Cheyere (22 results)

Pas de couverture. Condition: Bon. GRAVURE ANCIENNE-LITHOGRAPHIE CIRCA XIXe SIECLE DEUXIEME VUE D'ESSONNE Lithographie de CHEYERE, F.GELHARDE, édition GENTY à Paris (Gravure authentique du XIXe siècle-original print) Dimensions de la feuille : 26 x 20 cm environ Dimensions de la gravure au coup de planche : 23 x 17 cm environ Etat : quelques rousseurs, belle estampe (ref-R4471).

Original handkolorierte Lithographie von ca. 1825. -- Blatt-Maße: ca. 34 x 24 cm. -- gut erhalten. || Original hand colored lithograph from c. 1825. -- in good condition. || Lithographie originale coloriée à la main d'environ 1825. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

Original handkolorierte Lithographie von ca. 1825. -- Blatt-Maße: ca. 34 x 24 cm. -- gut erhalten. || Original hand colored lithograph from ca. 1825. -- in good condition. || Lithographie originale coloriée à la main d'environ 1825. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

Original handkolorierte Lithographie von ca. 1825. -- Blatt-Maße: ca. 34 x 24 cm. -- gut erhalten. || Original hand colored lithograph from ca. 1825. -- in good condition. || Lithographie originale coloriée à la main d'environ 1825. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

Original handkolorierte Lithographie von ca. 1825. -- Blatt-Maße: ca. 34 x 24 cm. -- gut erhalten. || Original hand colored lithograph from ca. 1825. -- in good condition. || Lithographie originale coloriée à la main d'environ 1825. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

Original handkolorierte Lithographie von ca. 1825. -- Blatt-Maße: ca. 34 x 24 cm. -- leicht fleckig, sonst gut erhalten. || Original hand colored lithograph from ca. 1825. -- slightly stained, otherwise in good condition. || Lithographie originale coloriée à la main d'environ 1825. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

Original handkolorierte Lithographie von ca. 1825. -- Blatt-Maße: ca. 34 x 24 cm. -- gut erhalten. || Original hand colored lithograph from ca. 1825. -- in good condition. || Lithographie originale coloriée à la main d'environ 1825. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

Original handkolorierte Lithographie von ca. 1825. -- Blatt-Maße: ca. 34 x 24 cm. -- gut erhalten. || Original hand colored lithograph from ca. 1825. -- in good condition. || Lithographie originale coloriée à la main d'environ 1825. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

Original handkolorierte Lithographie von ca. 1825. -- Blatt-Maße: ca. 34 x 24 cm. -- gut erhalten. || Original hand colored lithograph from c. 1825. -- in good condition. || Lithographie originale coloriée à la main d'environ 1825. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

Original handkolorierte Lithographie von ca. 1825. -- Blatt-Maße: ca. 34 x 24 cm. -- am unteren Außenrand mit hinterlegtem Randeinriss, sonst gut erhalten. || Original hand colored lithograph from c. 1825. -- with a deposite tear on the lower outer margin, otherwise in good condition. || Lithographie originale coloriée à la main d'environ 1825. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

Original handkolorierte Lithographie von ca. 1825. -- Blatt-Maße: ca. 34 x 24 cm. -- gut erhalten. || Original hand colored lithograph from c. 1825. -- in good condition. || Lithographie originale coloriée à la main d'environ 1825. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

Condition: Good. Original B&W gravure. 11.25 x 15 inches. Very Good. Wear across surface. Very light spots of foxing, and uneven toning. Scarce.

