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Published by Wiley & Sons, Incorporated, John, 2000
ISBN 10: 0631218114ISBN 13: 9780631218111
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by China Books & Periodicals, 1990
ISBN 10: 9620711068ISBN 13: 9789620711060
Book
Condition: Very Good. Very Good condition. Mass Market Paperback edition. (Dictionary) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
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Published by Chinese University of Hong Kong Press, 2000
ISBN 10: 9622019706ISBN 13: 9789622019706
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.95.
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Published by Cheng & Tsui, 2001
ISBN 10: 9620711963ISBN 13: 9789620711961
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Oro Editions, 2014
ISBN 10: 193593533XISBN 13: 9781935935339
Seller: Bestsellersuk, Hereford, United Kingdom
Book
paperback. Condition: New. No.1 BESTSELLERS - great prices, friendly customer service â " all orders are dispatched next working day.
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Published by The Chinese University Press/New Asia - Yale-in-China Chinese Language Center, Hong Kong, 2000
Seller: Kubik Fine Books Ltd., ABAA, Dayton, OH, U.S.A.
Paperback. 579p. A softcover book in fine condition.
Published by Blackwell, 2001
ISBN 10: 0631224106ISBN 13: 9780631224105
Seller: Cotswold Internet Books, Cheltenham, United Kingdom
Book
Condition: Used - Very Good. Vg paperback. A clean, bright copy.
Published by Coronet Books Inc, 1991
ISBN 10: 9627141186ISBN 13: 9789627141181
Seller: HPB-Red, Dallas, TX, U.S.A.
Book
Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
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Published by The Commercial Press, Hong Kong, 1990
Seller: Antiquariat VinoLibros, Nürnberg, BR, Germany
Condition: Gut-sehr Gut. sm. 8vo, x, 240, (4) pp. In the original dec. card wraps.
Published by The Commercial Press, Hong Kong, 1990
Seller: Kubik Fine Books Ltd., ABAA, Dayton, OH, U.S.A.
Paperback. 2nd Printing. 240p. A softcover book in very good condition. Front cover barely bent. Small tear on edge of page 211. Otherwise clean and tight.
Published by John Wiley & Sons, 2003
ISBN 10: 0631211616ISBN 13: 9780631211617
Seller: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Germany
Book
Hardcover-Großformat. Condition: Gut. 435 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 1010.
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Published by Blackwell, 2004
Seller: Books in my Basket, New Delhi, India
Book
Soft cover. Condition: New. ISBN:9781405123556,450pp.
Published by Blackwell, 2004
ISBN 10: 1405123559ISBN 13: 9781405123556
Seller: Romtrade Corp., STERLING HEIGHTS, MI, U.S.A.
Condition: New. Brand New Paperback International Edition.We Ship to PO BOX Address also. EXPEDITED shipping option also available for faster delivery.This item may ship from the US or other locations in India depending on your location and availability.
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Published by GRIN Verlag Jan 2014, 2014
ISBN 10: 3656572062ISBN 13: 9783656572060
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2012 in the subject Art - Installation / Action/Performance Art / Modern Art, grade: Distinction, Kingston University London (Kingston University London, in Partnership with the Design Museum, London, U.K.), course: MA Curating Contemporary Design, language: English, abstract: Decode: Digital Design Sensation was V&A's large-scale debut digital exhibition in its culture. From a curatorial angle, it was not just an exhibition to inform the new trend of digital art and design, but it also acted as a milestone for the museum to change its face and maintain a world's leading role in art and design field. With this mission in mind, the whole situation became unique. This essay aims to investigate how this situation has affected the curatorial approach, and analyze the exhibition's forward-looking objectives, then go more in-depth to find out how curators came up with wise decisions to meet those objectives. The discussion will focus on four main areas of Decode's achievements, and zoom in to look at the essentials for the success: Firstly, the encompassing curatorial idea - Code, Interactivity, Network. Secondly, their bold marketing solution Recode Decode campaign. Thirdly, its collaborative platform which both achieving integrity of content and allowing openness for discourses. Lastly, its underlying agenda to bridge to the future. Throughout to the end, the essay unfolds a whole picture of Decode's missionary accomplishment that had manifested V&A's evolvement into its digital culture. 40 pp. Englisch.
