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  • Kingsley, Charles [1819-1875] Frontispiece by A. Bauerle

    Published by Published by Ward, Lock & Co. Ltd., Warwick House, Salisbury Square, London . 1906., 1906

    Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom

    Association Member: PBFA

    Seller rating 5 out of 5 stars 5-star rating, Learn more about seller ratings

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    US$ 20.75

    US$ 40.30 shipping
    Ships from United Kingdom to U.S.A.

    Quantity: 1 available

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    Hard back binding in publisher's original over-printed maroon and green thistle patterned cream cloth covered boards, blocked and lettered gilt back, matching green and cream designed lining papers. 8vo. 7½'' x 5¼''. Contains frontispiece, 249 + 6 pp. Spine sun faded, names and message to verso frontispiece. Member of the P.B.F.A. NINETEENTH CENTURY.

  • Seller image for Zoe; or, the Quadroon's Triumph. A Tale for the Times for sale by Burnside Rare Books, ABAA

    Livermore, Elizabeth; Henri Lovie [Illustrator]; Charles Bauerle [Illustrator]

    Published by Truman and Spofford, Cincinnati, 1855

    Seller: Burnside Rare Books, ABAA, Portland, OR, U.S.A.

    Association Member: ABAA CBA ILAB

    Seller rating 5 out of 5 stars 5-star rating, Learn more about seller ratings

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    First Edition

    US$ 7,000.00

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    First edition. First edition, first printing. 327; 306 pp. with frontipieces in each volume. Complete in two volumes. Bound in publisher's brown cloth with elaborate blindstamping, copper spine lettering, peach endpapers.Near Fine, light shelf wear, spotting to plates but contents generally bright; Vol. II corner of front free endpaper torn off, top margin and running title of pp. 71/72 neatly cut off, main text unaffected. Former owners' names written on endpapers of Vol. II. Blindstamping still quite distinct and fresh. Uncommon. A major, albeit forgotten mid-19th century abolitionist novel on race and gender by a white female American author. In Mulattas and Mestizas Suzanne Bost call sit "a sentimental tragedy of a light-skinned woman from the Caribbean island of Santa Cruz," noting that the author "uses U.S standards of black-white racial separation in her depiction of European and Caribbean race dynamics. Since Zoe [as a "quadroon"] is neither black nor white, she has no place in a system based on rigid divisions of color," hence her tragic, Christlike end.