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Published by Stanford University Press, 2013
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Published by Stanford University Press, 2013
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Published by Stanford University Press, 2013
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Published by Amsterdam University Press (edition ), 2019
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Language: German
Published by Heidelberg Synchron, Wiss.-Verl. der Autoren, 2004
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Condition: New. This book demonstrates how, in the Europe of the seventeenth and eighteenth centuries, literary writers, philosophers, and mathematicians together developed and shaped the idea of modern probability, both scientifically and aesthetically.Über d.
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Published by Stanford University Press Jan 2013, 2013
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Taschenbuch. Condition: Neu. Neuware - There exist literary histories of probability and scientific histories of probability, but it has generally been thought that the two did not meet. Campe begs to differ. Mathematical probability, he argues, took over the role of the old probability of poets, orators, and logicians, albeit in scientific terms. Indeed, mathematical probability would not even have been possible without the other probability, whose roots lay in classical antiquity.
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Add to basketCondition: New. Craig Buckley is an assistant professor of Modern and Contemporary architecture in the History of Art Department at Yale University. Ruediger Campe is the Alfred C. and Martha F. Mohr Professor of Germanic Languages & Literatures at Yale Universi.
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Hardback. Condition: New. What are emotions, where do they originate and how are they brought into being? While from antiquity to early modernity, affects or passions were mostly conceived of as external physiological forces which act upon a passive subject, modern conceptions generally locate emotions within the subject. Drawing on the dichotomy of "interiority / exteriority" as a complex interdependent relationship, they mostly envision emotions as interior processes. Contemporary conceptions of emotion from such different fields as human geography, art history and cognitive sciences recently started to challenge this notion of internal emotions by developing alternative descriptions of externalized emotion. This book reevaluates premodern, modern and contemporary conceptions of affects, passions and emotion by analyzing various historical manifestations of the discourse on emotion. Unlike most previous research, which - especially in the German tradition - often focused exclusively on the rise of the modern (Romantic) interiority without paying attention to the underlying dichotomy of "interiority / exteriority", this study aims to explore the historical preconditions, the internal logic and the possible shortcomings that inform our thinking on emotion.