Cecil (Over 77,000 results)

Paperback. Condition: Good. Alternating chapters of prose and comics (illustrated by Eisner Award-winning graphic novelist Nate Powell) are interwoven in Cecil Castelucci's extraordinary YA novel about jealousy and grief, and how they cut us off from the ones we love. Every summer the trucks roll in, bringing the carnival and its infinite possibilities to town. This year Tessa and her younger sister Lulu are un-chaperoned and want to be first in line to experience the rides, the food . . . and the boys. Except this summer, jealousy will invade their relationship for the first time, setting in motion a course of events that can only end in tragedy, putting everyone's love and friendship to the test. Castellucci's deft shifting between straight prose and graphic novel visualize how Tessa processes the events of the summer, seeing herself and her friends as freaks personified by characters from Greek mythology. Powell, Nate (illustrator).…

Hardback. Condition: Good. Brother Blue. His name, even the color, filled me with a furious fire of pure hatred. Years ago, Tula Bane was beaten and left for dead on a remote space station far from Earth, her home planet. She started with nothing and had no one, but over time she found a home, a family, and even love. When it's discovered that the abandoned planet beneath the station is abundant with a rare and valuable resource, aliens from across the galaxy race over to strike it rich. With them comes trouble, like the man who nearly killed Tula years ago - the man she has dreamed of destroying ever since. In this sequel to Tin Star, Cecil Castellucci takes listeners on an extraordinary adventure through space in a thrilling and thoughtful exploration of what it means to love, to hate, and to be human.…

Paperback. Condition: Good. Tail-wagging hilarity that's simply doggonefunny -- and a perfect Father's Day gift. -- KIRKUS REVIEWS Dad pretends to be human, but the kids know otherwise. Between first-thing-in-the morning scratching, fetching the paper, snacking, lying around for hours, and even the occasional pit stop behind a tree, the evidence is clear. But so are their father's steadfast love and loyalty. Aren't those the best things about dads and dogs alike? Elizabeth Bluemle's amusing, affectionate text and Randy Cecil's delightful illustrations create the ultimate tribute to proud papas everywhere --an irresistible story readers will beg for again and again. Cecil, Randy (illustrator).…

Paperback. Condition: Good. The powerful and moving account of one woman's flight from Africa's heart of darkness.

Paperback. Condition: Good. An anthology of some of the best writing on the worst of travel, Wish You Weren?t Here! brings together twenty-one fantastic pieces that span the centuries as well as the continents. P. J. O?Rourke attains reverse enlightenment on India?s Grand Trunk Road. Ludwig Bemelmans hides a toy poodle from an overeager butcher on a luxury ocean liner. Christopher Buckley learns the drawbacks of group travel in the jungles of Belize, and Jerome K. Jerome experiences the downside of traveling with cheese. Edited by Cecil Kuhne, an experienced travel writer and editor of On the Edge and The Armchair Paddler, Wish You Weren?t Here! is a delightful book, a side-splitting read that will remind you why it?s good to be home.…

Paperback. Condition: Very Good. Illustrated guide to touring techniques Practical advice on how to pack and set up camp In recent years, kayak touring has become one of the most popular forms of paddling. Its simple technique combined with the accessibility it allows to diverse locations has an appeal for paddlers of all experiences levels. In Kayak Touring & Camping, Cecil kuhne presents a complete, illustrated guide to the elements of the touring kayak, basic and advanced paddling techniques, and touring accessories, as well as how to plan, outfit, and lead a kayak trip.…

Paperback. Condition: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condition: Good. A lift-the-flap book depicting Baby eating his breakfast--and the cow, hen, bee, and baker who made his milk, eggs, honey, and bread. Cecil, Randy (illustrator).

Paperback. Condition: Very Good. Today is the day Armani and her friends are going on a hike. What will they see? What adventures await? With Finn, Leola, Olive and their moms, they will soon all find out.The best is just around the bend, but they'll have to get there first. Gocotano, Cecil (illustrator).…

Paperback. Condition: Very Good.

Paperback. Condition: Good. Greiner, Leslie (illustrator).

Hardback. Condition: Good. Alternating chapters of prose and comics (illustrated by Eisner Award-winning graphic novelist Nate Powell) are interwoven in Cecil Castelucci's extraordinary YA novel about jealousy and grief, and how they cut us off from the ones we love. Every summer the trucks roll in, bringing the carnival and its infinite possibilities to town. This year Tessa and her younger sister Lulu are un-chaperoned and want to be first in line to experience the rides, the food . . . and the boys. Except this summer, jealousy will invade their relationship for the first time, setting in motion a course of events that can only end in tragedy, putting everyone's love and friendship to the test. Deft shifting between straight prose and graphic novel visualize how Tessa processes the events of the summer, seeing herself and her friends as freaks personified by characters from Greek mythology. Powell, Nate (illustrator). …

