Clement Pollock (17 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. First Edition. Stated First Printing, Random House, on copyright page. Book Condition: Very Good. Blue cloth wrapped boards, Stamped blue/orange design on front, blue square with dark blue letters on spine. Pages top edge tinted blue, lightly tanned on outside, bright beige inside. Pages are clean and tightly bound. Dust Jacket: Fair due to wear, tingy tears, chips, on edges Original price inside front flap. . A nice, clean reading copy.

First Edition. Near Fine book in a Good dust jacket.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New.

Condition: New.

paperback. Condition: New.

Paperback. Condition: new. Paperback. Originally published in English in 1981 as Old Mistresses. Women, Art, and Ideology and translated here into French for the first time under the title Maitresses dautrefois: Femmes, art et ideologie, this ninth volume of the Lectures maison rouge series is not a history of womens art. Rather, this seminal book by Rozsika Parker and Griselda Pollock is far more radical and emancipatory and, indeed, still relevant today.It combines in-depth case studiesfrom Sofonisba Anguissola, Elisabeth Vigee Le Brun and Berthe Morisot to Meret Oppenheim, Eva Hesse and Mary Kellywith analyses of the structures of artistic production and dynamic developments on the oriented way in which the discipline art history has been forged, socially and symbolically. Spanning art history from Antiquity and the Middle Ages to modern art and the feminist practices of the 1970s, Parker and Pollock offer a salutary investigation to all those who not only want to add feminine names to art history, but also to profoundly modify its writing. The book is introduced by art historian and Geneva University Professor Giovanna Zapperi and features a recent foreword by Griselda Pollock.Recipient of the Holberg Prize in 2020 in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture, Griselda Pollock (born 1949) is Emeritus Professor of Social and Critical Histories of Art at the University of Leeds.Rozsika Parker (19452010) was a writer and critic in art history and psychoanalysis. In 1984, she published The Subversive Stitch: Embroidery and the Making of the Feminine, an important work on the intertwined histories of embroidery, gender ideologies and womens resistance through creativity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. In.

Paperback. Condition: Brand New. 312 pages. 8.75x5.50 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: NEW.

Paperback. Condition: new. Paperback. Originally published in English in 1981 as Old Mistresses. Women, Art, and Ideology and translated here into French for the first time under the title Maitresses dautrefois: Femmes, art et ideologie, this ninth volume of the Lectures maison rouge series is not a history of womens art. Rather, this seminal book by Rozsika Parker and Griselda Pollock is far more radical and emancipatory and, indeed, still relevant today.It combines in-depth case studiesfrom Sofonisba Anguissola, Elisabeth Vigee Le Brun and Berthe Morisot to Meret Oppenheim, Eva Hesse and Mary Kellywith analyses of the structures of artistic production and dynamic developments on the oriented way in which the discipline art history has been forged, socially and symbolically. Spanning art history from Antiquity and the Middle Ages to modern art and the feminist practices of the 1970s, Parker and Pollock offer a salutary investigation to all those who not only want to add feminine names to art history, but also to profoundly modify its writing. The book is introduced by art historian and Geneva University Professor Giovanna Zapperi and features a recent foreword by Griselda Pollock.Recipient of the Holberg Prize in 2020 in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture, Griselda Pollock (born 1949) is Emeritus Professor of Social and Critical Histories of Art at the University of Leeds.Rozsika Parker (19452010) was a writer and critic in art history and psychoanalysis. In 1984, she published The Subversive Stitch: Embroidery and the Making of the Feminine, an important work on the intertwined histories of embroidery, gender ideologies and womens resistance through creativity. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. Originally published in English in 1981 as Old Mistresses. Women, Art, and Ideology and translated here into French for the first time under the title Maitresses dautrefois: Femmes, art et ideologie, this ninth volume of the Lectures maison rouge series is not a history of womens art. Rather, this seminal book by Rozsika Parker and Griselda Pollock is far more radical and emancipatory and, indeed, still relevant today.It combines in-depth case studiesfrom Sofonisba Anguissola, Elisabeth Vigee Le Brun and Berthe Morisot to Meret Oppenheim, Eva Hesse and Mary Kellywith analyses of the structures of artistic production and dynamic developments on the oriented way in which the discipline art history has been forged, socially and symbolically. Spanning art history from Antiquity and the Middle Ages to modern art and the feminist practices of the 1970s, Parker and Pollock offer a salutary investigation to all those who not only want to add feminine names to art history, but also to profoundly modify its writing. The book is introduced by art historian and Geneva University Professor Giovanna Zapperi and features a recent foreword by Griselda Pollock.Recipient of the Holberg Prize in 2020 in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture, Griselda Pollock (born 1949) is Emeritus Professor of Social and Critical Histories of Art at the University of Leeds.Rozsika Parker (19452010) was a writer and critic in art history and psychoanalysis. In 1984, she published The Subversive Stitch: Embroidery and the Making of the Feminine, an important work on the intertwined histories of embroidery, gender ideologies and womens resistance through creativity. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.