Cardiff Gray (32 results)

Hardcover. Condition: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.

Soft cover. Condition: Very Good. Please see any and all photos connected with this listing. Cover and spine are good with only mild shelf/rub wear. No dog-eared corners. Solid Binding. All pages intact and legible. Clean. No store stamps. --- --- Two professional investment counselors discuss what happens and what you should do about your real estate when the markets turn. . .See photos for additional content. . .

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. Dust Jacket Condition: Good.

Condition: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. Stated First Edition. Clean and tight copy Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Condition: New. First Edition. Fantastic condition. Tight binding. Pages slightly discolored from aging. 100% Satisfaction Guaranteed. Orders received before 3PM PT typically ship same day. All profits support the non-profit community. Free upgrade to First Class shipping.

Hardcover. Condition: Very Good. Item may have minor to moderate cosmetic defects (marks, wears, cuts, bends, crushes) on the cover, spine, pages or dust cover. Shrink wrap or dust cover, may be missing. Item may contain remainder marks on outside edges. Pages may contain limited notes or highlighting. Good reading copy.

paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Soft cover. Condition: Good. No Jacket. 2nd Edition. Pages are clean with underlining. Cover corners and edges are unmarred Binding is tight.

Mass Market Paperback. Condition: Good. COVER HAS LIGHT CREASING WITH SURFACE WEAR. 256 PAGE TEXT HAS LIGHT WEAR WITH TWO CORNER FOLDS. FINANCE.

Mass Market Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Cloth - Hard Cover. Condition: Fine. Dust Jacket Condition: Good. Copyright is 1979. 192 pages. Dust jacket shows a half inch closed tear from upper edge over top cover. Jacket remains bright and clean, and is now in a clear Brodart protective sleeve.

Hardcover. Condition: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDFirst edition. Price in ink front free endpaper else good no dust jacket.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. Second Printing. DJ has some edge wear. There is spine end chipping. There is a tear at the top back corner with paper missing.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. First Edition, Fifth Printing. Not price-clipped ($12.95 price intact). Published by Arlington, 1979. Octavo. Hardcover. Book is very good. Dust jacket is very good with edgewear/tears. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Unknown. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Hardcover. First Edition. VG in dj.

Condition: Good. Good condition. Acceptable dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Later. Near fine in near fine dust jacket. Shelf-rubbing.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Second edition. Near fine in near fine dust jacket. Edges of spine slightly rubbed. Minor shelf rubbing to dust jacket.

Soft cover. Condition: Good. PB/pub.1990/Gd. condition/52 pages - How and when to invest in precious metals. (KR74197z). Book.

Hardcover. Condition: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Prentice Hall Press, 1988. Octavo. Hardcover. Book is like new. Dust jacket is like new. Excellent copy of this intriguing business title.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Stapled wraps. Condition: Very Good. First Edition; First Printing. Very light edgewear, light toning; 92 pages.

Stapled wraps. Condition: Very Good. First Edition; First Printing. Very light edgewear, light toning; 98 pages.

Condition: Near Fine. Stapled wraps, No Flaws or Blemishes but minimal shelf handling; 8.5 inches tall; 53 pages; illustrated with charts. One of the standout features of Cardiff's work is his ability to contextualize precious metals within broader economic cycles. He connects the dots between inflation, monetary policy, and the role of gold and silver as hedges against financial uncertainty. His historical perspective adds depth, helping readers understand why metals like gold have been considered safe havens for centuries. The book's practical approach is another highlight. Cardiff doesn't just provide theoretical frameworks; he offers actionable advice for readers looking to incorporate precious metals into their portfolios. From choosing the right investment vehicles (bullion, ETFs, or mining stocks) to timing market entry and exit points, Cardiff equips readers with tools to navigate the often-volatile world of precious metals. [adapted from reviews].

Paperback. Condition: As New. Revised edition.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.