Bernard Aldebert Jean (10 results)

Rapports internes de la Direction des Ressources Vivantes de l'IFREMER, Institut Français de Recherche pour l'Exploitation de la Mer, 1989, format A4, broché, 178 pages Bon état - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.

hardcover. Livre agrémenté de dessins de Georges Pichard, Bernard Aldebert, Gad, Roger Sam, Teyvar, Jean Effel, Julhès, Laure Malclès, Charles Martel, Reinoso (illustrator). Editions Rabelais 1966. in-8. 256 pages. Editions Rabelais 1966. in-8. 256 pages. Nb de volume : 1. Mention "10e mille" . Mention "10e mille" . Demie-reliure de simili-chagrin bordeaux, premier plat initial remonté dans la reliure, très bon état . Livre agrémenté de dessins de Georges Pichard, Bernard Aldebert, Gad, Roger Sam, Teyvar, Jean Effel, Julhès, Laure Malclès, Charles Martel, Reinoso.

PARIS, Le Rire, 1948 - FA.31,5x23,5 - Fascicule en 1 cahier agrafé au dos; couverture illustrée en couleurs par BRENOT et Van DAM; 20 pages non foliotées; illustrations en noir et 2 pages centrales illustrées en couleurs. (Collection Le Rire - N°29 nouvelle série - Mai 1948 - Rédacteur en chef: V. de Valence). Illustrations de BRENOT, BEN, PAC, Jean BELLUS, VARÉ, BERNAD, Bernard ALDEBERT, DUBOUT, DUFAU, R. PEYNET (double page centrale), G. PICHARD, PICQ, MASQ, Maurice Van MOPPES (couleurs), De SAINTE-CROIX, Pierre DEVAUX, MORIER, GAD, L. BOUCHER, TEYVAR, FARINOLE. Revues.

broché. Condition: Bon. Bernard Aldebert; R. Carrizey; Jean Effel; Farinole; André François; R. Peynet; J. Sennep (illustrator). Bon état. 24 pages. Agrafé. Book.

Couverture souple. Condition: Satisfaisant. Jean Effel, Bernard Aldebert, R Carrizey, Farinole, André François, Peynet, J Sennep (illustrator). [Description] Des dessins dont l'objet était de lutter - avec humour - contre le marché noir. À noter les dessins de Sennep, Jean Effel et Peynet [État] Des auréoles sont visibles sur le haut et le bas des pages (cf photos) - l'état général en est de fait un peu en retrait.

Condition: Gut. Erstausgabe. 112 pp., large octavo, original brochure, coloured front cover, with 50 full-page b/w drawings / 112 S., Gr. 8°, Originalbroschüre, farbiges Titelblatt, mit 50 ganzseitigen s/w Zeichnungen. Sprache(n)/language(s): frCover browned with traces of wear, book block clean and in good condition / Umschalg etwas gebräunt und mit mässigen Gebrauchsspuren, Buchblock sauber und in gutem Zustand.

Softcover. Condition: g to g+. First edition. Quarto. 112, [2]pp. Illustrated tanned wrappers, with black and blue lettering on the front cover. This work is a powerful illustrated memoir by French artist Jean Bernard-Aldebert (aka Bernard-Aldebert, 1909-1974), about his time as a prisoner in five different Nazi concentration camps between 1944 and 1945. After many years building a career as an illustrator, cartoonist and satirist, the artist's story took a tragic turn in November of 1943. After boldly and bravely creating a caricature of Hitler as a chimpanzee, in the August 1st issue of the French humor magazine Ric et Rac, Bernard-Aldebert was arrested by the Gestapo. Subsequently, in January of 1944 he was transferred to the Royallieu-Compiègne internment camp, and subsequently to Buchewald, then to Mauthausen, to the Gusen I camp, and finally to Gusen II, where he remained until liberation on May 5th, 1945. The author's text and images reveal the horrors to which prisoners were subjected in these camps, including brutal forced labor, starvation, sadistic torture, and violence. Although most known for a lighthearted and charming caricature style, the images here are anything but. While they bear some resemblance to artist's known style, these images are far more stark, grim and austere, being evocative of the emotional states of the figures depicted. Text throughout is accompanied on nearly every facing page, by a b/w reproduction after an original drawing by the artist, for a total of 50 images. They were drawn from a series of sketches created by Bernard-Aldebert, shortly after his liberation, which to this day offer invaluable visual and emotional insight to the what occurred in these camps. Text throughout in French. Wrappers sunned, with some waterstains, and some light rubbing to corners. A small piece of brown paper has been pasted at the head of the spine. Interior relatively clean, although there is a pervasive water stain and some rippling throughout the book block. Text and images throughout still quite vibrant. Wrappers and interior in good to good+ condition overall. Protected in modern mylar.

