305 × 483 mm ) Note: Binding/size selection follows standard bibliographic conventions and is approximate; exact measurements may vary. Collation: pp. Language: English Published By: T. Spilsbury and sold by J. Dodsley and T. Payne and Son et al, London Condition Report: Dust Jacket: No Jacket, Dust Jacket Condition: No Jacket Good - First edition, Folio 40.5 x 27cm, complete The frontispiece is a portrait of the author engraved by F. Bartolozzi in 1777 2 vol. bound together, re-backed full-calf, frontispiece and 23 full-page plates, title/dedication pages toned with some repairs to paper, da.

Condition: Buono (Good). Domenico Lazzarini (1668 - 1734) fu un umanista, filologo e presbitero italiano . acquaforte inciso cm. 15 x 21,5 Buono (Good) Buon es. Book.

Single leaf. Fine impression. Suitable for framing. James Harris (1709-1780), English politician , grammarian, and writer. in 1751 he wrote his best work Hermes, a philosophical inquiry concerning universal grammar.

Size: Folio. 370 x 267mm. Disbound. Some foxing. Stipple engraving with some etching by F. Bartolozzi after the drawing by Biagio Rebecca (ca 1735-1808) of Louis François Roubiliac's (1702-1762) statue of Handel which was then in Vauxhall Gardens. Handel's statue by Roubiliac, commissioned by Jonathan Tyers for Vauxhall Gardens, is depicted with Handel full-length, seated, facing forwards with legs partly crossed, wearing headwear, long coat and breeches, and playing a lyre with sun motto at top of the instrument, with a cherub writing in a music book resting on a lute at the composer's feet, all surrounded by trees in the distance. This image was used as a frontispiece in Samuel Arnold's collected edition of Handel's works.

Condition: Good. Stipple engraving. 285 x 210 mm. (sheet). Good, some foxing and tears around sheet edges.Provenance: From the collection of the Late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.