Butler Edited By (332 results)

Soft cover. Condition: Good. Inscribed by authors on front endpaper. Good condition. Some edge and corner. Light soiling to outside page edges. All intact. No writing or marking. Not Ex-Library. Inscribed by Author(s).

13th printing of the 3rd Edition. 248 pages. Fine paperback book in decorative wrappers (soft cover book).

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

softcover. Condition: Very Good. No Dust Jacket. Back cover has some light scratches. Illustrated by Butler, Yvan; Photographer (illustrator).

Hardcover. Condition: Good. No Jacket. Edge wear. Tanning along fore edges and pages. Rubbing and fading to boards. Spine creases.

Hardcover. Condition: Good. No Jacket. Edge wear. Tanning along fore edges and pages. Rubbing and fading to boards. Spine creases.

Soft cover. Condition: Very Good. No Jacket. Revised Edition. Concise edition, revised and updated. 466 pages. Book.

Paperback. Condition: Very Good. 1st. xii, 202 pages, illustrations; 22 cm. PRESENTATION COPY. Signed by the editor, with a personalized inscription, otherwise tight & clean. Corner crease/back cover, age toning. First paperback edition. *** An indispensable anthology of critical writings on the great French sculptor Auguste Rodin (1840-1917). **** CONTENTS: Introduction, by Ruth Butler; THE AGE OF BRONZE; Review of the Exhibition at the cercle artistique (1877)/ Anonymous; Review of the exhibition at the cercle artistique (1877), by Jean Rousseau; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; 1882 and 1883- Saint John, the portraits, and the portal; Review of exhibition at the Royal academy (1882), by Arthur Warren; Review of the Paris salon (1882), by Louis de Fourcaud; Review of the Paris salon (1882), by Paul Leorri; Review of the sculpture at the Paris salon (1882), by Phillp Burty; Review of the exposition des arts liberaux in the rue Vivienne (1883), by Gustave Geffory; Review of the exposition nationale (1883), by Paul Lefort; Review of the exposition nationale (1883), by G. Dargenty; Review of the salon and of the exposition des arts liberaux (1883), by Charles Fremine; Review of the St. John at the Royal Academy (1883), by Anonymous; The Gates of Hell and the Burghers of Calais; The Future Museum of Decorative Arts (1885), by Octave Mirbeau; "The man who returns from hell: Auguste Rodin" ( 1886), by Felicien Champsaur; "Visiting Rodin's studio" (1886), by Edmond de Goncourt; "Rodin and Zola" (1886), by Robert louis Stevenson; A visit to Rodin's studio (1888); Rodolphe Darzens; 1886-1889 MAJOR SUCCESS AT GEORGES PETIT, THE SALONS, AND AT THE EXPOSITION UNIVERSELLE; Review of the exposition internationale at Georges Petit (1886), by G. Dargenty and Armand Silvestre; Review of the exposition internationale at Georges Petit (1887), by J. K. Huysmans; Review of the Brussels Salon (1887)/ Octave Maus; "the sculptor rodin" (1889), by Gustave Geffroy; Review of te monet-rodin exhibition at Georges petit and Rodin's work at the exposition universelle (1889), by Andre Michel; Rodin enters the history of sculpture; "The new movement in sculpture " (1892), by W. C. Brownell; "Contemporary masters" (1895), by Louis Gonse; Rodin's fame in America (1896), by Lorado Taft; THE LATE 1890'S: A CRITICAL BACKLASH; "The failure of genius" (1896), by Felicien Champsaur; "Sculpture at the Paris Salons" (1897), by M. H. Spielmann; An interview with Sarah Bernhardt (1897), by Jacques Daurelle; "The truth about the salons of 1898 and 1899" (1899), by Paul Leroi; BALZAC: PUBLIC BATTLE; "Le vernissage" (May 1, 1898), by Jean Villemer; A letter to Robert Ross (1898), by Oscar Wilde; "Rodin's victory" (1898), by Jean Rameau; Rodin's defense (May 12, 1898), by Auguste Rodin; Rodin's Balzac (1898), by Arsene Alexandre; "Precious ridiculousness" (1898), by Henri Rochefort; "A masterpiece of modern art" (1898), by Frank Harris; 1900: World Renown; A letter for Rodin's exhibition catalogue (1900), by Claude Monet; The exposition universelle (1900), by Edmond Picard; "Notes on Rodin's sculpture" (1900), by Rudolf Kassner; "The gates of hell" (1900), by Anatole France; "Hands in Rodin's Work" (1900), by Gustave Kahn; "The centennial exhibition of French sculpture" (1900), by Gustave Geffroy; "Auguste Rodin, his work, his life, and his influence" (1901), by Camille Mauclair; Letters (1902), by Rainer Maria Rilke; THE MEANING OF RODIN'S ART; "Rodin" (1902), by Arthur Symons; Speech delivered for the inauguration of Rodin's Thinker in front of Pantheon (April 21, 1906), by Dujardin-Beaumetz; "Our Trajan's column: Rodin's tower of labor" (1907), by Ricciotto Canudo; "Auguste Rodin" (1907), by Charles Morice; RODIN'S GERMAN PUBLIC; "Rodin's work as an expression of the modern spirit" (1911), by Georg Simmel; "Auguste Rodin" (1904), byJulius Meier-Grafe; "Auguste Rodin" (1917), by Adolf von Hildebrand. SIGNED.…