Henri Grevedon (illustrator). 'NANINE.'Portrait of a fair lady in high fashion. The portrait serves both as a celebration of feminine beauty and a display of the fashion and artistic styles of the time. These are imaginative or idealized representations rather than portraits of specific individuals.Made by Joseph Lemercier and Alexandre Cheyere after Henri Grevedon.Medium: Lithograph on wove (vellin) paper.Sheet size: 30 x 36.5 cm (11.81 x 14.37 inch). Image size: 23 x 29 cm. (9.06 x 11.42 inch).PORTRAIT-FASHION-LADY-ALPHABAT-NANINE | PORTRAIS - MISCBACKGROUND INFORMATIONAlphabet des dames, ou recueil de vingt-cinq portraits de fantaisie [Alphabet of ladies, or collection of twenty-five fantasy portraits.Biography engraver: Joseph Lemercier (1803-1887) was the director of the celebrated Paris lithography firm of Lemercier & Cie. He was one of the most important Parisian printers and lithographers of the nineteenth century. He worked for the greatest publishers and artists of his time. He played an important role in the spread and generalization of the photolithography process, which made it possible to transfer a photographic image onto a lithographic stone and thus make printing ink prints of this image.Alexandre Cheyère (1787-1859) was a French lithographer active in the early 19th century. Born in Laversine, Aisne, around 1787, Cheyère began his professional activity on August 17, 1821, and concluded it on July 5, 1828.Cheyère was succeeded by Lemercier, whose company became one of the most prominent French lithographic firms of the 19th century. Notable figures in the lithographic field, such as Lasteyrie, Prieur, Villain, and Marlet, were listed as his sponsors, which implies a well-connected presence in the artistic circles of his time.Biography artist: Pierre Louis Henri Grevedon (1776-1860) was a French painter, lithographer and illustrator. Condition: good, given age. Good condition. Some foxing. A stain on the bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Henri Grevedon (illustrator). 'DÉLIE.'Portrait of a fair lady in high fashion. The portrait serves both as a celebration of feminine beauty and a display of the fashion and artistic styles of the time. These are imaginative or idealized representations rather than portraits of specific individuals.Made by Joseph Lemercier and Alexandre Cheyere after Henri Grevedon.Medium: Lithograph on wove (vellin) paper.Sheet size: 30 x 36.5 cm (11.81 x 14.37 inch). Image size: 23 x 29 cm. (9.06 x 11.42 inch).PORTRAIT-FASHION-LADY-ALPHABAT-DELIE | PORTRAIS - MISCBACKGROUND INFORMATIONAlphabet des dames, ou recueil de vingt-cinq portraits de fantaisie [Alphabet of ladies, or collection of twenty-five fantasy portraits.Biography engraver: Joseph Lemercier (1803-1887) was the director of the celebrated Paris lithography firm of Lemercier & Cie. He was one of the most important Parisian printers and lithographers of the nineteenth century. He worked for the greatest publishers and artists of his time. He played an important role in the spread and generalization of the photolithography process, which made it possible to transfer a photographic image onto a lithographic stone and thus make printing ink prints of this image.Alexandre Cheyère (1787-1859) was a French lithographer active in the early 19th century. Born in Laversine, Aisne, around 1787, Cheyère began his professional activity on August 17, 1821, and concluded it on July 5, 1828.Cheyère was succeeded by Lemercier, whose company became one of the most prominent French lithographic firms of the 19th century. Notable figures in the lithographic field, such as Lasteyrie, Prieur, Villain, and Marlet, were listed as his sponsors, which implies a well-connected presence in the artistic circles of his time.Biography artist: Pierre Louis Henri Grevedon (1776-1860) was a French painter, lithographer and illustrator. Condition: good, given age. Good condition. Some foxing. A stain on the bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Henri Grevedon (illustrator). 'AGLAE.'Portrait of a fair lady in high fashion. The portrait serves both as a celebration of feminine beauty and a display of the fashion and artistic styles of the time. These are imaginative or idealized representations rather than portraits of specific individuals.Made by Joseph Lemercier and Alexandre Cheyere after Henri Grevedon.Medium: Lithograph on wove (vellin) paper.Sheet size: 30 x 36.5 cm (11.81 x 14.37 inch). Image size: 23 x 29 cm. (9.06 x 11.42 inch).PORTRAIT-FASHION-LADY-ALPHABAT-AGLAE | PORTRAIS - MISCBACKGROUND INFORMATIONAlphabet des dames, ou recueil de vingt-cinq portraits de fantaisie [Alphabet of ladies, or collection of twenty-five fantasy portraits.Biography engraver: Joseph Lemercier (1803-1887) was the director of the celebrated Paris lithography firm of Lemercier & Cie. He was one of the most important Parisian printers and lithographers of the nineteenth century. He worked for the greatest publishers and artists of his time. He played an important role in the spread and generalization of the photolithography process, which made it possible to transfer a photographic image onto a lithographic stone and thus make printing ink prints of this image.Alexandre Cheyère (1787-1859) was a French lithographer active in the early 19th century. Born in Laversine, Aisne, around 1787, Cheyère began his professional activity on August 17, 1821, and concluded it on July 5, 1828.Cheyère was succeeded by Lemercier, whose company became one of the most prominent French lithographic firms of the 19th century. Notable figures in the lithographic field, such as Lasteyrie, Prieur, Villain, and Marlet, were listed as his sponsors, which implies a well-connected presence in the artistic circles of his time.Biography artist: Pierre Louis Henri Grevedon (1776-1860) was a French painter, lithographer and illustrator. Condition: good, given age. Some foxing. A stain on the bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Henri Grevedon (illustrator). 'FOEDORA.'Portrait of a fair lady in high fashion. The portrait serves both as a celebration of feminine beauty and a display of the fashion and artistic styles of the time. These are imaginative or idealized representations rather than portraits of specific individuals.Made by Joseph Lemercier and Alexandre Cheyere after Henri Grevedon.Medium: Lithograph on wove (vellin) paper.Sheet size: 30 x 36.5 cm (11.81 x 14.37 inch). Image size: 23 x 29 cm. (9.06 x 11.42 inch).PORTRAIT-FASHION-LADY-ALPHABAT-FOEDORA | PORTRAIS - MISCBACKGROUND INFORMATIONAlphabet des dames, ou recueil de vingt-cinq portraits de fantaisie [Alphabet of ladies, or collection of twenty-five fantasy portraits.Biography engraver: Joseph Lemercier (1803-1887) was the director of the celebrated Paris lithography firm of Lemercier & Cie. He was one of the most important Parisian printers and lithographers of the nineteenth century. He worked for the greatest publishers and artists of his time. He played an important role in the spread and generalization of the photolithography process, which made it possible to transfer a photographic image onto a lithographic stone and thus make printing ink prints of this image.Alexandre Cheyère (1787-1859) was a French lithographer active in the early 19th century. Born in Laversine, Aisne, around 1787, Cheyère began his professional activity on August 17, 1821, and concluded it on July 5, 1828.Cheyère was succeeded by Lemercier, whose company became one of the most prominent French lithographic firms of the 19th century. Notable figures in the lithographic field, such as Lasteyrie, Prieur, Villain, and Marlet, were listed as his sponsors, which implies a well-connected presence in the artistic circles of his time.Biography artist: Pierre Louis Henri Grevedon (1776-1860) was a French painter, lithographer and illustrator. Condition: good, given age. Good condition. Some foxing. A stain on the bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condition: Gut. Sehr seltene Lithographie (Flugblatt). Im Bildteil etwas stockfleckig, mehr im Rand. Die allegorische Figur der Britannia steht am Meeresufer und empfängt die Schiffbrüchigen der Französischen Revolution. Mit Widmung an den Englischen König, von Seiten des "Neveu le Vallois, de la ville de Bolbec", einem "Victime de la Révolution". Seit 1793 suchten Flüchtlinge aus Frankreich zunehmend Schutz in England, u.a. auf der Insel Jersey. B03-02-05B|S5 Sprache: Französisch 26 x 37 cm Bildgröße und 42 x 58 cm Blattgröße.

