Burnard David (42 results)

Encuadernación de tapa blanda. Condition: Bien. Informatica (illustrator). La fotografía que aparece en la pantalla puede ser distinta a la real. Todos nuestros libros son de segunda mano.

Hard Cover. Condition: Very Good. David Kearney (illustrator). First Edition. Colour illus laminated bds. small chip to bottom spine end. pages lightly and evenly browning. b.w illus. Interior very good and clean.

Softcover. First Edition. pp. 64. Small 8vo., measuring 5.5" x 8.5". Striking, iIllustrated, twice-stapled, card covers attribted to Gary Young. Illustrated with black-and-white illustrations, drawings, photographs, collage-art, etc. Includes selections of poetry and prose by Don Kerr, Robert Finley, Jane Sellwood, Lee Gowan, et al. Lightest rubbing to the covers, contents without blemish with bright, clean, and unmarked pages and firm, sound binding; near fine.

Softcover. First Edition. pp. 58, [3]. Small 8vo., measuring 5.5" x 8.5". Illustrated, twice-stapled, card covers attributed to Don Hall. Illustrated with black-and-white photographs, portraits, illustrations, facsimiles, etc. Includes selections of poetry and prose by Anne Szumigalski, Neil Kapoor, et al. Lightest rubbing to the covers, contents without blemish with bright, clean, and unmarked pages and firm, sound binding; near fine.

Softcover. First Edition. pp. 64. Small 8vo., measuring 5.5" x 8.5". Striking, iIllustrated, twice-stapled, card covers attribted to André Jodoin. Illustrated with black-and-white illustrations, drawings, photographs, collage-art, etc. Includes selections of poetry and prose by Betty Popescu, Ann Newdigate Mills, Marie Elyse St. George, Susan McMaster, Gil McElroy, et al. Lightest rubbing to the covers, contents without blemish with bright, clean, and unmarked pages and firm, sound binding; near fine.

Softcover. First Edition. pp. 64. Small 8vo., measuring 5.5" x 8.5". Striking, iIllustrated, twice-stapled, card covers. Illustrated with black-and-white illustrations, drawings, photographs, collage-art, etc. Includes selections of poetry and prose by Ally McKay, R. Steven Laird, Les Arnold, Mary Romancuk, et al. Lightest rubbing to the covers, contents without blemish with bright, clean, and unmarked pages and firm, sound binding; near fine.

Softcover. First Edition. pp. 78. Small 8vo., measuring 5.5" x 8.5". Illustrated, twice-stapled, card covers attributed to Frank Nulf. Richly illustrated with striking full-page black-and-white photographs, and illustrations. Includes selections of poetry and prose by Brenda Baker, Bruce Iserman, Lyn Lifshin, et al. Lightest rubbing to the covers, contents without blemish with bright, clean, and unmarked pages and firm, sound binding; near fine.

Softcover. First Edition. pp. 64. Small 8vo., measuring 5.5" x 8.5". Illustrated, twice-stapled, card covers attributed to Chuck Krate. Illustrated with black-and-white illustrations, drawings, etc. Includes selections of poetry and prose by Timothy Findlay, Dan Pope, Sara McDonald, et al. Lightest rubbing to the covers, contents without blemish with bright, clean, and unmarked pages and firm, sound binding; near fine.

Paperback. Condition: Brand New. 221 pages. 9.00x6.00x0.75 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. The ways in which research and scholarship are co-produced, co-performed and proclaimed as particular kinds of knowledges and truths in and beyond the academy is radically changing. The capacity to write rebelliously, in varying registers and voices, tempos and volumes, as featured across this book, is boundaryless. In this edited volume, we ask new questions which simultaneously trouble and open up what the 'product' and 'performance' of academic work, words and worlds might come to be. At the heart of this book, we move between departing radically from academic writing to arriving at a new academic endeavor and transaction between reader and text driven by the invitation to open rebellion in academic research and writing.This unique volume brings together an extraordinary range of international scholars, researchers and artists, that include contemporary social scientists, critical theorists, visual artists, poets, musicians, hip-hoppers, choreographers, activists, film-makers, theatre-makers, magicians, and circus artists from both within and outside the academy in Europe, UK, India, Africa, USA, Canada, Australia and New Zealand. They articulate new concepts for thinking differently, generate new theories differently, and present new methods of writing differently. This book provides 'permission' to depart radically in academic writing and creative practice - particularly for doctoral and higher degree research students, and those who work alongside them as supervisors and advisors and higher research degree educators. The claim here is that rebellious departures and performances in academic research and writing are the future of academia. This book provides a series of steps toward preparing for that future.

