Carol Reilly (61 results)

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Very Good. 1st. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. 1st Edition. Paperback. Binding sound, text clean, light shelfwear. Oversize, heavy book: priority or international shipping may be extra. Book.

Condition: As New. Unread book in perfect condition. Stavish, Carol (illustrator).

Condition: New. Stavish, Carol (illustrator).

Paperback or Softback. Condition: New. Animal Tales & Tracks. Stavish, Carol (illustrator). Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. The binding is tight, corners sharp. Light foxing on edges of text block. Text and images unmarked.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 2nd Edition. VG/G, used hc, 202 pages. Brown colored paper over boards with gilt text on spine; tips and head and tail of spine slightly rubbed. Color illustrated dust jacket has brown and black colored text on upper and spine;slight edge wear; no tears; poked spot on center of upper near spine; tip edge at tail of upper slightly wrinkled; not price clipped. This book is the exhibition catalog that went with an exhibit of the same name organized by the Amon Carter Museum in Fort Worth, Texas and the Buffalo Bill Historical Center in Cody, Wyoming. Interior pages are clean, unmarked, the colored pictures are bright. 10 1/8"x10 1/4" Binding is straight and tight. Paintings (illustrator).…

Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: New. Stavish, Carol (illustrator).

Hardcover. Condition: Near Very Good. Last 2 pages torn.

First edition (per publisher's statement upon copyright page). 202 pages. Hardcover: H 25.75cm x L 25.75cm. Dust jacket rubbed with a few small patches of surface abrasion; some scuffing and bumping at spine and flap fold ends. Dark orange cloth. Interior pages are bright and clean. Binding is firm. A very good+ copy in a very good dust jacket. With Preface, Introduction by Peter H. Hassrick, color and b/w illustrations throughout, Exhibition Checklist, and Index. Features essays: "George Caleb Bingham, the Native Talent" by Ron Tyler, "Charles Deas" by Carol Clark, "William Ranney" by Linda Ayres, "Arthur F. Tait" by Warder H. Cadbury, "The American Indian Genre Paintings of Catlin, Stanley, Wimar, Eastman, and Miller" by Herman J. Viola with H.B. Crothers and Maureen Hannan, and "The Prints of Life in the West, 1840-60" by Bernard Reilly, Jr. This monograph was issued in conjunction with the exhibition AMERICAN FRONTIER LIFE organized by the Amon Carter Museum in Fort Worth, Texas, and the Buffalo Bill Historical Center in Cody, Wyoming. The touring exhibition opened at the Buffalo Bill Historical Center from June 12 to September 10, 1987 and then moved to the Amon Carter Museum from October 17, 1987 to January 3, 1988 and concluded at the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania from January 28 to April 22, 1988. Please note that this book has an approximate shipping weight of 4 pounds (1.81 kg) and may require additional postage and insurance for any postal class other than domestic Media Mail. ISBN 0896596915. …

Hardcover. Condition: Book fine, Dust jacket fine. 1st. Introduction by Peter H. Hassrick. Bound in the publisher's original rust cloth with the spine stamped in gilt.

Condition: New. Stavish, Carol (illustrator).

Condition: As New. Unread book in perfect condition. Stavish, Carol (illustrator).

Hardcover. Condition: Near Fine. Limited edition: this copy is number 112. Near fine in red cloth covered boards with gilt design. No dust jacket. Illustrated by Carol Reilly (illustrator).

0 Reilly, Carol, ed AUSTRALIAN & NEW ZEALAND VEGETARIAN COOKING FOR BETTER HEALTH South Yarra, Australia: Sanitarium, nd 125pp index, illus color photos 4to Previous owner's inscription on first page, else Fine copy.

