Christopher Heuer (112 results)

Paperback. Condition: Fine. Publisher overstock. May have remainder mark / minimal shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. "What you have in your hands is a bomb. But it is the kind you need to hold on to for dear life, not run away from." --From the Foreword, John Lee Clark Christopher Jon Heuer lost his hearing early, but not before "being able to hear a lot as a kid." He also received a good education, both in a speech-oriented setting and a signing environment. These varied experiences provided him with the perfect background to write about biases he faced, not only those of a mostly oblivious hearing society, but also those of ideologically restrictive members of the Deaf community. BUG: Deaf Identity and Internal Revolution combines new work of Heuer's with his best columns from The Tactile Mind Weekly and the National Association of the Deaf's Mind Over Matter. He addresses all topics - exit interviews, baldness, faith healing, marriage, cats, Christmas trips, backyard campfires in boxer shorts - with a withering wit that spares no aspect of life and deafness. Being "bugged" for Heuer began early: "When I was growing up, my mother's response to every problem I had was: 'Well, he just needs to adjust to his deafness.' Bloody nose? 'Chris, you need to adjust to your deafness.' Homework not done? 'I know it's hard adjusting to your deafness, honey, but .' Acne scarring? 'Lots of teenagers get zits, Chris. I know it's hard for you, dealing with this while trying to adjust to your .'" He rebelled then, and continues through his even-handed irreverence in BUG, a bomb that should go off in everyone's consciousness about being deaf and Deaf.…

Paperback. Condition: Good. "What you have in your hands is a bomb. But it is the kind you need to hold on to for dear life, not run away from." --From the Foreword, John Lee Clark Christopher Jon Heuer lost his hearing early, but not before "being able to hear a lot as a kid." He also received a good education, both in a speech-oriented setting and a signing environment. These varied experiences provided him with the perfect background to write about biases he faced, not only those of a mostly oblivious hearing society, but also those of ideologically restrictive members of the Deaf community. BUG: Deaf Identity and Internal Revolution combines new work of Heuer's with his best columns from The Tactile Mind Weekly and the National Association of the Deaf's Mind Over Matter. He addresses all topics - exit interviews, baldness, faith healing, marriage, cats, Christmas trips, backyard campfires in boxer shorts - with a withering wit that spares no aspect of life and deafness. Being "bugged" for Heuer began early: "When I was growing up, my mother's response to every problem I had was: 'Well, he just needs to adjust to his deafness.' Bloody nose? 'Chris, you need to adjust to your deafness.' Homework not done? 'I know it's hard adjusting to your deafness, honey, but .' Acne scarring? 'Lots of teenagers get zits, Chris. I know it's hard for you, dealing with this while trying to adjust to your .'" He rebelled then, and continues through his even-handed irreverence in BUG, a bomb that should go off in everyone's consciousness about being deaf and Deaf.…

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Good. "What you have in your hands is a bomb. But it is the kind you need to hold on to for dear life, not run away from." --From the Foreword, John Lee Clark Christopher Jon Heuer lost his hearing early, but not before "being able to hear a lot as a kid." He also received a good education, both in a speech-oriented setting and a signing environment. These varied experiences provided him with the perfect background to write about biases he faced, not only those of a mostly oblivious hearing society, but also those of ideologically restrictive members of the Deaf community. BUG: Deaf Identity and Internal Revolution combines new work of Heuer's with his best columns from The Tactile Mind Weekly and the National Association of the Deaf's Mind Over Matter. He addresses all topics - exit interviews, baldness, faith healing, marriage, cats, Christmas trips, backyard campfires in boxer shorts - with a withering wit that spares no aspect of life and deafness. Being "bugged" for Heuer began early: "When I was growing up, my mother's response to every problem I had was: 'Well, he just needs to adjust to his deafness.' Bloody nose? 'Chris, you need to adjust to your deafness.' Homework not done? 'I know it's hard adjusting to your deafness, honey, but .' Acne scarring? 'Lots of teenagers get zits, Chris. I know it's hard for you, dealing with this while trying to adjust to your .'" He rebelled then, and continues through his even-handed irreverence in BUG, a bomb that should go off in everyone's consciousness about being deaf and Deaf.…

