Saddle-stapled wraps. Condition: Very Good. Text is in Italian. A gallery catalog for a show held at the Galleria Rizzoli from October 8 - November 5, 1968. Tall 9 in. x 11.5 in. [16]pp., illustrated with b/w reproductions. Light shelfwear and rubbing, else a Very Good copy.
Softcover. glossy bw illustrated wraps w/ stylized black printing. approx 12 unpaginated pgs w/ bw illustrations. Interior remains bright. Includes 6 interior black/white plates; front and reverse of wraps each illustrated with one sculpture. Includes 39 piece exhibition listing. Brief opening essay by the artist. Exhibition held May 13 through June 15, 1957. Good+ (scuffs, scratches & creasing to wraps; areas of light, but dense speckled foxing. rubbing to spine; small section of paper eroded at tail. upper corner creased & rubbed; slight curling to pg corners. corners rubbed).
Published by George Braziller, New York, New York, 1965
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.
Hardcover. Dust Jacket Condition: Good. vii, 233 pp. Vision + Value Series. LCC: 6510807 Very good condition; very light yellowing on edges of papers.
Softcover. green wraps w/ black printing & illustrations. approx 12 unpaginated pgs w/ bw illustrations. Light toning to page edges, otherwise bright. Opening essay by Valentino Martinelli. Includes 5 interior black/white plates; two to front wrap. Includes 57 piece exhibiton listing. VG- (ex-museum w/ narrow, black stamp to interior of wrap; no other markings. wraps scuffed & scratched; ligth creases. rubbing to corners & spine ends.).
Published by Arthur Jeffress Gallery., 1955
Seller: Roe and Moore, London, United Kingdom
First Edition
US$ 38.91
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 1st Edition. 8vo. Original paper wrappers. 2 b/w plates, biography.
Published by Institute of Contemporary Art, Boston, 1965
Seller: Black Dog Books, Emerson, NJ, U.S.A.
First Edition
Soft cover. Condition: Very Good+. 1st Edition. A very nice copy of this catalog illustrated in black & white. Brown stapled wraps. Book.
paperback. Condition: Ottimo (Fine). Catalogo di mostra, Rignano Sull'Arno, 25 aprile - 31 maggio 1997. Uno scritto dell'Artista e di Paolo Antonio Martini. Con 52 illustrazioni in nero e a colori. Biografia essenziale, attività espositiva, bibliografia, antologia critica (estratti di roberto Melli, Libero De Libero, Cesare Brandi, Giuseppe Marchiori, Giulio Carlo Argan, Raffaele Carrieri, Umbro Apollonio, Giuseppe Ungaretti, Harlow Carpenter, Giovanni Carandente, Fortunato Bellonzi, Franco Russoli, Carlo Ludovico Ragghianti, et al.) . 8vo. pp. 106. . Ottimo (Fine). . . . Book.
Language: English
Published by George Braziller, New York, 1965
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. B/W Illustrations (illustrator). 1st Edition. Vii, 233 Pp. White Cloth. First Edition (No Additional Printing Stated). Fine In Near Fine Dust Jacket Priced $12.50.
Published by Accademia, 1968
Seller: Antiquariat Dorner, Reinheim, Germany
Opere uniche. Collana diretta da Enrico Crispolti. Roma, Accademia 1968. 146 S., OPappband m. OUmschlag. 4to. Mit einer Widmung von Serena Basaldella. Der zusätzliche Folienumschlag etwas verschmutzt, sonst gut.
Published by Washington, DC: The Black Sun Press, 1947
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. Reproduction of the drawing. 30.2 x 40.5 cm. .As published in Portfolio V , edited by Mirko Basaldella was born in 1910 in Udine. From an early age he learned how to whittle wood together with his brothers Dino and Afro at his uncle's shop in Udine. He studied in Venice, Florence and then in Monza, where he met Arturo Martini, an Italian master who would guide him for several years. In 1933 he moved to Rome and set up a studio with his good friend Corrado Cagli, whose sister Serena he later married. Mirko's revelation to the art world occurred during the Roman Quadrennial of 1935 (in 1966 he would win the first prize) where he displayed a selection of sculptures. It would be, however, his first solo show at the Galleria della Cometa that gave full measure to a new and important presence in the world of Italian sculpture.After WWII, Mirko created numerous monumental works in Rome, La Spezia, Mauthausen, Urbana (Illinois) and in Arlington and Cambridge (Massachussetts). In 1952 and 1954 he participated in the Venice Biennale, and in 1955, won the first International Prize for Sculpture at the San Paolo Biennale. From 1957, Mirko lived mainly in the United States, in Cambridge, where he became Head of the Design Workshop at Harvard University and later, was elected a member of the American Academy of Arts and Sciences. Throughout his life and until his last days, he never ceased his research in sculpture, painting and teaching, as well as his active participation in exhibitions in museums and galleries around the world. Mirko died on 24 September 1969 in Cambridge, Massachusetts.