Clefless Notation Counterpoint Fa Degree Stefano (1 results)
Early Music February 2008 / "'Verie Sweete and Artificiall': Lorenzo Costa and the Earliest Viols" John Bryan / Hearing John Browne's Motets: Registral Space in the Music of the Eton Choirbook" Fabrice Fitch" / "George Kirbye's Clemens Parody" David Humphreys / "'Clefless' Notation, Counterpoint and the fa-Degree" Stefano Mengozzi / "Readings of Poetry: Readings of Music: Intertextuality in Josquin's "Je me complains de mon amy" Vassiliki Koutsobina / "Would Caccini Approve? A Closer Look at Egerton 2971 and Florid Monody" John Bass / "How Composers Viewed Performers' Additions" Beverly Jerold
Tess Knighton (Editor) / "'Verie Sweete and Artificiall': Lorenzo Costa and the Earliest Viols" John Bryan / Hearing John Browne's Motets: Registral Space in the Music of the Eton Choirbook" Fabrice Fitch" / "George Kirbye's Clemens Parody" David Humphreys / "'Clefless' Notation, Counterpoint and the fa-Degree" Stefano Mengozzi / "Readings of Poetry: Readings of Music: Intertextuality in Josquin's "Je me complains de mon amy" Vassiliki Koutsobina / "Would Caccini Approve? A Closer Look at Egerton 2971 and Florid Monody" John Bass / "How Composers Viewed Performers' Additions" Beverly Jerold
Published by Oxford University Press, 2008
- Softcover
Seller: Shore Books, London, United KingdomShore Books
Contact seller5-star sellerCondition: Used - Very good
US$ 20.62
US$ 14.68 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Soft cover. Condition: Very Good. 178 pages. Illustrated. "'Verie Sweete and Artificiall': Lorenzo Costa and the Earliest Viols" John Bryan / Hearing John Browne's Motets: Registral Space in the Music of the Eton Choirbook" Fabrice Fitch" / "George Kirbye's Clemens Parody" David Humphreys / "'Clefless' Notation, Counterpoint and… the fa-Degree" Stefano Mengozzi / "Readings of Poetry: Readings of Music: Intertextuality in Josquin's "Je me complains de mon amy" Vassiliki Koutsobina / "Would Caccini Approve? A Closer Look at Egerton 2971 and Florid Monody" John Bass / "How Composers Viewed Performers' Additions" Beverly Jerold.