Soft Cover. Reprint. Softcover. Large paperback, 387pp. Fine.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Condition: Good+. No Jacket. Standard used condition. Reading copy or better. Used Book.

Soft cover. Condition: Fine. 1st Edition. Ca., Marion Zimmer Bradley Ltd, Fall 1991 volume 4 Number 2, Contents page in photos, Cover art by Gail Butler. 64 pages A fine copy. See Photos. Cover art by Gail Butler (illustrator).

Soft Cover. Fine. First. 8vo - over 7¾" - 9¾" tall. ISBN:1-56512-175-9. 306 pages.

Hardcover. Condition: Good. Ex-library book with usual markings. Good Condition. Five star seller - Buy with confidence.

Soft cover. Condition: As New. Dust Jacket Condition: New. 2nd Edition. BREATHTAKING: RICH: LUMINOUS: PASSIONATE: EXQUISITE: MAGNIFICENT: CANONICAL: AS-NEW Revised Second Trade Paperback Edition (Orig. 1996) Eleventh Printing (c. 2020): EXCELLENT smooth-cut text-block exterior MARRED Only w/ the slightest touch of shelf-dust soiling on top-edge, NEW perfect binding w/ uncreased spine, NEW handsomely-illus. sepia-portrait cover w/ sharp NEW edges & corners, PRISTINE interior ELEGANTY printed on EXCELLENT unblemished archival paper * 5.50" x 8.36" x 1.26", 0.62 kg, xxvi+544+vi (576) pp * ABOUT THE BOOK: "The Collected Poems of W.B. Yeats" includes all of the poems authorized by Yeats for inclusion in his standard canon. Breathtaking in range, it encompasses the entire arc of his career, from luminous re-workings of ancient Irish myths & legends to passionate meditations on the demands & rewards of youth & old age, from exquisite, occasionally whimsical songs of love, nature, & art to somber & angry poems of life in a nation torn by war & uprising. In observing the development of rich & recurring images & themes over the course of his body of work, we can trace the quest of this century's greatest poet to unite intellect & artistry in a single magnificent vision. Revised & corrected, this edition includes Yeats's own notes on his poetry, complemented by explanatory notes from esteemed Yeats scholar Richard J. Finneran. "The Collected Poems of W.B. Yeats" is the most comprehensive edition of one of the world's most beloved poets available in paperback. * ABOUT THE EDITOR: The late RICHARD J. FINNERAN was general editor, w/ George Mills Harper, of "The Collected Works of W.B. Yeats" for many years; series editor of "The Poems" in the "Cornell Yeats"; & editor of "Yeats: An Annual of Critical & Textual Studies", among other works. He held the Hodges Chair of Excellence at the University of Tennessee, Knoxville; was a past president of the South Atlantic MLA; & served as executive director of the Society for Textual Scholarship. * ABOUT THE POET: William Butler Yeats is generally considered to be Ireland's greatest poet, living or dead, & one of the most important literary figures of the 20th century. He was awarded the Nobel Prize in Literature in 1923. * SHIPPING: MNEMOSYNE carefully wraps, labels & custom-packages this fine book for FREE domestic shipment via USPS MEDIA MAIL or USPS PRIORITY MAIL for a nominal additional fee & via efficient USPS FIRST CLASS MAIL to all international shipments at our posted rates.…

