Bober Rubinstein (17 results)

Profusely Illustrated (illustrator). Hardcover with dustjacket, 522 pages; good condition; dj very torn and ruffled at top edge and has stickers taped around bottom of spine; owner s stamp; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: Good. First Edition. 522pp. A bright, clean copy. The title page was stuck to the frontis in one spot and there is a scar on both pages. Otherwise the condition is very good.

Hardcover. Condition: VG-. Dust Jacket Condition: Good. used hardcover in a dust jacket. jacket is slightly worn about the edges and surfaces lightly scuffed, but with no tears and not price clipped. corners somewhat bumped. flecks to top outer edge of text block. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Hardcover. Condition: Very Good. Solid,clean hardcover. No marks inside except for gift note and date on front fly. Bumps to corners and spine ends.

Hardcover. Profusely Illustrated (illustrator). Size: 7.5x10.75 inches. 524pp., with 526 illus. Near new condition, covers bright, text clean and binding tight without a dust jacket.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. new, revised, and updated edition edition. 581 pages. 11.00x7.50x1.75 inches. In Stock.

Condition: New.

Pappe. Condition: Sehr gut. new impression. 522 S., 28cm Zustand: Pappeinband, sehr guter Zustand --- Inhalt: englischer Text. Mit 526 illustrations. The purpose of this book is to revitalize the fundamental meaning of the Renaissance by providing students with a fully documented handbook to those monuments of classical antiquity to which the Renaissance artists had access. W3-8 ISBN: 0905203968 Sprache: Englisch Gewicht in Gramm: 2100.

Condition: New. 2010. new, revised, and updated edition. Hardcover. . . . . .

Condition: New. 2010. new, revised, and updated edition. Hardcover. . . . . . Books ship from the US and Ireland.

hardcover. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover with dust jacket. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. Tall 8vo. Pp. 522. Frontis. black & white drawing. Laden throughout with black & white photographs and drawings. Appendixes. Bibliography. Index. Previous owner's signature to half-title. Illustrated endpapers. Bound in grey cloth with brown lettering printed on spine and Harvey Miller Publisher's logo printed in brown on front board. Clean and tight throughout. In the black & white illustrated dust jacket, which has just a suggestion of wear to the tail of spine. Previous owner signature is that of noted art historian Caroline Houser (Greek Monumental Bronze Sculpture (Thames & Hudson, 1983); Dionysos and His Circle (Fogg Art Museum, 1979)), long associated with Smith College and the Fogg. Dust jacket is now housed in a removable, clear archival sleeve.

Dust Jacket Condition: mit Schutzumschlag. Zweite Auflage. 19 x 26 cm. 522 S. Geprägte Olwd, OU. Zahlreiche Abbildungen. OU mit Läsuren, leichte Lagerungsspuren, Schnitt angeschmutzt/fleckig, Buchblock leicht gebogen, innen gut. Hinweis: Versandkosten müssen bei Auslandsversand evtl. angehoben werden.

Hard. Condition: Very Good. Dust Jacket Condition: Good. Reprinted with Minor Revisions. Pages clean and bright, boards and binding tidy, shelf wear to dust jacket with light chipping to edges and dog-earring to inner sleeves. Size: 4to Thick.

581 p., 530 b/w ill., 185 x 270 mm,Languages: English, Hardback with dusjacket. fine condition ! ISBN 9781905375608. This publication offers a new, revised edition of a work that was hailed, when it first appeared, as the most useful art-historical reference book to have been published in recent decades It is a Handbook of Sources, documenting and illustrating the most significant antique works of art known to Renaissance artists. More than 500 illustrations show Greek and Roman statues, mythological and historical reliefs as well as triumphal arches together with Renaissance drawings, engravings, bronzes and paintings to demonstrate how and where these classical monuments were discovered and recorded, and how they were copied, adapted, combined and transformed into the style and iconography we now recognize as Renaissance art. The authors, Professor Phyllis Bober and Dr Ruth Rubinstein, based their selection on the Census of Antique Works of Art and Architecture known in the Renaissance, begun at the Warburg Institute in London as a reference catalogue, but continuously extended thereafter and now transferred into a modern web-based database system accessible on the internet. The auhors arranged their illustrative material and their encyclopaedic catalogue thematically, giving full descriptions and history of each antique work, listing Renaissance representations and adaptations, and citing relevant literature. In addition, the myths and legends featured in the classical works are retold briefly in each case to help the reader follow the narrative particularly in the many sarcophagus reliefs reproduced. Although the book has been reprinted twice since its first appearance, only minor revisions had until now been included. Sadly, neither author has lived to see the present publication, but corrections and additions to the Catalogue and the Appendices continued up to the time of their deaths, and Ruth Rubinstein spent the last decade of her life preparing this second edition with substantial catalogue revisions and significant additions to the Bibliography. In addition to Phyllis Bober's introductory essay, which considers the cultural impact of classical Antiquity on Renaissance masters, the handbook also includes two important Appendices: an annotated Index of Renaissance Artists and Sketchbooks, and a descriptive and illustrated Index of Renaissance Collections. 0 g.

Rilegato. Condition: nuovo. Pages: 581 p. Illustrations:530 b/w. Language(s):English. Publication Year:2011. Brepols. ISBN: 978-1-905375-60-8. Hardback --- Summary This publication offers a new, revised edition of a work that was hailed, when it first appeared, as "the most useful art-historical reference book to have been published in recent decades". It is a Handbook of Sources, documenting and illustrating the most significant antique works of art known to Renaissance artists. More than 500 illustrations show Greek and Roman statues, mythological and historical reliefs as well as triumphal arches together with Renaissance drawings, engravings, bronzes and paintings to demonstrate how and where these classical monuments were discovered and recorded, and how they were copied, adapted, combined and transformed into the style and iconography we now recognize as Renaissance art. The authors, Professor Phyllis Bober and Dr Ruth Rubinstein, based their selection on the Census of Antique Works of Art and Architecture known in the Renaissance, begun at the Warburg Institute in London as a reference catalogue, but continuously extended thereafter and now transferred into a modern web-based database system accessible on the internet. The auhors arranged their illustrative material and their encyclopaedic catalogue thematically, giving full descriptions and history of each antique work, listing Renaissance representations and adaptations, and citing relevant literature. In addition, the myths and legends featured in the classical works are retold briefly in each case to help the reader follow the narrative particularly in the many sarcophagus reliefs reproduced. Although the book has been reprinted twice since its first appearance, only minor revisions had until now been included. Sadly, neither author has lived to see the present publication, but corrections and additions to the Catalogue and the Appendices continued up to the time of their deaths, and Ruth Rubinstein spent the last decade of her life preparing this second edition with substantial catalogue revisions and significant additions to the Bibliography. In addition to Phyllis Bober's introductory essay, which considers the cultural impact of classical Antiquity on Renaissance masters, the handbook also includes two important Appendices: an annotated Index of Renaissance Artists and Sketchbooks, and a descriptive and illustrated Index of Renaissance Collections. Glossary, General Index.