Published by The Camberwell Press, London, 1985
Soft Cover. Condition: Very Good. No Jacket. Folder containing 5 booklets - Conference Agenda; List of Private Press Exhibitors; List of Private Presses; List of Resources; List of Conference Participants. Slightest wear. A very pleasing copy. (p10).
Publication Date: 2023
Seller: True World of Books, Delhi, India
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1914 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 540 Volume 3 Language: English.
Published by The Camberwell Press, (London, England), 1987
Seller: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
portfolio. Camberwell Press (illustrator). 8vo. portfolio. unpaginated. Keepsake published by the Camberwell Press on the occasion of the meeting of the American Booksellers Association in Washington, 1987. A print of a wood engraving by John Lawrence laid in portfolio.
Publication Date: 2024
Seller: Gyan Books Pvt. Ltd., Delhi, India
Leather Bound. Condition: New. Language: English. This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1914. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol: - Volume 3, Pages: - 536, Print on Demand. If it is a multi-volume set, then it is only a single volume. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 3 536.
Published by Londra, Camberwell Press,, Londra, 2015
ISBN 10: 190897141X ISBN 13: 9781908971418
paperback. Condition: Ottimo (Fine). Fotografie in bianco e nerodi Liam Magee Copertina morbida (dorso doppio) in busta di cartone. Progetto di Oliver Boulton. Curatori Liam Magee, Oliver Boulton, Duncan Wooldridge, Sigune Hamann. Cm 26x21. pp. 36. . Ottimo (Fine). . Prima ed. di 150 esemplari (First edition of 150 copies). . L'idea alla base del libro (Top / Top) è che deve essere vuoto prima di essere visto. Ho progettato il libro con due dorsi perforati, in modo che il dorso che si strappa determina l'orientamento con cui si guarda il libro. Tutte le immagini all'interno sono ambigue nel loro orientamento; ritraggono oggetti di uso quotidiano, ma in un modo che non consente di stabilire in quale modo si debba guardarle. Qualunque sia il modo in cui si ruota il libro, potrebbe essere il modo "giusto" o "sbagliato" di vedere le immagini. Questo si ricollega al mio interesse per la percezione e la comprensione degli oggettiVincitore del Camberwell Book Prize.Tutte le immagini all'interno sono ambigue; ritraggono oggetti quotidiani. In qualsiasi modo si ruoti il libro potrebbe essere il modo "giusto" o "sbagliato" di vedere le immagini. Questo si ricollega al mio interesse nella nostra percezione e comprensione degli oggetti. Prima ed. di 150 esemplari (First edition of 150 copies). Book.
Published by Narrow 4to, 295 X 178mm., [32]pp., The Camberwell Press, London, 1985., 1985
Seller: Collinge & Clark, London, United Kingdom
First Edition Signed
Hardcover. Condition: USED_FINE. 1st Edition. Optima Roman and Greek types. Number 6 of 50 (70) copies printed on Zerkall paper, signed by the illustrator.8 full-page lithographs in colours. Quarter grey morocco with blind spine titling, ribbed silver silk boards. A fine copy, inscribed by Eileen Hogan to the printer, David Moss, accompanied by some loose proofs of the lithographs. The text is photoset, not printed letterpress. Signed by Illustrator(s).
Publication Date: 1996
Seller: Blackwell's Rare Books ABA ILAB BA, Oxford, United Kingdom
14/75 COPIES (from an overall edition of 300 copies), signed by Professor Eileen Hogan of the Camberwell College of Arts, this, one of the deluxe edition issued in a folder with a set of prints (this copy without folder and prints), printed on Canaletto paper, monochrome full-page illustration, colour illustration of tickets, and 10 full-page colour-printed lithographed reproductions, title-page printed in blue and black, pp. [32], large 4to, publisher's sea-green morocco-backed boards covered with paper reproducing design by Tirzah Ravilious, upper board with printed label, label with faint mark, near fine. Ravilious' textured, highly evocative illustrations, created while he was an official war artist with the Admiralty, following the submarine, HMS Dolphin. The illustrations are punctuated by illuminating, playful extracts from letters to his wife, Tirzah, O'Rourke Dicky of the War Artists Advisory Committee and to his friend and fellow artist, Helen Binyon: 'The electric light has failed as it is Good Friday and I am writing by candle. The fire is poor and the room is like a cave. The submarine pictures are done but not as good as they ought to be. It is a pity. Some aren't bad: perhaps lithography in five colours is too much and the result tends to be a chromo, you shall see them one day.'.