Paperback. Condition: Near Fine/NO DUSTJACKET. First Edition. Richfield Springs, NY: ***** Self Published *****. Near Fine/NO DUSTJACKET. (2006). First Edition. Paperback. 8vo., iii, 206 pp. . Black & White Photographs (illustrator).

Paperback. viii, 137p., wraps, 5.5 x 8.25 inches, very good condition.

Paperback. Condition: Near Fine. 1st. xii, 202 pages, illustrations; 22 cm. Near fine. Tight, clean copy. Age toning. First paperback edition. *** An indispensable anthology of critical writings on the great French sculptor Auguste Rodin (1840-1917). *** CONTENTS: Introduction, by Ruth Butler; THE AGE OF BRONZE; Review of the Exhibition at the cercle artistique (1877), by Anonymous; Review of the exhibition at the cercle artistique (1877), by Jean Rousseau; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; 1882 and 1883- Saint John, the portraits, and the portal; Review of exhibition at the Royal academy (1882), by Arthur Warren; Review of the Paris salon (1882), by Louis de Fourcaud; Review of the Paris salon (1882), by Paul Leorri; Review of the sculpture at the Paris salon (1882), by Phillp Burty; Review of the exposition des arts liberaux in the rue Vivienne (1883), by Gustave Geffory; Review of the exposition nationale (1883), by Paul Lefort; Review of the exposition nationale (1883), by G. Dargenty; Review of the salon and of the exposition des arts liberaux (1883), by Charles Fremine; Review of the St. John at the Royal Academy (1883), by Anonymous; The Gates of Hell and the Burghers of Calais; The Future Museum of Decorative Arts (1885), by Octave Mirbeau; "The man who returns from hell: Auguste Rodin" ( 1886), by Felicien Champsaur; "Visiting Rodin's studio" (1886), by Edmond de Goncourt; "Rodin and Zola" (1886), by Robert louis Stevenson; A visit to Rodin's studio (1888); Rodolphe Darzens; 1886-1889 MAJOR SUCCESS AT GEORGES PETIT, THE SALONS, AND AT THE EXPOSITION UNIVERSELLE; Review of the exposition internationale at Georges Petit (1886), by G. Dargenty and Armand Silvestre; Review of the exposition internationale at Georges Petit (1887), by J. K. Huysmans; Review of the Brussels Salon (1887)/ Octave Maus; "the sculptor rodin" (1889), by Gustave Geffroy; Review of te monet-rodin exhibition at Georges petit and Rodin's work at the exposition universelle (1889), by Andre Michel; Rodin enters the history of sculpture; "The new movement in sculpture " (1892), by W. C. Brownell; "Contemporary masters" (1895), by Louis Gonse; Rodin's fame in America (1896), by Lorado Taft; THE LATE 1890'S: A CRITICAL BACKLASH; "The failure of genius" (1896), by Felicien Champsaur; "Sculpture at the Paris Salons" (1897), by M. H. Spielmann; An interview with Sarah Bernhardt (1897), by Jacques Daurelle; "The truth about the salons of 1898 and 1899" (1899), by Paul Leroi; BALZAC: PUBLIC BATTLE; "Le vernissage" (May 1, 1898), by Jean Villemer; A letter to Robert Ross (1898), by Oscar Wilde; "Rodin's victory" (1898), by Jean Rameau; Rodin's defense (May 12, 1898), by Auguste Rodin; Rodin's Balzac (1898), by Arsene Alexandre; "Precious ridiculousness" (1898), by Henri Rochefort; "A masterpiece of modern art" (1898), by Frank Harris; 1900: World Renown; A letter for Rodin's exhibition catalogue (1900), by Claude Monet; The exposition universelle (1900), by Edmond Picard; "Notes on Rodin's sculpture" (1900), by Rudolf Kassner; "The gates of hell" (1900), by Anatole France; "Hands in Rodin's Work" (1900), by Gustave Kahn; "The centennial exhibition of French sculpture" (1900), by Gustave Geffroy; "Auguste Rodin, his work, his life, and his influence" (1901), by Camille Mauclair; Letters (1902), by Rainer Maria Rilke; THE MEANING OF RODIN'S ART; "Rodin" (1902), by Arthur Symons; Speech delivered for the inauguration of Rodin's Thinker in front of Pantheon (April 21, 1906), by Dujardin-Beaumetz; "Our Trajan's column: Rodin's tower of labor" (1907), by Ricciotto Canudo; "Auguste Rodin" (1907), by Charles Morice; RODIN'S GERMAN PUBLIC; "Rodin's work as an expression of the modern spirit" (1911), by Georg Simmel; "Auguste Rodin" (1904), byJulius Meier-Grafe; "Auguste Rodin" (1917), by Adolf von Hildebrand; RODIN AND THE YOUNGER MASTERS OF EARLY MODERN SCULPTURE; " A great contemporary artists" (1.…

