Bettagno (384 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Good condition paperback with light wear, creasing, light age tone. Contents are clean and bright throughout with no markings.

Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and especially sharp-cornered. Previous owner's bookplate. Physical description; 214 pages : illustrations (some color) ; 25 cm. Subjects; Drawing, Italian Italy Venice 18th century Exhibitions. Drawing, Italian Italy Venice Exhibitions. 3 Kg.

Trade Paperback. Condition: Very Good. No Jacket. 214 pp. The lightest of rubbing to the cover edges. The binding is tight and square, and the text is clean. Translated from the French by David Smith.

First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and especially sharp-cornered. Previous owner's bookplate. Physical description; 214 pages : illustrations (some color) ; 25 cm. Subjects; Drawing, Italian Italy Venice 18th century Exhibitions. Drawing, Italian Italy Venice Exhibitions. 1 Kg.

Paperback. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Soft cover. Condition: Very Good. Softcover, 9 3/4 by 8 3/4 inches, 214 pages, many illustrations. Covers have only slight wear mainly at corners. Pages are clean.

Paperback. Condition: Very good +. Dust Jacket Condition: very good +. Stated First Edition. Foreword by The Viscount Norwich. Introduction and catalogue by Alessandro Bettagno. 8vo. In white wrappers, with illustrated dust-jacket. 215 pages, with Catalogue, Bibliography, and Index. Text in English. With reproductions of 136 b/w drawings. No names or marks. Exhibition catalogue.

Trade Paperback. Condition: Very Good. Dust Jacket Condition: Very Good. Folio. Italian language. Cream printed wraps with blue dust jacket. Edge wear and toning on edges of text block; two small stains on reverse of wraps and first page. Jacket has sunning around edges and edge wear.

Soft cover. Condition: Very Good. 1st Edition. some light creasing to the corners of the front wrapper, illustrated, 214 pages, exhibition catalogue.

Hardcover. Condition: Very Good condition. Dust Jacket Condition: Near Fine dust jacket. First Edition. New York: Harry N. Abrams, Inc. / Museum of Modern Art, 1989. Very Good condition in a bright and shiny Near Fine dust jacket. No chips. No tears. Square and tight. There are a few small, lightly discolored spots along the edge of the original bluish-green cloth binding. Pages are NOT affected - still fresh, crisp, and unmarked. Hinges are perfect. No owner's name or bookplate. Not a remainder. No underlining. No highlighting. No margin notes. Catalogue published in conjunction with the art exhibition at New York's Metropolitan Museum, October 1989 - January 1990. With essays by J. G. Links, Michael Levey, Francis Haskell, Alessandro Bettagno, and Viola Pemberton-Pigott. Lavishly illustrated with 180 paintings and drawings, including 167 in beautiful full color. Endpaper maps of 18th century Venice. Foreword by Philippe de Montebello. Appendix (facsimiles of 5 documents in Canaletto's hand, with translations into English). Selected bibliography. Index. From the Dust Jacket: "[In] the 1730's and 1740's [Canaletto] was by far the most successful Italian painter of his day. This book accompanies the first exhibition of the work of Canaletto ever held in the United States. It follows the course of his career as painter and draftsman and reviews the different phases of his technical and artistic development." Oversize Hardcover. Oblong. 11.25" wide by 10.25" tall. This large, heavy book will require extra postage for Priority and International shipments, but only the standard charge for media mail. First Edition. Oversize Hardcover. Very Good condition/Near Fine dust jacket. xii, 387pp. Great Packaging, Fast Shipping.