Condition: As New. Unread book in perfect condition.

Condition: New. KlappentextBringing together an extraordinary range of international scholars and practitioners that include contemporary visual artists, poets, choreographers, activists, film-makers, theatre-makers, magicians, and circus artists, the c.

Paperback. Condition: New. The ways in which research and scholarship are co-produced, co-performed and proclaimed as particular kinds of knowledges and truths in and beyond the academy is radically changing. The capacity to write rebelliously, in varying registers and voices, tempos and volumes, as featured across this book, is boundaryless. In this edited volume, we ask new questions which simultaneously trouble and open up what the 'product' and 'performance' of academic work, words and worlds might come to be. At the heart of this book, we move between departing radically from academic writing to arriving at a new academic endeavor and transaction between reader and text driven by the invitation to open rebellion in academic research and writing.This unique volume brings together an extraordinary range of international scholars, researchers and artists, that include contemporary social scientists, critical theorists, visual artists, poets, musicians, hip-hoppers, choreographers, activists, film-makers, theatre-makers, magicians, and circus artists from both within and outside the academy in Europe, UK, India, Africa, USA, Canada, Australia and New Zealand. They articulate new concepts for thinking differently, generate new theories differently, and present new methods of writing differently. This book provides 'permission' to depart radically in academic writing and creative practice - particularly for doctoral and higher degree research students, and those who work alongside them as supervisors and advisors and higher research degree educators. The claim here is that rebellious departures and performances in academic research and writing are the future of academia. This book provides a series of steps toward preparing for that future.

Hardcover. Condition: Brand New. 240 pages. 9.00x6.00x0.75 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware - The ways in which research and scholarship are co-produced, co-performed and proclaimed as particular kinds of knowledges and truths in and beyond the academy is radically changing. The capacity to write rebelliously, in varying registers and voices, tempos and volumes, as featured across this book, is boundaryless. In this edited volume, we ask new questions which simultaneously trouble and open up what the 'product' and 'performance' of academic work, words and worlds might come to be. At the heart of this book, we move between departing radically from academic writing to arriving at a new academic endeavor and transaction between reader and text driven by the invitation to open rebellion in academic research and writing. This unique volume brings together an extraordinary range of international scholars, researchers and artists, that include contemporary social scientists, critical theorists, visual artists, poets, musicians, hip-hoppers, choreographers, activists, film-makers, theatre-makers, magicians, and circus artists from both within and outside the academy in Europe, UK, India, Africa, USA, Canada, Australia and New Zealand. They articulate new concepts for thinking differently, generate new theories differently, and present new methods of writing differently. This book provides 'permission' to depart radically in academic writing and creative practice - particularly for doctoral and higher degree research students, and those who work alongside them as supervisors and advisors and higher research degree educators. The claim here is that rebellious departures and performances in academic research and writing are the future of academia. This book provides a series of steps toward preparing for that future.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. The ways in which research and scholarship are co-produced, co-performed and proclaimed as particular kinds of knowledges and truths in and beyond the academy is radically changing. The capacity to write rebelliously, in varying registers and voices, tempos and volumes, as featured across this book, is boundaryless. In this edited volume, we ask new questions which simultaneously trouble and open up what the 'product' and 'performance' of academic work, words and worlds might come to be. At the heart of this book, we move between departing radically from academic writing to arriving at a new academic endeavor and transaction between reader and text driven by the invitation to open rebellion in academic research and writing.This unique volume brings together an extraordinary range of international scholars, researchers and artists, that include contemporary social scientists, critical theorists, visual artists, poets, musicians, hip-hoppers, choreographers, activists, film-makers, theatre-makers, magicians, and circus artists from both within and outside the academy in Europe, UK, India, Africa, USA, Canada, Australia and New Zealand. They articulate new concepts for thinking differently, generate new theories differently, and present new methods of writing differently. This book provides 'permission' to depart radically in academic writing and creative practice - particularly for doctoral and higher degree research students, and those who work alongside them as supervisors and advisors and higher research degree educators. The claim here is that rebellious departures and performances in academic research and writing are the future of academia. This book provides a series of steps toward preparing for that future.