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Published by GRIN Verlag Jan 2014, 2014
ISBN 10: 3656567115ISBN 13: 9783656567110
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2012 in the subject Art - Miscellaneous, grade: Merit, Kingston University London (Kingston University London, in Partnership with the Design Museum, London, U.K.), course: MA Curating Contemporary Design, language: English, abstract: Displaying art objects in exhibition is not only an artistic expression in the heart of curating, but it is also an essential interface for curators to present stories and convey meanings. How to engage people beyond purely-visual-appeals is always a top-of-mind-question embedded in curators' mind, and the discourse has become a major concern among pioneers in recent times. Over the decade, frontier exhibitioners were attempting to breakthrough from a purely vision-dominated museum culture. Some exhibition experiments were successful, and the movement has fundamentally changed the way curators think about exhibition-making, including the ultimate purpose of displaying objects. The paradigm shift actually rings the bells and requires contemporary curators to pay attention to. It is crucial to realize that the recent success was not only about the artistic sense of the artists, but it is also the revolutionary belief of the frontier curators that has made it happen. This essay aims to uncover the distinctive differences in the core beliefs of multi sensory approaches, in order to find out dynamic answers to new display strategies. Cases include: Partners (Haus DerHunst, Munich, 2003), Rain Room (Barbican Centre, London, 2010), and HeinerGoebbels-Stifter's Dinge (Ambica P3, London, 2012). 36 pp. Englisch.
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Published by GRIN Verlag Jan 2014, 2014
ISBN 10: 3656569568ISBN 13: 9783656569565
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2013 in the subject Art - Installation / Action/Performance Art / Modern Art, grade: Distinction, Kingston University London (Kingston University London, in Partnership with the Design Museum, London, U.K.), course: MA Curating Contemporary Design, language: English, abstract: Between high and low culture, there was once a deep and wide gulf. The clear division was never a natural phenomenon, but rather a result of a cultural act. Throughout the history, the conflict in-between had taken a long way to resolve and the whole subject matter had caused marathon debates among modern cultural critics. Museums, as institutions once with absolute powers in its operation, had been forced to face a worldwide revolution. There were much more mixed emotions towards mass culture - questioning, inquiries, struggles, seduction and temptation at the same time - which constituted a push-and-pull situation. What were museums for Was it a time for museums to reconsider their role and democratize themselves What kind of resistance and temptation had museums encountered To what extent would curators act as pioneers to eliminate the gap in-between taste diversity in art and design These questions are worthwhile to take a look into. This essay aims to unveil the ways curators liberated themselves from a singular-voiced museum practice, which resulted in revolutions of curatorial models that incorporated multiple voices. Cases include: High and Low: Modern Art and Popular Culture (1990-91, MOMA), The People's Show (1990, Walsall Museum and Art Gallery) and Postmodernism: Style and Subversion 1970-1990 (2011, V&A). 36 pp. Englisch.
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Published by Routledge, 2018
ISBN 10: 1138604631ISBN 13: 9781138604636
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
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Published by GRIN Verlag, 2014
ISBN 10: 3656569576ISBN 13: 9783656569572
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book
Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2013 in the subject Art - Installation / Action/Performance Art / Modern Art, grade: Distinction, Kingston University London (Kingston University London, in Partnership with the Design Museum, London, U.K.), course: MA Curating Contemporary Design, language: English, abstract: Curating contemporary exhibitions is now more than a profession of connoisseurship, but rather a creative and artistic venture. Due to a paradigm shift in the heart of interpretive ideology, exhibition-making is going more experimental even in museum context. One might observe that there is a changing status in museum objects, and a progressive transformation in the exhibitionary language - shifting from descriptive to fictional, poetic and novelistic. Artworks are also functioning as text initiating dialogues, while exhibition designs are no longer merely fabrications, but becoming artistic interventions that could re-contextualize the experience of space. Unprecedentedly, curators nowadays could embrace huge potentials in creating imaginative narratives for the present time, and thus, to further produce innovative museum experiences. This essay aims to examine the changing attitudes and assumptions in the new interpretive paradigm. Through three case studies, it goes on to uncover the dynamic interpretive strategies undertaken which have created various unique curatorial voices. Cases include: The Surreal House (Barbican Art Gallery, 2010), David Bowie Is (V&A, 2013) and The Concise Dictionary of Dress (Blythe House, 2010).
Published by Wiley-Blackwell, 2005
ISBN 10: 1405120622ISBN 13: 9781405120623
Seller: The Book Spot, Sioux Falls, SD, U.S.A.
Book
Hardcover.