Condition: BUONO. Venezia, Alfieri Edizioni d'Arte - Electa Editrice cm.23x31,5, pp.287,(5), numerose ill.in bn. e alcune a col.nt., legatura ed.in tutta tela, sopraccop.fig. a colori. Pubblicaz. a cura della Fondazione Giorgio Cini, Venezia. Serena Skerl Del Conte Proposte per Nicoletto Semitecolo plebano di Sant'Agnese Francesco Frangi Un recupero per Domenico Campagnola Diana Gisolfi L' "Anno veronesiano" and Some Questions about Early Veronese and his Circle Tracy E.Cooper An unpublished painting and another look at Jacopo Tintoretto's working method Giovanna Baldissin Molli Appunti su Orazio Farinati Chiara Galli Rosso Un pittore francese a Venezia: Jean Raoux 1707-1708 Luisa Attardi Alcune osservazioni sull'Itinerario manoscritto di Giannantonio Selva Segnalazioni Irina Artemieva Su di un probabile ritratto di Paolo Veronese Cecil Gould Veronese's greatest Feast: the inter-action of iconographic and aesthetic factors Peter Humfrey The Provenance of Veronese's " Martyrdom of St. Lucy" in Washington Rodoslav Tomié La "Madonna con Bambino e San Giovanni Battista" di Hans Rottenhammer a Trogir Paola Rossi "Claudius Perreau parisinus" a Venezia Mariolina Olivari Inediti dei Settecento nelle valli bergamasche: Lazzarini e Grassi Letizia Scherini Un inedito dipinto di Giambattista Pittoni in Alta Valtellina Susanne Juliane Warma Giambettino Cignaroli, Francesco Albergati and two paintings far King of Poland Filippo Pedrocco l'Oratorio del Crocifisso nella chiesa di San Polo Hermann Van Bergeijk "Vorrei che questa faccenda andasse in fumo". Alcune precisazioni sui progetti di Giacomo Quarenghi per il teatro di Bassano Carte d'archivio Clifford M.Brown Tullio Lombardo and Mantua an inlaid marble pavement for Isabella D'Este's Grotta and a marble portal for the Studiolo Alessandra Pattanaro Il testamento di Antonio Costabili: per il polittico di Dosso e Garofalo già a Sant'Andrea di Ferrara Ilaria Cavaggioni-Cinzia Del Zoppo Villa Saraceno a Finale di Agugliaro attraverso i documenti e la cartografia Roberta Pellegritti La chiesa dell'Ospedale di San Lazzaro dei Mendicanti GastoneVio Giuseppe Sabbadini scultore ed intagliatore Letture Peter Humfrey A new monograph on Palma il Vecchio Franco Bernabei Gli scritti d'architettura di Andrea Palladio Franco Bernabei Ancora su Ruskin a Venezia Anna Maria Spiazzi I dipinti del Museo Civico di Padova del Trecento e della prima metà del Quattrocento Andrea De Marchi La mostra di Biagio di Giorgio da Traù a Venezia Paola Rossi Disegni e dipinti di Jacopo Palma il Giovane Francesca D'Arcais La mostra di Sebastiano Ricci a Passariano Notizario veneto Cronache dei restauri al patrimonio artistico veneto A cura di Filippa Aliberti Gaudioso, Davide Banzato, Amalia Donatella Basso, Giuseppe Bergamini, Ruggero Boschi, Luig Cerocchii, Gabriella Della Vestra, Tiziana Favaro, a Loris Fontan, Franca Marina Fresa , Paola Marini , Gian Franco Martinoni, Ettore Merkel ,Giovanna Nepi Scirè , Renato Pedrocco,Edy Pezzetta , Mario Piana , Ferdinando Rigon ,Paola Rossignoli ,Ugo Soragni, Cleonice Vecchione e Emanuela Zucchetta.

Soft cover. Condition: Very Good. Neri Pozza Editore. Condition: Very Good. Dust Jacket has some shelf edge wear.

Paperback. Condition: Near Fine. 1st. 246 pages, illustrations (some colour); 27 cm. Text in Italian/Testo in italiano. Catalogue of an exhibition held at the Fondazione Giorgio Cini, Isola di San Giorgio Maggiore, Venice, March 28 to June 15, 1992. Near fine. Firm binding, clean inside copy. Light edgewear to wraps. Richly illustrated with colour plates. *** Da Pisanello a Tiepolo: Disegni Veneti dal Fitzwilliam Museum dI Cambridge = From Pisanello to Tiepolo: Venetian Drawings from the Fitzwilliam Museum, Cambridge. Size: 4to.

