Camargo William (9 results)

Paperback or Softback. Condition: New. Velásquez, William (illustrator). Colecci�n particular: (Antolog�a personal). Book.

Paperback. Condition: New. Velásquez, William (illustrator). 5th edition.

Hardcover. Condition: Good. Rufus M. Jones' copy, scuffing to spine, some soil to cloth and foxing to front endpaper, pages near very good.

Hardcover. Condition: Very Good. Reprint. Just a hint of edge rubbing, but x-library markings internal & external, but not circulated. ; 8vo 8" - 9" tall; 256 pages.

Hardcover. 256 p.; 20 cm. Ink stain from press, p. 29-32, ink marking p. 13 Contents -- Foreword, C. E. Lemmon, Wm. F. Rothenburger -- Faith and world order; Culture and peace; Statesmanship and Christianity, William Ernest Hocking -- The church, the press, and world opinion, Willmott Lewis -- Toward peace in the Orient, M. Searle Bates -- A Christian view of inter-American relationships, G. Baez-Camargo -- Peace begins at home, Cleo W. Blackburn -- The racial issue and the Christian church, Georgia Harkness -- How can the churches in America work for peace? Walter W. Van Kirk -- The church and the new world mind, Rufus M. Jones. Good orig. gray cloth, blue blocking rubbed. End leaves toned.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. New. In publisher's plastic wrap as issued.

Taschenbuch. Condition: Neu. Velásquez, William (illustrator). Neuware.

Paperback. Condition: New. Velásquez, William (illustrator). 5th edition.

paperback. Condition: As New. Cofanetto in edizione speciale con quattro stampe in Risografia numerate e  firmate dall'artista e una copia della pubblicazione "We Have Been Here" contenute in una scatola di cartone pesante serigrafata. Stampe: 35,5 x 27,9 cm - Libro d'artista: 25,4 x 20,3 cm - Scatola: 28,3 x 35,6 cm. La pubblicazione presenta fotografie di William Camargo, un saggio di Joseph Daniel Valencia e poesie di Jesús Cortez e José García. Immagini d'archivio: per gentile concessione dell'Anaheim Heritage Center. Progetto grafico: Lindsay Buchman Formato: Copertina morbida. Rilegatura: Cucita a punto Singer. Stampa: Risograph (giallo, rosa fluorescente, blu e nero). Carta: Cougar Natural da 70 gr. Custodia: Serigrafia argentata e stampa  Risograph nera. Cm 37x28 (custodia). pp. 44 + stampe. . Perfetto (Mint). . Prima edizione di 50 esemplari numerati (First edition of 50 numbered copies). . William Camargo è un educatore, fotografo, artista. Attualmente è commissario per il patrimonio e la cultura della città di Anaheim e sta conseguendo un Master in Belle Arti (MFA) presso la Claremont Graduate University, in California. È fondatore e curatore di Latinx Diaspora Archives, una pagina Instagram che valorizza le comunità nere attraverso foto di famiglia. Ha conseguito un Bachelor of Fine Arts (BFA) presso la California State University di Fullerton e un Master in Fotografia (AA) presso il Fullerton College.Camargo ha ricevuto una borsa di studio Friedman dalla Claremont Graduate University e ha tenuto lezioni presso l'University of Wisconsin?Parkside; University of San Diego; California State University, Long Beach; Claremont Colleges; e Roski School of Art and Design della University of Southern California. Le sue opere sono state esposte presso il Chicago Cultural Center; il Loisaida Center, New York; l'Università di Indianapolis; il Mexican Center for Culture and Cinematic Arts, Los Angeles; la Stevenson University, Maryland; l'Ethelbert Cooper Gallery of African and African American Art, Harvard University, Cambridge, Massachusetts; l'Irvine Fine Arts Center, California, Phoenix Art Museum.We Been Here raffigura Anaheim, in California, come un luogo conteso, esaminando la gentrificazione, i territori colonizzati e le storie messicane, chicanx e latine. Il lavoro di Camargo riflette su come Anaheim, nella Contea di Orange, sia spesso rappresentata attraverso mitologie omogenee, delimitata dal parco divertimenti Disneyland, eppure dimora di una classe operaia nera. We Been Here mette in scena controstorie per sfidare la cancellazione e la caratterizzazione errata delle comunità latine, rivelando storie sepolte di oppressione e privazione di potere nella regione, in contrasto con l'attivismo comunitario. Concentrandosi sulle esperienze vissute dalle persone nere, Camargo sottolinea l'importanza delle narrazioni fotografiche per dare potere e riscrivere i canoni dominanti delle pratiche fotografiche, raffigurando Anaheim per chi rappresenta. Prima edizione di 50 esemplari numerati (First edition of 50 numbered copies). Book.