Paperback. Condition: Very Good. "What you have in your hands is a bomb. But it is the kind you need to hold on to for dear life, not run away from." --From the Foreword, John Lee Clark Christopher Jon Heuer lost his hearing early, but not before "being able to hear a lot as a kid." He also received a good education, both in a speech-oriented setting and a signing environment. These varied experiences provided him with the perfect background to write about biases he faced, not only those of a mostly oblivious hearing society, but also those of ideologically restrictive members of the Deaf community. BUG: Deaf Identity and Internal Revolution combines new work of Heuer's with his best columns from The Tactile Mind Weekly and the National Association of the Deaf's Mind Over Matter. He addresses all topics - exit interviews, baldness, faith healing, marriage, cats, Christmas trips, backyard campfires in boxer shorts - with a withering wit that spares no aspect of life and deafness. Being "bugged" for Heuer began early: "When I was growing up, my mother's response to every problem I had was: 'Well, he just needs to adjust to his deafness.' Bloody nose? 'Chris, you need to adjust to your deafness.' Homework not done? 'I know it's hard adjusting to your deafness, honey, but .' Acne scarring? 'Lots of teenagers get zits, Chris. I know it's hard for you, dealing with this while trying to adjust to your .'" He rebelled then, and continues through his even-handed irreverence in BUG, a bomb that should go off in everyone's consciousness about being deaf and Deaf.…

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback. Condition: Very Good. Standard ex-library flaws, otherwise unmarked. Covers glossy. Binding square & firm. Ex-Library.

Soft cover. Condition: Very Good. Softcover Paperback with only minor reading wear; book is clean, unmarked. In stock. Ships from MN, USA.

paperback. Condition: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Soft cover. Condition: Fair. Oversize trade paperback. Ten pages have light-green highlighting; spine is a bit cocked; binding has faint soil; volume has wear/mottling at bottom of inner margins. xvii, [1], 330, [4] p., well illustrated [aro otob: 61].

Condition: New. Num Pages: 158 pages, col. Illustrations. BIC Classification: ACX; AFH; AGB; AKLP. Category: (G) General (US: Trade). Dimension: 210 x 143 x 12. Weight in Grams: 226. . 2011. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Condition: New. Num Pages: 158 pages, col. Illustrations. BIC Classification: ACX; AFH; AGB; AKLP. Category: (G) General (US: Trade). Dimension: 210 x 143 x 12. Weight in Grams: 226. . 2011. Illustrated. paperback. . . . .

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: New.

Paperback. Condition: New.

Paperback or Softback. Condition: New. Tripping the Tale Fantastic: Weird Fiction by Deaf and Hard of Hearing Writers. Book.

Condition: acceptable.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Condition: New.

Condition: Fine. First edition. 4to, 334 pp. Paperback. Illustrated in color. "The newest volume in the acclaimed Clark Studies in the Visual Arts series, this collection of essays explores the intrinsic connection between art and the environment. The romance and rejection of "nature" have always occupied places at the heart of art making and art history, and the resulting practices and discourses have had significant impact on public imagination and perception of ecological crises. The essays in this volume discuss many topics at the intersection of art and ecology, including literal convergences of art and earth, such as 1960s Land Art; social ecologies, like legislative art; rhetorical discourses of environmental interconnectedness or estrangement, such as large-scale agriculture; and performative landscape/body situations, including site-based ceremonies. Ultimately, the essays here provoke us to rethink art and ecology in material-practical terms, looking for alternatives to tropes of "landscape" and 'place.'" - From the publisher.…

Softcover. Condition: Near Fine. Color illustrations. ; 8vo 8" - 9" tall; 292 pp; Clark Studies In The Visual Arts.

Soft cover. Condition: Near Fine. 334 page soft cover collection of essays (15) from a conference title "Ecologies, Agents, Terrains" held at Clark Art Institute in May 2017. Some illustrations with the essays plus a photo essay at the end. No flaws.

Condition: New. In English.