Soft cover. Condition: Near Fine. 1st Edition. Stiff color illus. wraps. Slightly rubbed corners, minor surface rubbing to back cover. Firm, uncreased binding, unmarked interior. [vii],231 pp., 75 color plates, additional illus. Text in Italian. Size: 4to - over 9¾" - 12" tall. Book.

Soft cover. Condition: Good. Dust Jacket Condition: Good. Text in English, Paperback with paper dustjacket, Some wear to covers and spine, mainly edges and corners, Edges and corners a little creased and worn, Internally in good condition, pages crisp and clear.

4°, ill. Original-Broschur. Condition: Gut. 233 S., m. zahlr. Abb. Einband gering berieben u. begriffen, gutes bis sehr gutes Exemplar. J-05-31 Aufgrund der EPR-Regelung kann zur Zeit in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei. Bitte beachten Sie: Auf Grund der vorgegebenen Versandkosten von AbeBooks / ZVAB kann es bei Büchern über 1 kg oder bei mehrbändigen Werken zu höheren Versandkosten kommen. Please note: Due to the shipping costs specified by AbeBooks / ZVAB, there may be higher shipping costs for books over 1 kg or for multi-volume works. Sprache: Niederländisch Gewicht in Gramm: 900.

4 ° Broschur; hochwertig gestalteter Band mit Fadenheftung; XX + 367 Seiten; mit 483 Duotone-Abb.; Hinweis: Abebooks/ZVAB ist leider nicht (mehr) in der Lage, die Versandkosten gewichts-, größen- und wertabhängig korrekt darzustellen, stattdessen wird ein Standardversand (Büchersendung bis 1000 g) angegeben; sollte Ihre Bestellung mehr als 1 kg wiegen, müssen die Versandkosten angepasst werden, Sie bekommen in diesem Fall eine Email mit den genauen Versandkosten von uns zugesandt Zustand: Gut, Einband mit Gebrauchsspuren (der obere Rand mit kleinen Einrissen) + etwas lichtrandig, der Buchblock leicht gelockert, das Buch ansonsten sehr gut erhalten, ein schöner Band in Ausstattung und Präsentation 1600 gr.

Paperback. Condition: Near Fine. 214 pp. Near Fine condition softcover.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1750grams, ISBN:9788843578771.

paperback. Condition: fine. Dust Jacket Condition: very good(+). Canaletto (illustrator). 174 black-and-white illustrations. 104pp., 4to, printed wrappers, dust wrapper, minor edgewear to dust wrapper. Venezia: Neri Pozza, (1982). A fine copy in a very good(+) dust wrapper. Texts by several authors.

N. PAG. 104 + 174 ILLUSTRAZIONI - OTTIMO.

N. PAG.127 + 181 RILEGATURA IN CARTONE ( SPOVVISTO DELLA SOVRACCOPERTA ), IN OTTIMO STATO.

N. PAG.104 + 174 - BROSSURA CON SOVRACCOPERTA, TESTO IN OTTIME CONDIZIONI, MODESTI SEGNI DI USURA ALLA SOVRACCOPERTA.

104 S. : 174 Abb., 4°. Orig.-Kart. mit OU. (Grafica veneta ; 3) - (gut erhalten).

160 S. : überw. Illustr. 4°. Orig.-Kart. Cataloghi di mostre / Istituto di Storia dell'Arte, Fondazione Giorgio Cini ; 52. - (gut erhalten).

XIX, 101 S., 157 Taf. ; 4°. Orig.-Kart. (gut erhalten).

219 S. : überw. Illustr. 4°. Orig.-Kart. Cataloghi di mostre / Istituto di Storia dell'Arte, Fondazione Giorgio Cini ; 51. - (gut erhalten).

Second Edition. Near fine paperback copy; edges very slightly dulled and slight creasing. French flaps. Remains well-preserved overall; tight, bright, clean. Series; Grafica (Vicenza, Italy) ; 6. Subject; Hogarth, William 1697-1764 ; Exhibitions. Physical description: xix, 101 pages, 204 unnumbered pages of plates : illustrations (some color) ; 31 cm. 3 Kg.