Softcover. Condition: vg to near fine. First edition. Quarto. 112, [2]pp. Rebound in red pebbled 3/4 morroco over marbled paper boards. Spine with gilt lettering and raised bands. Decorative red endpapers. Original illustrated front wrapper with black and blue lettering, bound in. This work is a powerful illustrated memoir by French artist Jean Bernard-Aldebert (aka Bernard-Aldebert, 1909-1974), about his time as a prisoner in five different Nazi concentration camps between 1944 and 1945. After many years building a career as an illustrator, cartoonist and satirist, the artist's story took a tragic turn in November of 1943. After boldly and bravely creating a caricature of Hitler as a chimpanzee, in the August 1st issue of the French humor magazine Ric et Rac, Bernard-Aldebert was arrested by the Gestapo. Subsequently, in January of 1944 he was transferred to the Royallieu-Compiègne internment camp, and subsequently to Buchewald, then to Mauthausen, to the Gusen I camp, and finally to Gusen II, where he remained until liberation on May 5th, 1945. The author's text and images reveal the horrors to which prisoners were subjected in these camps, including brutal forced labor, starvation, sadistic torture, and violence. Although most known for a lighthearted and charming caricature style, the images here are anything but. While they bear some resemblance to artist's known style, these images are far more stark, grim and austere, being evocative of the emotional states of the figures depicted. Text throughout is accompanied on nearly every facing page, by a b/w reproduction after an original drawing by the artist, for a total of 50 images. They were drawn from a series of sketches created by Bernard-Aldebert, shortly after his liberation, which to this day offer invaluable visual and emotional insight to the what occurred in these camps. Text throughout in French. Binding with very minor rubbing to the head of the spine. Original wrappers lightly stained and smudged. Pages throughout quite clean with some sporadic light smudging to the margins. First few pages including the title page with a few smaller water stains as well. Images and text throughout are clean. Page 113 with light chipping to the top corner. Binding in near fine, interior in very good to very good+ condition overall.

First imprint - Erste Ausgabe. Französische Sprache. [ Extremely rare - specially in this good condition. ORIGINAL PUBLISHER'S WARPPERS - ORIGINALEINBAND . [Deutscher Titel: Gusen II - Leidensweg in 50 Stationen]. -4° (27 x 21,5 cm). 112 (1) Seiten mit 50 ganzseitigen Illustrationen, deren comicartig-ironischer Stil einen verstörenden Kontrast zur dargestellten Thematik schafft. Farbig illustrierte Original-Broschur. - Außergewöhnlich gut erhaltenes Exemplar mit nur leichten Alterungsspuren. - Der französische Künstler Jean Bernard-Aldebert (1909 1974) arbeitete als Karikaturist Ihr die Zeitschrift "Ric et Rac" und gründete 1939 in Lyon die Zeitschrift "La Dent de Lyon". Die drastische, fast comichafte Bildsprache ist auch in den vorliegenden 50 Zeichnungen des Leidensweges deutlich zu erkennen. Da die Gestapo 1943 glaubte, in einer Figur aus "Ric et Rac" eine Hitler-Karikatur zu erkennen, wurde Bernard-Aldebert verhaftet, nach Compiegne deportiert, und von dort nach Buchenwald, Mauthausen, Gusen 1 und schließlich Gusen II verbracht. Als einer der wenigen überlebenden des Lagers Gusen 11, dessen Lebens- und Arbeitsbedingungen zu den schrecklichsten innerhalb des verbrecherischen NS-Systems zählten, zeichnete er 1945 gleich nach seiner Rückkehr nach Frankreich seine Erfahrungen auf. - Minimale Alterspuren. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Revues Candide et Ric et Rac, catalogue spécial " Humour 41 " de 1941 au profit du " Secours National ". In-8 agrafé de 22 pages au format 13,5 x 21 cm. Couverture illustrée par Robert Carrizey. Textes et dessins inédits par Albert Dubout, Robert Carrizey, Jo Paz, Bernard Aldebert, Raymond Peynet, Jean-Albert Carlotti, Jean Nohain, Max Favalelli, G. Colin, Tom Pouce. Liste des dessinateurs. Superbe état, proche du parfait. Rarissime édition originale en tirage hors commerce. Précieux exemplaire enrichi de 6 dessins originaux signés par Albert Dubout, Robert Carrizey, Jo Paz, Bernard Aldebert,Raymond Peynet, Jean-Albert Carlotti, situés au verso des couvertures.