Capitain Wouter (48 results)

Paperback. Condition: Good+. 1st Edition (Unstated). 119 pages; pencil markings throughout the book. Slightly cocked spine. Very Good condition otherwise. No other noteworthy defects. ; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.

Paperback. Condition: new. Paperback. One of the late twentieth century's most celebrated and influential public intellectuals, Edward W. Said was also a critic of astonishing range. This book presents his insightful and elegant analyses of four major operas-originally delivered as the Empson Lectures at Cambridge University in 1997-showcasing the power of Said's critical acumen to unsettle canonical interpretations.In close readings of Mozart's Cosi fan tutte, Beethoven's Fidelio, Berlioz's Les Troyens, and Wagner's Die Meistersinger von Nuernberg, Said explores how each opera engages with the social and political questions of their own eras-and how they might speak to the present. He pays careful attention to the works' historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera's cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said's contributions to cultural criticism.This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said's career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said's achievements. This book presents Edward W. Saids insightful and elegant analyses of four major operasoriginally delivered as the Empson Lectures at Cambridge University in 1997showcasing the power of his critical acumen to unsettle canonical interpretations. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. One of the late twentieth century's most celebrated and influential public intellectuals, Edward W. Said was also a critic of astonishing range. This book presents his insightful and elegant analyses of four major operas-originally delivered as the Empson Lectures at Cambridge University in 1997-showcasing the power of Said's critical acumen to unsettle canonical interpretations.In close readings of Mozart's Così fan tutte, Beethoven's Fidelio, Berlioz's Les Troyens, and Wagner's Die Meistersinger von Nürnberg, Said explores how each opera engages with the social and political questions of their own eras-and how they might speak to the present. He pays careful attention to the works' historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera's cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said's contributions to cultural criticism.This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said's career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said's achievements.

Paperback. Condition: New. One of the late twentieth century's most celebrated and influential public intellectuals, Edward W. Said was also a critic of astonishing range. This book presents his insightful and elegant analyses of four major operas-originally delivered as the Empson Lectures at Cambridge University in 1997-showcasing the power of Said's critical acumen to unsettle canonical interpretations.In close readings of Mozart's Così fan tutte, Beethoven's Fidelio, Berlioz's Les Troyens, and Wagner's Die Meistersinger von Nürnberg, Said explores how each opera engages with the social and political questions of their own eras-and how they might speak to the present. He pays careful attention to the works' historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera's cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said's contributions to cultural criticism.This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said's career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said's achievements.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: NEW.

Paperback or Softback. Condition: New. Said on Opera. Book.

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Condition: New. 2024. paperback. . . . . .

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New.

Condition: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

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Paperback. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: Brand New. 160 pages. 8.50x5.50x0.80 inches. In Stock.

Paperback. Condition: new. Paperback. One of the late twentieth century's most celebrated and influential public intellectuals, Edward W. Said was also a critic of astonishing range. This book presents his insightful and elegant analyses of four major operas-originally delivered as the Empson Lectures at Cambridge University in 1997-showcasing the power of Said's critical acumen to unsettle canonical interpretations.In close readings of Mozart's Cosi fan tutte, Beethoven's Fidelio, Berlioz's Les Troyens, and Wagner's Die Meistersinger von Nuernberg, Said explores how each opera engages with the social and political questions of their own eras-and how they might speak to the present. He pays careful attention to the works' historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera's cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said's contributions to cultural criticism.This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said's career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said's achievements. This book presents Edward W. Saids insightful and elegant analyses of four major operasoriginally delivered as the Empson Lectures at Cambridge University in 1997showcasing the power of his critical acumen to unsettle canonical interpretations. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: NEW.

Paperback. Condition: New. One of the late twentieth century's most celebrated and influential public intellectuals, Edward W. Said was also a critic of astonishing range. This book presents his insightful and elegant analyses of four major operas-originally delivered as the Empson Lectures at Cambridge University in 1997-showcasing the power of Said's critical acumen to unsettle canonical interpretations.In close readings of Mozart's Così fan tutte, Beethoven's Fidelio, Berlioz's Les Troyens, and Wagner's Die Meistersinger von Nürnberg, Said explores how each opera engages with the social and political questions of their own eras-and how they might speak to the present. He pays careful attention to the works' historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera's cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said's contributions to cultural criticism.This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said's career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said's achievements.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardback. Condition: New. One of the late twentieth century's most celebrated and influential public intellectuals, Edward W. Said was also a critic of astonishing range. This book presents his insightful and elegant analyses of four major operas-originally delivered as the Empson Lectures at Cambridge University in 1997-showcasing the power of Said's critical acumen to unsettle canonical interpretations.In close readings of Mozart's Così fan tutte, Beethoven's Fidelio, Berlioz's Les Troyens, and Wagner's Die Meistersinger von Nürnberg, Said explores how each opera engages with the social and political questions of their own eras-and how they might speak to the present. He pays careful attention to the works' historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera's cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said's contributions to cultural criticism.This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said's career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said's achievements.