42 x 58 cm Blattformat. Condition: Gut. Sehr seltene Lithographie aus der Frühzeit dieser Technik. Die allegorische Figur der Britannia steht am Meeressufer und empfängt die Schiffbrüchigen der Französischen Revolution. Mit Widmung an den Englischen König, von Seiten des "Neveu le Vallois, de la ville de Bolbec", einem "Victime de la Révolution". Seit 1793 suchten Flüchtlinge aus Frankreich zunehmend Schutz in England, u.a. auf der Insel Jersey. - Insgesamt leicht fleckig, im breiten Rand etwas stärker. Sprache: Französisch.

42 x 58 cm Blattformat. Condition: Gut. Sehr seltene Lithographie aus der Frühzeit dieser Technik. Die allegorische Figur der Britannia steht am Meeressufer und empfängt die Schiffbrüchigen der Französischen Revolution. Mit Widmung an den Englischen König, von Seiten des "Neveu le Vallois, de la ville de Bolbec", einem "Victime de la Révolution". Seit 1793 suchten Flüchtlinge aus Frankreich zunehmend Schutz in England, u.a. auf der Insel Jersey. - Insgesamt leicht fleckig, im breiten Rand etwas stärker. Sprache: Französisch.

Blattgröße ca. 31,8 x 23,6 cm, an den oberen Ecken auf Trägerkarton gefalzt, hinter Passepartout, sauberer, fleckenfreier Abdruck. Farbintensive Kreidelithographie, für die im Gegensatz zur Federlithographie die Zeichnung auf dem Lithographiestein mit Kreide ausgeführt wird. Die Kreidelithographie ermöglicht sehr ausdrucksvolle Graphiken. - Eine von mehreren Illustrationen zu Jocko dem Affen (nachweisbar sind Blätter bis zur Nummer 12), hier als Romeo ähnelnder Troubadour unter einem Balkon mit einer Gitarre ein vermutlich nicht sonderlich schön klingendes Liebeslied spielend. - Siehe auch: Bibliographie de la France, Jg. 1825, S. 599. Farbintensive Kreidelithographie, für die im Gegensatz zur Federlithographie die Zeichnung auf dem Lithographiestein mit Kreide ausgeführt wird. Die Kreidelithographie ermöglicht sehr ausdrucksvolle Graphiken. - Eine von mehreren Illustrationen zu Jocko dem Affen (nachweisbar sind Blätter bis zur Nummer 12), hier als Romeo ähnelnder Troubadour unter einem Balkon mit einer Gitarre ein vermutlich nicht sonderlich schön klingendes Liebeslied spielend. - Siehe auch: Bibliographie de la France, Jg. 1825, S. 599. 1001 g.