Hardback. Condition: Good. It is the start of a typical hot Richmond, Virginia summer; the first for 12 year-old Sally Corbett and her younger brother Andrew since losing their father the year before. Sally longs to do nothing but read all summer, but finds herself conscripted into her brother's ambitious lawn & pet care services that keeps him hustling all over town. Everyone's bucolic summer routine is devastated when thieves break into the city's Fine Arts museum and steal part of a major new exhibit of antique American toys, assembled from all over the country. The colonial era toys, some owned by the Founding Fathers, are believed to have been used to communicate coded messages between spies in secret from the British before the American Revolution. As Mrs. Corbett is the exhibit's senior curator, and the theft seriously endangers the museum's reputation and therefore their mother's job, Sally and Andrew instantly decide that they are going to find the toys and get every last one of them back. When the police and their parents tell them to stay out of it, naturally they go underground. As the fast-paced action scenes play out against the languid summer setting, the energetic and enterprising kids face all challenges with initiative, brains and determination, and in the end, serious guts.The Shockhoe Slip Gang stars a strong, smart heroine; and her resourceful brother. At its core it is a family story. And it's a classic literary mystery with a historical mystery giving it even more of a twist. Corson, Laura (illustrator).…

Paperback. Condition: As New.

Paperback. Condition: Very Good.

Paperback. Condition: Very Good.

paperback. Condition: Very Good.

Soft cover. Condition: Very Good. Very Good Paperback 9781400204700.

Soft cover. Condition: Good. Name blacked out on first page. Otherwise Very Good Paperback 9780800759490.

Condition: acceptable. Books may contain multiple pages with notes and highlighting. Supplements such as Access Codes, Cd's, etc. are not guaranteed with used book purchases.

Condition: good. Books may contain some notes and highlighting. Supplements such as Access Codes, Cd's Dust Jackets, etc. are not guaranteed with used book purchases.

Condition: acceptable. Books may contain multiple pages with notes and highlighting. Supplements such as Access Codes, Cd's, etc. are not guaranteed with used book purchases.

Condition: like_new. Book is in like new condition with only potential shelf wear. No marking or highlighting.

Condition: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Condition: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Condition: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Condition: good. Books may contain some notes and highlighting. Supplements such as Access Codes, Cd's Dust Jackets, etc. are not guaranteed with used book purchases.

Condition: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Condition: Very Good. For its time the most comprehensive treatment of the subject. -- New Grove Dictionary of Music and MusiciansBefore the 17th century, composers seldom indicated in their music whether the composition was to be performed by a particular combination of voices or instruments. Then in 1607 Monteverdi made a well-known suggestion for the orchestration of his opera Orfeo. And as the Baroque era unfolded, the concept of orchestrations began to evolve, achieving a notable clarity and the acceptance of a keyboard instrument as an integral part of the ensemble.Toward the middle of the 18th century, stylistic changes in instrumental music, e.g. styles that emphasized a single melodic line, directly affected methods of orchestration; while in the 19th century, orchestrations became an ever more vital factor in the composer's technique, a stylistic determinant that places a wealth of possibilities at his disposal. Finally, in the early 18th century, increasing awareness of the importance of internal balance, certain ideals of blended sound, and firmly established instrumental characteristics enabled orchestration to take its place as an academic discipline beside harmony and counterpoint.In this classic manual, a noted English composer describes 57 orchestral instruments (ca. 1914) tracing their origins, development, and status at the beginning of World War I. Not only are the history and evolution of each instrument fully discussed, the author also explores the techniques of each instrument, as well as players' impressions about what they must play. The result is an unparalleled insight into the inner working of an orchestra -- a vivid impression of what it is like to be a violinist, clarinetist, trombonist, or other orchestral player.While there have been numerous developments in instrumental technique on an individual basis since the book's first publication, most of what Forsyth says is still valid. Writing with wit, grace, and good sense, Forsyth created a formidably thorough, comprehensive, and informative text that has instructed and influenced generations of composers, conductors, musicians, and musicologists.…

Condition: Fair. For its time the most comprehensive treatment of the subject. -- New Grove Dictionary of Music and MusiciansBefore the 17th century, composers seldom indicated in their music whether the composition was to be performed by a particular combination of voices or instruments. Then in 1607 Monteverdi made a well-known suggestion for the orchestration of his opera Orfeo. And as the Baroque era unfolded, the concept of orchestrations began to evolve, achieving a notable clarity and the acceptance of a keyboard instrument as an integral part of the ensemble.Toward the middle of the 18th century, stylistic changes in instrumental music, e.g. styles that emphasized a single melodic line, directly affected methods of orchestration; while in the 19th century, orchestrations became an ever more vital factor in the composer's technique, a stylistic determinant that places a wealth of possibilities at his disposal. Finally, in the early 18th century, increasing awareness of the importance of internal balance, certain ideals of blended sound, and firmly established instrumental characteristics enabled orchestration to take its place as an academic discipline beside harmony and counterpoint.In this classic manual, a noted English composer describes 57 orchestral instruments (ca. 1914) tracing their origins, development, and status at the beginning of World War I. Not only are the history and evolution of each instrument fully discussed, the author also explores the techniques of each instrument, as well as players' impressions about what they must play. The result is an unparalleled insight into the inner working of an orchestra -- a vivid impression of what it is like to be a violinist, clarinetist, trombonist, or other orchestral player.While there have been numerous developments in instrumental technique on an individual basis since the book's first publication, most of what Forsyth says is still valid. Writing with wit, grace, and good sense, Forsyth created a formidably thorough, comprehensive, and informative text that has instructed and influenced generations of composers, conductors, musicians, and musicologists.…