Hardcover. Condition: Good with no dust jacket. 275 pages plus maps. ex-university library copy with typical internal library stamps and markings, pocket on inside rear cover, stamped on page edges, glued down stickers on front cover (one has been inked out). recollections of South Africa ; Ex University Library; 5 1/2 x 8 1/2 ".…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. Small octavo. B&W illustrations. Condition: slight wear with slight bumping to corners; else near fine in fine DJ. Pages: xxi, 370.

Trade Paperback. Condition: Very Good. Updated Edition. 236 pp. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages and light shelf wear. Smooth covers. Pen markings throughout text. The Bettmann Archive (Cover Photo) (illustrator).…

Fine and bright stiff wraps with strong spine and clean text throughout.

Hardcover. Condition: Acceptable. Worn with tears and edge wear. The hardcover book is in good condition, though the dust jacket shows noticeable wear, including tears and edge wear. The binding remains intact, and the pages are clean, with some age-related toning visible. There are no inscriptions or library markings, preserving its original state.…

Soft cover. Condition: Good+. White soft cover with black lettering on front cover and spine, one word written in ink on front cover; cover shows moderate scuffing, minor creasing and shelf wear. Book is a little warped. Binding tight, pages very clean, no markings. Packaged carefully for shipment in cardboard with U. S. tracking. Oversized or heavy books may require extra postage for priority or international shipment.…

Cloth - Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. 151 pages. Dust jacket is now in a clear Brodart protective sleeve.

Softcover. Condition: Very good condition. xvii, 212 pp. Softcover.

Hardcover. Condition: Good. No Dustjacket. 1st Edition. First Edition. Stated First Published, August, 1933. Tight hardcover in good condition. 12mo. 279pp. Orange pictorial boards and backstrip with black cubic illustration on the front board and lettering on the backstrip. Orange signatures on the endpapers. Black & white illustrations throughout book. Top edge of leaves dyed dark brown. Book is clean and tight. Boards have some wear & edgewear with bumped corners. The illustration on the front board is bright. The backstrip has edgewear & a little fading on the top & bottom edge The lettering is bright. Leaves are in good condition with no markings - one page has a corner chip. Light age discoloration on side and bottom outside edge. Ships within 24 hours. Scanned photos available upon request.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. DJ has edge wear. ; Reprint of 1934 edition.

First edition The original, previously unpublished text of the Memoirs and the Journal. Near fine in like pictorial dustjacket with crisp bright text throughout. Close to fine and bright in like pictorial dustjacket. From a scholar's library we note brief lining. Excellent reading copy.

First edition The original, previously unpublished text of the Memoirs and the Journal. Near fine in like pictorial dustjacket with crisp bright text throughout. Light age tone to opening flyleaf with clippings from the New York Times and the Times Literary Supplement regarding Yeats.