Soft cover. Condition: Fine. 1st Edition. 518 pp., x. '10' in number line. Profusely illustrated with black and white illustrations. Following the Preface and "Introduction: The Expanding Discourse", Contents divided into 29 successive Essays: (1) Margaret R. Miles, "The Virgin's One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture"; (2) Patricia Simons, "Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture"; (3) Mary D. Garrard, "Leonardo da Vinci: Female Portraits, Female Nature"; (4) Patricia L. Reilly, The Taming of the Blue: Writing Out Color in Renaissance Theory"; (5) Lilian Zirpolo, "Botticelli's Primavera: A Lesson for the Bride"; (6) Rona Goffen, "Titian's Sacred and Profane Love and Marriage"; (7) Yael Even, "The Loggia dei Lanzi: A Showcase of Female Subjugation"; (8) Margaret D. Carroll, "The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence"; (9) Natalie Boymel Kampen, "The Muted Other: Gender and Morality in Augustan Rome and Eighteenth-Century Europe"; (10) Anne Higonnet, "Secluded Visiion: Images of Feminine Experience in Nineteenth-Century Europe"; (11) James M. Saslow, " ' Disagreeably Hidden ' : Construction and Constriction of the Lesbian Body in Rosa Bonheur's Horse Fair"; (12) Tamar Garb, " ' L'Art Feminin ' : The Formation of a Critical Category in Late Nineteenth-Century France"; (13) Linda Nochlin, "Morisot's Wet Nurse: The Construction of Work and Leisure in Impressionist Painting"; (14) Griselda Pollock, "Modernity and the Spaces of Femininity"; (15) Norma Broude, "Edgar Degas and French Feminism, ca. 1880: ' The Young Spartans ', The Brothel Monotypes, and the Bathers Revisited"; (16) Tamar Garb, "Renoir and the Natural Woman"; (17) Abigail Solomon-Godeau, "Going Native: Paul Gauguin and the Invention of Primitivist Modernism"; (18) Peter Brooks,"Gauguin's Tahitian Body"; (19) Carol Duncan, "The MoMA's Hot Mamas"; (20) Marilyn Lincoln Board, "Constructing Myths and Ideologies in Matisse's Odalisques"; (21) Mary Ann Caws, "Ladies Shot and Painted: Female Embodiment in Surrealist Art"; (22) "Janice Helland, "Culture, Politics, and Identity in the Paintings of Frida Kahlo"; (23) Helen Langa, "Egalitarian Vision, Gendered Experience: Women Printmakers and the WPA/FAP Project"; (24) Anne M. Wagner, "Lee Krasner as L.K."; (25) Barbara Buhler Lynes, "Georgia O'Keeffe and Feminism: A Problem of Position"; (26) Josephine Withers, "Judy Chicago's Dinner Party: A Personal Vision of Women's History"; (27) Lowery S. Sims, "Race Riots, Cocktail Parties, Black Panthers, Moon Shots, and Feminists: Faith Ringgold's Observations on the 1960s in America"; (28) Freida High W. Tesfagiorgis, "Afrofemcentrism and Its Fruition in the Art of Elizabeth Catlett and Faith Ringgold"; (29) Craig Owens, "The Discourse of Others: Feminists and Postmodernism"; Notes on the Contributors, pp. 503-505; Index, pp. 506-518. Glossy decorative green wrappers with Title and Editor names in White letters across top third and bottom front cover, respectively. Subtitle in yellow, just above a large, middle-lower middle, front cover, color illustration of Edgar Degas' "Spartan Girls Challenging Boys". Tiny nick to lower left spine corner and similar tiny nick to left edge spine near midpoint; small, soft crease, diminishingly, at top corners, pp. 11-40, First three pages of #8 Essay (Carroll) have small amount of yellow highlighting and first five pages of Essay #14 (Pollock), similarly,(i.e., 8 pp of 518 pp) : describes worse than it is, but there you have it. Virtually As New: Tight binding (NO cracks); square corners; NO remainder marks; NO previous owner names. Essentially, Clean text. Solid copy. …

hb. Condition: Very Good. dust cover worn but book is in very good condition apart from wear to top of back cover.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Limited Edition. Fine condition red cloth boards with a gold front cover illustration, contained in the original clear glassine dust jacket with some scattered chips, mainly at the upper lower spine edges. Includes gravure illustrations and matching red with gold speckled front and rear endpapers. All of the Strathmore Fairfield and Silverflake pages are in fine condition and the spine is exceedingly tight and square. This limited edition was privately printed for the friends of Peck & Durham Division of The John B. Watkins Company Christmas 1961. Reilly, Carol (illustrator).…

Hardcover. Condition: Very Good. No Dustjacket. No dustjacket. 238 pages incl indices. Light turqoiuse-blue and white hardback binding, small label abrasion to front board.,Ink school stamp to early and late pages. Treble staves with words, Colour and B&W illustrations. Pages very clean.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. As new condition white boards with black spine lettering contained in an as new condition color illustrated dust jacket. Includes Preliminary Page Quote by Frederick Douglass; Author Dedication; 1776 Unites Mission Statement; Foreword by Dr. Lucas E. Morel; Introduction: The Crucial Voice of "1776" by Robert L. Woodson, Sr.; Biographies of Contributing Authors; Endnotes and Acknowledgments. " "An indispensable corrective to the falsified version of black history presented by The 1619 Project, radical activists, and money-hungry "diversity consultants." In the rush to redefine the place of black Americans in contemporary society, many radical activists and academics have mounted a campaign to destroy traditional American history and replace it with a politicized version that few would recognize. According to the new radical orthodoxy, the United States was founded as a racist nation -- and everything that has happened throughout our history must be viewed through the lens of the systemic oppression of black people. Rejecting this false narrative, a collection of the most prominent and respected black scholars and thinkers has come together to correct the record and tell the true story of black Americans in all its complexity, diversity of experience, and poignancy. Collectively, they paint a vivid picture of black people living the grand American experience, however bumpy the road may be along the way. But rather than a people apart, blacks are woven into the united whole that makes this nation unique in history." -- from the rear outer jacket. "1776 Unites represents a nonpartisan and intellectually diverse alliance of writers, thinkers, and activists focused on solutions to our country's greatest challenges in education, culture, and upward mobility. We acknowledge that racial discrimination exists - and work toward diminishing it. But we dissent from contemporary groupthink and rhetoric about race, class, and American history that defames our national heritage, divides our people, and instills helplessness among those who already hold within themselves the grit and resilience to better their lot in life. 1776 Unites maintains a special focus on voices in the black community who celebrate black excellence, reject victimhood culture and showcase the millions of black Americans who have prospered by embracing the founding ideals of America. We are intellectuals, journalists, entrepreneurs, and grassroots activists, celebrating the progress America has made, the resilience of its people, and our future together. We seek decisive action in restoring our people's confidence and advancing the cause of actual justice in the face of hostile messages that degrade the spiritual, moral, and political foundations of our nation." -- from the inner front jacket flap. ABOUT THE AUTHOR: Community activist Robert L. "Bob" Woodson has devoted his career to helping low-income people transcend their impoverished conditions. Woodson has used his own rise from poverty to assist him as the founder and president of the National Center for Neighborhood Enterprise (NCNE). Woodson received a prestigious "Genius Grant" from the MacArthur Foundation in 1990. He sits on the boards of the American Association of Enterprise Zones, the Commission on National and Community Service, and the Commonwealth Foundation. Woodson has also written extensively on issues of poverty and empowerment. Shea, Tiffani (cover design) (illustrator). …

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

PF. Condition: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Stavish, Carol (illustrator).