Boudoir (36 results)

Condition: New. In.

Paperback. Condition: Brand New. In Stock.

Condition: New. In.

Condition: New. In.

PF. Condition: New.

1st Edition in this form. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; 246 pages; Description: 246p. ; 22cm. Subject: Victorian erotic literature -- periodicals. 19th century periodicals -- reprints. Victorian underground literature -- reprints. Note: "Only six issues of this magazine were published and this first American edition contains every line of the original numbers" --bookflap. 3 Kg.

hardcover. Condition: Very Good. First Grove edition on brown cloth.

1st Edition in this form. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; 246 pages; Description: 246p. ; 22cm. Subject: Victorian erotic literature -- periodicals. 19th century periodicals -- reprints. Victorian underground literature -- reprints. Note: "Only six issues of this magazine were published and this first American edition contains every line of the original numbers" --bookflap. 1 Kg.

126 S. u. 4 Farbtaf., Kl.-8°, ill. OBr. Sprüche und Gedanken über die Liebe von Balzac, La Bruyère, Dupuy, Montaigne, Prevost, Rousseau, Stendhal u.v.a.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: Good. Magazine.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

No Binding. Condition: Very Good. A fine Engraving , printed in circa 1891. Mounted and ready to frame. A fine opportunity to purchase a attractive and decorative engraving.

Condition: New. Print on Demand.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Unframed Print. Condition: Very Good. A single fold-out sheet print, image area approx. 25 x 29 cms. With another page containing some accompanying text. An interior scheme with classical ornament and feminine refinement, illustrating Victorian interpretations of Renaissance domesticity. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries, such as The Builder, Building News, and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance, intricacy, and stylistic flair of the period's architecture. Rich in ornamental detail and atmospheric depth, they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL, PRINTED AT THE DATE SHOWN IN THE TITLE, NOT A REPRINT OR COPY. Category: Builder & Building News; Unframed Prints : Old; PRINTS : Buildings & Places. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. Print on Demand pp. 40.

Couverture souple. Condition: Comme neuf. Edition originale. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.

Couverture souple. Condition: Comme neuf. Edition originale. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.

Condition: New. Print on Demand pp. 40.

Condition: New. PRINT ON DEMAND pp. 40.

Paperback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Stahlstich v. Simon n. Cretius b. Paynes Universum, um 1845, 14,5 x 18,8 (H).

One mounted albumen boudoir photographs sized 7.5 x 4.25 in. mounted on 8 x 5 in. printed tan studio mount, rounded corners, photographer's studio imprint on lower blank of boards, caption w/in negative at lower fore-edge (minor creasing at center, and lower corner, minor soiling), still a VG image. An original boudoir albumen photograph capturing the tragic crash of the Oregon Central & Eastern Railroads train on the Yaquina Line at Tunnel No. 1 resulting in the deaths of Conductor Campbell, with inset portrait upper left, and Brakeman Wilcox lower right. Founded originally in the 1870's by T. Egerton Hogg as a railroad line from Yaquina Bay through Corvallis and up the Santiam River to the base of the Cascades, the company defaulted in 1894, and was sold to Montana lumber baron Andrew Hammond for $ 100,000 who largely used the rail line for his Curtiss Lumber Company in Mill City. Half the locomotives were barely in operating condition, and the line was badly in need of repairs. Crawford (1850-1929) and his brother Orville produced stereoviews and boudoir cards of scenes from the Pacific Coast through the Columbia River Gorge, up to the summit of Mount Hood, chiefly based in the Albany area, and Paxton (1833-1902) was his partner off-and-on in the photo studio from 1887 until his death in partnership.

Oblong boudoir-sized albumen photograph, sized 7.75 x 4.5 in. mounted on 8.5 x 5.25 in. studio board, gilt lettering on recto, title & location in ink manuscript on verso (minor rubbing, very minor edgewear, slight over-exposure to fore-edges), still VG bright image. A very nice early birds-eye photograph shot of Portland, Oregon, and East Portland before the merger of the two municipalities with Albina into one City a year later. This was about the time of the unofficial opening of the Portland Heights Cable Car which ran from Irving Street near Union Station past the Vista Bridge into Washington Park, with a vast trestle bridge spanning over 1000 feet along Spring. McAlpin (b. 1856) first opened his studio with Frank Abell, but then joined with Charles Y. Lamb, the printer and photo retoucher for Abell from 1883-1887, and they operated for several years as Imperial Gallery.

Two mounted albumen boudoir photographs sized 7.75 x 4.25 in. mounted on 8 x 5 in. printed tan studio mounts, rounded corners, photographer's studio imprint on lower blank of boards, w/ News Dealer stamp on verso for J.C. Young, C.P.R.R., Yaquina City, Oregon on verso (minor dustsoiling, edgewear, minor rubbing), still VG images w/ mostly good contrast. These two scarce original boudoir albumen photos capture one of the Oregon & California Railroad's (later Southern Pacific) wrecks near Albany, Oregon in 1889. The first captures the steam locomotive on its' side, piled up cars in the background, and crowd milling around the wreck site. The second shows the still wrecked locomotive, now restored upright, presumably being restored to working condition, and re-attached to cars with crowd standing on and seated next to the train at the Albany rail station. Crawford (1850-1929) produced stereoviews and boudoir cards of scenes from the Pacific Coast through the Columbia River Gorge, up to the summit of Mount Hood, chiefly based in the Albany area, and Paxton (1833-1902) was his partner off-and-on in the photo studio from 1887 until his death in partnership.

Photograph. Condition: Very Good. Portrait photograph [14.5 cm x 20 cm] on a C. R. Savage mount [17.5 cm x 25 cm]. Subjects unknown. Written in pen, below the image: "Ho, for the Salt Lake! Aug. 8th 1894." A striking portrait image from the renowned Mormon pioneer photographer, Charles Roscoe Savage, who is best known for his images of the linking of the transcontinental railroad at Promontory Point, Utah. Savage was a prolific photographer of the American West in general, and of Utah and the Mormon experience in particular. He thoroughly documented the early settlement and development of Salt Lake City, including the long and arduous construction of the Mormon Temple over several decades. He also photographed many Indigenous North Americans, and is credited for taking the first photographs of what would later become Zion National Park.