Catherine Opie (187 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. 100 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings.

hardcover. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Soft cover. Condition: Near Fine. Exhibition catalog for show at Aspen Art Museum, February 26 to June 5, 2016. Paperback. Binding sound, text clean, mild shelfwear.168 pages, illustrated. Edition of 1500 copies. Oversize paperback, heavy book: priority or international shipping will require extra charges. Book.

Hardcover. First edition, first printing. Fine hardcover with a touch of shelf wear; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A collection of images of political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies; published in conjunction with an exhibition held at the Institute of Contemporary Art, Boston, April 15 - September 5, 2011. Photographs by Catherine Opie; essay and interview with the artist conducted by Helen Molesworth. 96 pages; 45 color plates + 8 text illustrations; 10 x 10.75 inches. Exhibition checklist.

First Edition. First edition. Hardcover. 95 pages. Published in conjunction with an exhibition that ran April 15 through September 5, 2011. Features text by Jill Medvedow along with Helen Molesworth's interview of Opie. Includes numerous color images. A fine copy in illustrated boards and still in the publisher's shrinkwrap. No dust jacket as issued.

48 pp.; 13.4 x 18.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 20 - October 15, 2006. Curated and with an essay by Elizabeth T. Smith. Very Good / Fine. Light yellowing of pages. Contents clean and unmarked.

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Condition: Fine. 1st. Pictorial boards, 95 pages, colour illustrations; 28 x 25 cm. Published in conjunction with an exhibition held at The Institute of Contemporary Art, Boston, April 15 to September 5, 2011. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave. In doing so she has come to stand as one of America's foremost documentarians. Recently, Opie has returned to the genre of street photography, elaborating on the relationship between people and place, particularly the energies and desires created when masses of people convene around a shared interest or value. Freedom of assembly is one of the rights Americans take for granted; Opie is interested in the way that sites, such as the National Mall in Washington, D.C., come to be defined by the groups of people who assemble there and how their gathering shapes the identity of the place. This catalogue presents Opie's photographs of recent political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies. Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action. Her photographs offer a dynamic, complicated and loving portrait of the United States at the dawn of the twenty-first century." - Publisher. Size: 4to. Collectible.

Pictorial Hardcover. Condition: Very Good. No Jacket.

Soft cover. Condition: Near Fine. Catherine Opie, full-page photograph of Harrison (illustrator). First Edition. Near fine in original wrappers.

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Condition: New.

Hardback or Cased Book. Condition: New. Catherine Opie: Genre / Gender / Portraiture. Book.

Paperback. Condition: Very good. First Edition. ART JOURNAL FALL 2020 VOL 79 NO 3 with art or text by Lynne Cooke, Catherine Opie, Zoe Leonard, Richard Fung, Greg Bordowitz, Vaginal Davis, Louise Lawler and others. 100 pages. Paper with stiff cover. Very good condition.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. 1st edition. Hardbound, no dust jacket, as issued. Published on the occasion of an exhibit September 26, 2008-January 7, 2009.

Condition: As New. Unread book in perfect condition.

Magazine. First edition. Fine/As New magazine in card wraps. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The December 2008 issue of Art in America magazine with: cover by and a feature article on Raymond Pettibon; features on Catherine Opie and Giorgio Morandi; interview with Sarah Morris; portfolio of drawings Guillermo Kuitca made for an opera house curtain, published for the first time; special section of five articles on the contemporary art and art scene of Asia; and much more. Editorial directors Fabien Baron and Glenn O'Brien; edited by Marcia E. Vetrocq. 192 pages; profusely illustrated in color; 8.5 x 10.75 inches.

Hardcover without dustjacket as issued, 96 pages, tiny crimp to upper right corner of rear board; otherwise as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very Good. Staple-bound self-wrappers; 7 pages; color illustrations throughout plus a map of the museum; magazine measures 9 x 10-3/4 inches; With a four-page article on Catherine Opie; article titled " theanyspacewhatever"; edition size is unknown, it is not signed; in VERY GOOD COND.

Soft cover. First Edition. Oblong softcover, compact disc. Near fine 41 pages.

No Binding. Condition: Near Fine. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Postcard.

Exhibition invite, 4 x 9 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on reverse.

Exhibition invite, 4 x 9 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on reverse.

Hardcover. Condition: new. Hardcover. Nearly four decades of work from the photographer who redefined the expression of gender in contemporary queer portraitureA leading voice in contemporary photography, Catherine Opie has been known for her portraits of the queer scene in California since the late 1980s. A fundamental element of Opies work is the observation of different gender performances through a critical revision of the genre of portraiture. Her photography emphasizes how portraiture has the power to both reinforce and deconstruct conventional and binary expressions of gender. The title of this publication and the MASP exhibition it accompanies is based on the double meaning of the word genero in Portuguese, meaning both gender and genre.For her first solo show in Brazil, Opie enters into dialogue with the tradition of the portraita way of representing the human figure that dates to the 15th century in the Westproducing an archive of diverse presentations of gender and sexuality. Around 60 photographs from her most iconic series are displayed alongside a selection of around 15 emblematic portraits from MASPs collection. Strongly marked by figuration and the formal constraint of portraiture, the juxtaposition of these works accentuates the dialogues, tensions and reformulations that Opies photographic oeuvre proposes.Catherine Opie was born in Ohio in 1961 and is currently a professor of photography and the chair of the art department at UCLA. Opies work has been exhibited extensively throughout the United States, Europe and Japan. She has had solo exhibitions of her work at the Walker Art Center, Minneapolis; St. Louis Art Museum; Museum of Contemporary Art, Chicago; and the Museum of Contemporary Art, Los Angeles, among many others. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Exhibition Announcement Cards. This is not a book. The original announcement postcard for an exhibition of work by Catherine Opie, Rithard Rothman, and Tokihiro Sato titled "The Edge of Night: Urban Landscape Photography" and held at The Bertha and Karl Leubsdorf Art Gallery, Hunter College of The City University of New York, November 12 - December 12, 1998. Stiff postcard, printed both sides; 6 x 4.5 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

Exhibition Announcement Cards. This is not a book. The original announcement card for an exhibition of work by four artists held at Gorney Bravin + Lee, NYC, June 7 - July 26, 2002. The artists and the work show were: Justine Kurland, "New Zealand;" Catherine Opie, "1999;" Martha Rosler, "Brooklyn Elegy;" and James Welling, "Untitled 2002." Stiff postcard, printed one side; 4.25 x 6 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

Exhibition Announcement Cards. This is not a book. The original announcement card for a two-person exhibition of work by Catherine Opie and Judie Bamber titled "Ghost Image" and held at Gorney Bravin + Lee, NYC, June 1 - 30, 2001. Stiff thin card, printed one side; 6 x 4 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.