Condition: New. KlappentextBringing together an extraordinary range of international scholars and practitioners that include contemporary visual artists, poets, choreographers, activists, film-makers, theatre-makers, magicians, and circus artists, the c.

Hardback. Condition: New. The ways in which research and scholarship are co-produced, co-performed and proclaimed as particular kinds of knowledges and truths in and beyond the academy is radically changing. The capacity to write rebelliously, in varying registers and voices, tempos and volumes, as featured across this book, is boundaryless. In this edited volume, we ask new questions which simultaneously trouble and open up what the 'product' and 'performance' of academic work, words and worlds might come to be. At the heart of this book, we move between departing radically from academic writing to arriving at a new academic endeavor and transaction between reader and text driven by the invitation to open rebellion in academic research and writing.This unique volume brings together an extraordinary range of international scholars, researchers and artists, that include contemporary social scientists, critical theorists, visual artists, poets, musicians, hip-hoppers, choreographers, activists, film-makers, theatre-makers, magicians, and circus artists from both within and outside the academy in Europe, UK, India, Africa, USA, Canada, Australia and New Zealand. They articulate new concepts for thinking differently, generate new theories differently, and present new methods of writing differently. This book provides 'permission' to depart radically in academic writing and creative practice - particularly for doctoral and higher degree research students, and those who work alongside them as supervisors and advisors and higher research degree educators. The claim here is that rebellious departures and performances in academic research and writing are the future of academia. This book provides a series of steps toward preparing for that future.