'Memories of a Brief Affair' Twelve Superb Hand-Colored Lithographs by Charles Philipon PHILIPON, Charles. Souvenir d' Amourette. [Memories of a brief affair]. [Paris]: Chez Genty, [1830]. First edition. Folio (13 x 9 1/2 inches; 331 x 241 mm.). Complete with twelve superb hand-colored lithograph plates by Charles Philipon. Plates lithographed by Alexandre Cheyère. Mid twentieth century quarter salmon pink cloth over marbled boards, spine ruled and lettered in gilt. Some light marginal soiling, the sixth and eighth plates each have an expertly repaired marginal tear (not affecting image). Still a wonderful example of this remarkable rarity. The plates depict twelve scenes of 'illicit' affairs. We have been unable to find records of any other copy. OCLC locates just one copy in libraries and institutions worldwide (Kunstbiblio Staatliche Meseen Zu Berlin (Germany). There are individual plates located as follows: Plate numbers 6, 7, 8, 9, 10, 11 & 12 are held at the Bibliotheque Nationale de France; The Wellcome Library (UK) have an example of plate number 12. The Plates: 1. Il est tard, je serai grondée! It is late, I will be scolded! . 2. Devinez, Monsieur! Guess, sir! . 3. Sois donc Raisonnable, mon ami! So be Reasonable, my friend! 4. Je retiens la loge. I retain the lodge. 5. Tu vas te faire piquer, bouge donc pas! You're going to get stung, so don't move! . 6. Comme c'est amusant! It's really funny! 7. Tu ne peut pas entrer!! Mon pére est lá. You cannot enter !! My father is there . 8. Nous n'arriverons donc jamais? So we'll never get there? . 9. Madame a une migraine affreuse!!! Madame has a terrible migraine !!! . 10. Au diable la pratique. To hell with the practice. 11. De l'orgeat pour un rhume? Orgeat for a cold? 12. Adieu les Amourettes!! Goodbye Amourettes !! . Charles Philipon (1800-1861) was a French lithographer, caricaturist and journalist. He was the editor of La Caricature and of Le Charivari, both of which were satirical political journals.

Henri Grevedon (illustrator). 'KETTY.'Portrait of a fair lady in high fashion. The portrait serves both as a celebration of feminine beauty and a display of the fashion and artistic styles of the time. These are imaginative or idealized representations rather than portraits of specific individuals.Made by Joseph Lemercier and Alexandre Cheyere after Henri Grevedon.Medium: Lithograph on wove (vellin) paper.Sheet size: 30 x 36.5 cm (11.81 x 14.37 inch). Image size: 23 x 29 cm. (9.06 x 11.42 inch).PORTRAIT-FASHION-LADY-ALPHABAT-KETTY | PORTRAIS - MISCBACKGROUND INFORMATIONAlphabet des dames, ou recueil de vingt-cinq portraits de fantaisie [Alphabet of ladies, or collection of twenty-five fantasy portraits.Biography engraver: Joseph Lemercier (1803-1887) was the director of the celebrated Paris lithography firm of Lemercier & Cie. He was one of the most important Parisian printers and lithographers of the nineteenth century. He worked for the greatest publishers and artists of his time. He played an important role in the spread and generalization of the photolithography process, which made it possible to transfer a photographic image onto a lithographic stone and thus make printing ink prints of this image.Alexandre Cheyère (1787-1859) was a French lithographer active in the early 19th century. Born in Laversine, Aisne, around 1787, Cheyère began his professional activity on August 17, 1821, and concluded it on July 5, 1828.Cheyère was succeeded by Lemercier, whose company became one of the most prominent French lithographic firms of the 19th century. Notable figures in the lithographic field, such as Lasteyrie, Prieur, Villain, and Marlet, were listed as his sponsors, which implies a well-connected presence in the artistic circles of his time.Biography artist: Pierre Louis Henri Grevedon (1776-1860) was a French painter, lithographer and illustrator. Condition: good, given age. Some foxing and light staining. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.