Cavendish Philip (84 results)

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Very Good. no dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

paperback. Condition: Good.

Hardcover. Condition: Very Good. No Jacket. Lg. 8vo. Dk. green cl., gilt lettering, crest, lines. Frontis. Illus. Xiv, 568pp., page tops gilt edged.

Hardcover. Condition: Near Fine. Dust Jacket Condition: No Jacket (As Issued). Inscribed by author on the ffep. Near Fine hardcover in semi-glossy boards; tight and clean, just a touch of shelfwear. 8vo. - over 7¾ in. - 9¾ in., 342pp. Signed & Inscribed By Author.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New.

Condition: New.

Paperback or Softback. Condition: New. The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s. Book.

Paperback. Condition: New. Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.…

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.…

paperback. Condition: Very Good in Wrappers. No Jacket. First Edition. New York. 2016. May 2014. Berghahn Books. 1st Paperback Edition. Very Good in Wrappers. 9781785331947. 362 pages. paperback. keywords: Film Russia Soviet Union History. DESCRIPTION - Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts. inventory #42646.…

Paperback. Condition: New.

Soft cover. Condition: Poor. score (403 pp.), [1] pp. ; 22 cm. ; ISBN: 0193436647; 9780193436640; LCCN: 79-770662 ; Contents: All creatures now / John Bennet -- Adieu,sweet Amaryllis / John Wilbye -- Adieu, ye city-prisoning towers / Thomas Tomkins -- Ah, dear heart / Orlando G ibbons -- April is in my mistress' face / Thomas Morley -- As Vesta was / Thomas Weelkes -- Come away, sweet love / Thomas Greaves -- Come, gentle swains / Michael Cavendish -- Come, sable night / John Ward -- Consture my meaning / Giles Farnaby -- Come, sirrah Jack, ho! / Weelkes -- Dainty fine bird / Gibbons -- Draw on, sweet night / Wilbye -- Fair nymphs, I heard one telling / John Farmer -- Flora gave me fairest flowers / Wilbye -- Fair Phyllis l saw / Farmer -- Fyer, fyer! ; Hard by a cry stal fountain / Morley -- Hark, all ye lovely saints / Weelkes -- Lady, when I behold / Wilbye -- I love, alas, I love thee ; Leave, alas, this tormenting / Morley -- Lullaby, my sweet little baby / William Byrd -- Mother, I will have a husband / Thomas Vautor -- Music divine / Tomkins -- My bonny lass she smileth ; Now is the month of maying / Morley -- O care, thou wilt despatch me ; Hence, care, thou art too cruel / Weelkes -- Out from the vale / Ward -- O what shall I do? / Wilbye -- O yes ! Has any found a lad? / Tomkins -- O that the learned poets / Gibbons -- Poor is the life ; Quick, quick, away, dispatch! ; No haste but good! / Michael East -- See, see the shepherds' queen / Tomkins -- Since Robin Hood / Weelkes -- See what a maze of error / George Kirbye -- Sing we and chant it / Morley -- Strike it up, tabor ; Sing we at pleasure / Weelkes -- Sleep, fleshly birth / Robert Ramsey -- Sweet honey-sucking bees ; Yet, sweet, take heed / Wilbye -- Sweet Suffolk owl / Vautor -- The silver swan / Gibbons -- This sweet and merry month of May ; Though Amaryllis dance / Byrd -- Though Philomela lost her love / Morley -- Those sweet delightful lilies / Thomas Bateson -- Thule, the period of cosmography ; The Andalusian merchant ; Thus sings my dearest jewel / Weelkes -- Too much I once lamented / Tomkins -- Trust not too much, fair youth / Gibbons -- Weep, O mine eyes / Bennet -- Weep, weep, mine eyes / Wilbye -- What is our life? / Gibbons -- Whither away so fast? / Morley. ; original covers and title page replaced with library boards ; performing copy ; READING COPY only. Book.…

Condition: New.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

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Hardcover. Condition: New.

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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condition: Brand New. 364 pages. 9.02x5.98x0.75 inches. In Stock.

Hardcover. Condition: Good. No Jacket. 1st Edition. Two octavo volumes in green cloth binding. B&W illustrations. Condition: minor wear & rubbing to bindings; corners bumped; else good condition.

Condition: As New. Unread book in perfect condition.