Buch. Condition: Neu. Neuware - The ways in which research and scholarship are co-produced, co-performed and proclaimed as particular kinds of knowledges and truths in and beyond the academy is radically changing. The capacity to write rebelliously, in varying registers and voices, tempos and volumes, as featured across this book, is boundaryless. In this edited volume, we ask new questions which simultaneously trouble and open up what the 'product' and 'performance' of academic work, words and worlds might come to be. At the heart of this book, we move between departing radically from academic writing to arriving at a new academic endeavor and transaction between reader and text driven by the invitation to open rebellion in academic research and writing. This unique volume brings together an extraordinary range of international scholars, researchers and artists, that include contemporary social scientists, critical theorists, visual artists, poets, musicians, hip-hoppers, choreographers, activists, film-makers, theatre-makers, magicians, and circus artists from both within and outside the academy in Europe, UK, India, Africa, USA, Canada, Australia and New Zealand. They articulate new concepts for thinking differently, generate new theories differently, and present new methods of writing differently. This book provides 'permission' to depart radically in academic writing and creative practice - particularly for doctoral and higher degree research students, and those who work alongside them as supervisors and advisors and higher research degree educators. The claim here is that rebellious departures and performances in academic research and writing are the future of academia. This book provides a series of steps toward preparing for that future.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Signed within the text at the author's reference by: Andre Alexis, Marie-Claire Blais, Clark Blaise, Dionne Brand, Bonnie Burnard, Barry Callaghan, Roch Carrier, Wayson Choy, Austin Clarke 27 Sept 2009, George Elliott Clarke, Douglas Coupland 28/10/09, Lorna Crozier, Trevor Ferguson, Charles Foran, Cecil Foster, Gary Geddes, Katherine Govier, Richard Gwyn, Elizabeth Hay, Steven Heighton, Lawrence Hill, Jack Hodgins, Wayne Johnston, Guy Gavriel Kay, Joseph Kertes, Thomas King, Dany Laferriere, Dennis Lee, Don McKay, Alistair MacLeod, Lee Maracle, Sid Marty, John Metcalf, Anne Michaels, Susan Musgrave, Michael Ondaatje, Kenneth Oppel, Monique Proulx, Paul Quarrington, Nino Ricci, David Adams Richards, Leon Rooke, John Ralston Saul, Diane Schoemperlen, Linda Spalding, Cordelia Strube,Rosemary Sullivan, Susan Swan, Drew Hayden Taylor, Jane Urquhart, M. G. Vassanji, Richard Wright, Ronald Wright, Robert Sawyer. Signed on the title page or adjacent page or front end paper by; Seth, Camilla Gibb, Robert Wilson, Linwood Barclay, John Bemrose, Joseph Boyden, Miriam Toews, Linden MacIntyre (2), Lisa Moore (2), Barry Dempster, Annabel Lyon, Diana Fitzgerald Bryden, Charlotte Gray, Mark Kingwell, Daniel Poliquin, Michael Crummey, Alan Bradley, Patrick Taylor, Jack Whyte, Michael Redhill, Nicholas Ruddock, Peter Robinson (2), Giles Blunt, Joy Fielding, John Ibbitson, Shane Peacock, Alison Pick, Emma Donoghue, Alissa York, Louise Penny, Meaghan Strimas, Michael Wex, Sheila Heti, Sarah Selecky, Johanna Skibsrud, Priscilla Uppal, Olive Senior, David Bezmozgis, Patrick deWitt, Esi Edugyan, Peter Behrens, Frances Itani, Emma Ruby-Sachs, Marina Endicott, Trevor Cole, Kim Thuy, Eva Stachniak, Marjorie Celona, Lilian Nattel, Ami McKay, Richard Wagamese, Gary Barwin, Lynne Kutsukake, Don Needles, Leanne Betasamosake, Suzette Mayr, Zoe Whittall, Catherine Leroux, Daniel Grenier, Barbara Gowdy, Michael Helm, David Chariandy, Michelle Berry, Alexander MacLeod, Wade Davis, Yann Martel, Sara Gruen, Will Ferguson, Terry Fallis, Carmen Aguirre, Donna Morrissey, Dennis Bock, Tanya Talaga, Canisia Lubrin, Cherie Dimaline, Deepa Rajagopalan. All signatures collected personally at multiple local author events. First edition and first printing of the second edition of the Concise Oxford Companion To Canadian Literature. Edited by William Toye. Signed by Author(s).

Couverture souple. Condition: bon. RO30062410: 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 527 pages. . . . Classification Dewey : 4-Traitement des données. Informatique.

Couverture souple. Condition: bon. RO40084913: 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. 527 pages. . . . Classification Dewey : 4-Traitement des données. Informatique.

Hardcover. Condition: Very Good. J.- F. Bouchor. David Burnard (illustrator). 1st Edition. Hardcover. A First edition. Size: 24.5 x 20.5 cms. Page number: 162. Marbled boards with red leather spine and corners. Marbled end papers. Gilt top edge. Unevenly cut pages. With 30 tipped-in colour plates after paintings by J.- F. Bouchor and black and white decorative chapter headings and details by David Burnard. 220 editions of this book were produced. 200 were for sale. This book is one of the twenty that were not. It was gifted to The Ministry of The Interior in 1923. Condition: Very Good. There is dark mark along the top edge of almost all of the pages of the book; this being most noticeable at the beginning and the end. One of the coloured plates is creased. The pages are otherwise clean though occasionally faintly darkened at the right hand edge where they have been exposed. There are other small marks of little significance. The binding is tight, the pages un-thumbed. A handsome well made book.