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Published by RoutledgeCurzon London, 2003, 2003
ISBN 10: 0415304296ISBN 13: 9780415304290
Seller: ROBIN SUMMERS BOOKS LTD, Aldeburgh, United Kingdom
Book First Edition
Condition: New. First edition. Hardback. Fine and unread. No jacket as issued.
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Published by GRIN Verlag Dez 2013, 2013
ISBN 10: 365656048XISBN 13: 9783656560487
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Master's Thesis from the year 2013 in the subject Art - Miscellaneous, grade: Distinction, Kingston University London (Kingston University London, in Partnership with the Design Museum, London, U.K.), course: MA Curating Contemporary Design, language: English, abstract: In the frontier of the exhibition scene, a significant phenomenon is observed that a contemporary artistic staging practice, called scenography, has grew out from the theatre context and keeps expanding its influence in the exhibition context in recent time. Scenography has been acting as a transformative force to reform the traditional exhibitionary complex, and consequently, this has led to an unprecedented intersection where scenography meets contemporary curating, which further informs a radical ideological shift. This paper aims to exploit a new land of discussion to look into this intersection between scenographic practice and contemporary curating, its mergence and the subsequent revolution it has caused.By seeing museums and exhibition spaces as metaphorical stages, it fundamentally reconfigures the infrastructure of curating practices, in terms of a shift in authorship, architectural embodiment of ideas, field of experience, layered narrative, dramaturgy and the hybrid expressions of new media. Three case studies will demonstrate scenography's wide-ranged capacities and various methodologies in dealing with contemporary issues. Cases include: BMW Museum (Reopened in 2008), Cultures of the World (Opened in 2010) and Leonardo's Last Supper: A Vision by Peter Greenaway (2008, 2010). Respectively, they prove scenography's overarching influence of acting as a brandscape, as a site of cultural mediation and as interference and discourse. The whole discussion cuts through major discourses in the field, both responding to the increasing awareness of the notion of staging experiences in the rise of experience economy, and the expanding notion of curating, in parallel. 120 pp. Englisch.
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Published by Anchor Academic Publishing Sep 2014, 2014
ISBN 10: 3954892170ISBN 13: 9783954892174
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Scenography has been acting as a transformative force to reform the traditionalexhibitionary complex. This has led to an unprecedented intersection wherescenography meets contemporary curating, which further informs a radical ideologicalshift in the frontier of the exhibition scene. This book aims to exploit a new land ofdiscussion to look into this intersection between scenographic practice andcontemporary curating, its mergence and the subsequent revolution it has caused. Byseeing museums and exhibition spaces as metaphorical stages, it fundamentallyreconfigures the infrastructure of curating practices, in terms of a shift in authorship,architectural embodiment of ideas, field of experience, layered narrative, dramaturgy andthe hybrid expressions of new media. Three case studies will demonstrate scenography swide-ranged methodologies in dealing with contemporary issues. Cases include: BMWMuseum (Reopened in 2008), Cultures of the World (Opened in 2010) and Leonardo sLast Supper: A Vision by Peter Greenaway (2008, 2010). The discussion cuts throughmajor discourses, both responding to the rise of the experience economy and theexpanding notion of curating, in parallel. 124 pp. Englisch.
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Seller: Librairie Chat, Beijing, China
Condition: Fine. Number of pages: 227p Size: 21cm (A5).
Published by Emerald Publishing Limited, 2010
ISBN 10: 0857241419ISBN 13: 9780857241412
Seller: Basi6 International, Irving, TX, U.S.A.
Book
Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
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Published by Routledge 2016-11-07, 2016
ISBN 10: 1138908517ISBN 13: 9781138908512
Seller: Chiron Media, Wallingford, United Kingdom
Book
Hardcover. Condition: New.
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Published by Emerald Group Publishing Limited, 2008
ISBN 10: 044452942XISBN 13: 9780444529428
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Book
Condition: New. Forecasting in the presence of structural breaks and model uncertainty are active areas of research with implications for practical problems in forecasting. This book addresses forecasting variables from both Macroeconomics and Finance, and considers various methods of dealing with model instability and model uncertainty when forming forecasts. Editor(s): Rapach, David E.; Wohar, Mark E.; Beladi, Hamid; Choi, Kwan. Series: Frontiers of Economics and Globalization. Num Pages: 700 pages, Illustrations. BIC Classification: KCJ. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 41. Weight in Grams: 816. . 2008. Hardback. . . . .
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