Clay Kenneth (55 results)

Condition: Good. Nick Price (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Acceptable. Nick Price (illustrator). Item in acceptable condition including possible liquid damage. As well, answers may be filled in. Lastly, may be missing components, e.g. missing DVDs, CDs, Access Code, etc.

paperback. Condition: Very Good. Nick Price (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Very Good. Nick Price (illustrator). Used - Very Good.

Paperback. Condition: Good. No Jacket. Nick Price (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Nick Price (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Nick Price (illustrator). Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Trade Paperback. Condition: Used. Nick Price (illustrator).

Condition: acceptable. Nick Price (illustrator). Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.

Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condition: Good. Nick Price (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Nick Price (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Acceptable. Nick Price (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Nick Price (illustrator). Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Very Good. Nick Price (illustrator). Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condition: Very Good. Nick Price (illustrator).

Paperback. Condition: Good. Nick Price (illustrator). Junior Classics For Young Readers; 8vo 8" - 9" tall.

Soft cover. Condition: Near Fine. 1st Edition. Stiff tan wraps, lettered/illus. in brown. Mild sunning to spine panel; firm, square binding. xxiv,277 pp., illus. Vol. 3 of the 16-volume report. Size: 4to - over 9" - 12" tall. Book.

Paper. Condition: Good. Good copy paper, 156 pp and 4 pp list of 89 works, 60 color illus, 29 B/W illus.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Fine. 1st Edition. Comic Book. Standard size and format. Staple bound. First Printing. With color illustrated covers and black/white interior art. VERY FINE. All corners pointed. Binding tight, without stress creasing and square. Without tears, creases, bumps or chips. With slight wear from handling. Not marked in any way and very clean, glossy and bright. All items carefully wrapped and sent boxed.

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 561 pages; Description: xiv, 561 p. , 12 leaves of plates. Illus. (inc. 2 col. ) , maps. 29 cm. Subjects: Insects as carriers of disease --Identification. Arthropod vectors --Identification. Series: British Museum (Natural History) Publication no. 720. 3 Kg.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. First Edition, Limited Edition. 30391 Of 50,000 Signed By The Author On Attached Plate. The Jacket Has Edge Wear But No Chips Or Tears. The Jacket Is Glued To The Leather. C126 Written On The Upper Corner Of The Ffep. Small Ownership Stamp On The Title Page. Signed by Author(s).

Paperback. Condition: Very Good. Minor shelf wear, binding tight, pages clean and unmarked. This collection presents, for the first time, a much-needed synthesis of the major research themes and findings that characterize the Woodland Period in the southeastern United States.The Woodland Period (ca. 1200 B.C. to A.D. 1000) has been the subject of a great deal of archaeological research over the past 25 years. Researchers have learned that in this approximately 2000-year era the peoples of the Southeast experienced increasing sedentism, population growth, and organizational complexity. At the beginning of the period, people are assumed to have been living in small groups, loosely bound by collective burial rituals. But by the first millennium A.D., some parts of the region had densely packed civic ceremonial centers ruled by hereditary elites. Maize was now the primary food crop. Perhaps most importantly, the ancient animal-focused and hunting-based religion and cosmology were being replaced by solar and warfare iconography, consistent with societies dependent on agriculture, and whose elites were increasingly in competition with one another. This volume synthesizes the research on what happened during this era and how these changes came about while analyzing the period's archaeological record.In gathering the latest research available on the Woodland Period, the editors have included contributions from the full range of specialists working in the field, highlighted major themes, and directed readers to the proper primary sources. Of interest to archaeologists and anthropologists, both professional and amateur, this will be a valuable reference work essential to understanding the Woodland Period in the Southeast.

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 561 pages; Description: xiv, 561 p. , 12 leaves of plates. Illus. (inc. 2 col. ) , maps. 29 cm. Subjects: Insects as carriers of disease --Identification. Arthropod vectors --Identification. Series: British Museum (Natural History) Publication no. 720. 1 Kg.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Good. Jack Bryant, Clay Dhalberg, George Kovach, Bob Moline, Don Ray, Jim Thomas, Jim Ward, Tom Warren, Kenneth Wyatt. (illustrator). 1st Edition. This copy is Signed by the Author (unverified) & Numbered 8312 of a limited edition of 50,000, on a bookplate and affixed to the inside of front cover. This is an Ex-Reference Library Book with the usual stamps and markings. Quarter binding in buckram and cowhide spine. Some shelf wear at bottom of spine. DJ is in very good condition and has a mylar protection. DJ is taped to the covers. Includes Table of Contents, Bibliography, Catalog of paintings, sketches, and sculptures. 12 x 12 x 1 inches. 159 p. 4.31 Lbs. Signed by Author.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. 1st Edition. Book and dust jacket are fine, well indexed, profusely illustrated,Bibliograppy, well indexed, An outstanding, handsome book The authors are important learned men.Hence, well researched and put together!!, May need a bit of extra postage. Just saw a tiny at spine bottom of dj, A great African American Kentucky book!!!

Hardcover. Condition: VG-. Revised edition. See photos for condition details: hardcover, volume 2 ONLY of the revised edition published in 1972. Black cloth boards show some scuffing and spotting along with edge and corner bumps. There are a couple flaws to the cloth appear to be from the original binding process; the rear board has a diagonal lump, which at first appears to be a wrinkle, and the same is for the cloth along the spine. The exterior flaws are the only reason for the lower condition grade as interior binding grades much higher. The interior binding is good and text pages are tight. There are no signatures, no bookplates, no library markings, nothing torn or loose, no handwriting of any kind found. The pages are clean but the exterior page edges show a few scuff and smudge marks, mainly on the long edge. As this is volume 2 (only) the numbering after the table of contents starts at page 470 and ends at 975 (505 pages). The last few pages are blank except for single words: Births, Marriages, Deaths. None of these pages have any handwriting notes present as well.