Collaert Jan, First Edition (4 results)

(. pictore Iohanne Stradano Belga Brugensi, et a Ioanne Galleo editi. ) ( Ohne Erscheinungsjahr - um 1580 erschienen, Erste Ausgabe - first edition - bitte beachten: Hier liegt nur das in Kupfer gestochene Titelblatt des Werkes vor ). Blattmaß ca. 21 x 27,5 cm ( Höhe x Breite ). Das Blatt mit Titelei, Wapppenkartusche, dekorativer Umrahmung und untenstehender Bildlegende. Das Blatt ist gering fingerfleckig, am Oberrand auf Karton montiert. Von guter und dekorativer Erhaltung. The copper engraving in good condition. ( Lagerort AZ- Regal )( Weitere Bilder auf Anfrage ) / Artikel 22691 /// (. pictore Iohanne Stradano Belga Brugensi, et a Ioanne Galleo editi.) (No year of publication - published around 1580, first edition - please note: only the copper-engraved title page of the work is available here). Sheet size approx. 21 x 27.5 cm (height x width). The sheet includes the title page, coat of arms cartouche, decorative border, and caption below. The sheet has minor finger marks and is mounted on cardboard at the top edge. In good and decorative condition. The copper engraving is in good condition. (Storage location: AZ shelf) (Further images available upon request) / Item 22691 /// (. pictore Iohanne Stradano Belga Brugensi, et a Ioanne Galleo editi.) (Année de publication inconnue - publié vers 1580, première édition - veuillez noter: seule la page de titre gravée sur cuivre est disponible ici). Dimensions de la feuille: environ 21 x 27,5 cm (hauteur x largeur). La feuille comprend la page de titre, le cartouche aux armoiries, une bordure décorative et la légende. Elle présente de légères traces de doigts et est montée sur carton en haut. Bon état général. La gravure sur cuivre est en bon état. (Emplacement de conservation: étagère AZ) (Images supplémentaires disponibles sur demande) / Article 22691.

Antverpiae (Antwerpen), ex Officina Plantiniana, apud Ioannem Moretum, 1607, in-folio, 34 x 23,5 cm, engraved title page + (10) nn pp + 636 pp + (8)nn pp ( index, approbatio, printer's mark). Bound before the text part of the '' Adnotationes'' is the complete suite ( engraved title + 153 plates) of the '' Evangelicae Historiae Imagines''. Bound in 17th c. French red morocco, smooth spine, all edges gilt, boards with gilt floral fillets decoration . Binding with some restoration at the extremities and the joints. All pages ( text and engravings) are ruled. Some minor stains or thumbing at some pages but overall a very fine copy with large margins. Second edition ( first Plantin edition) of the commentary of Jerome Nadal ( Natalis ) with the bible illustrations by the Wierickx brothers. The first edition of this suite of engravings , a real masterpiece of Flemish bookillustration in the 16th century, appeared anonymously in Antwerp in 1593 and without the text. It was printed by Nutius. The publishers were the Antwerp Jesuits **. An explanatory text by Natalis together with the plates was published one year after the suite . (in 1594). The engavings were commissioned by the Headquarters of the Jesuit Order in Rome. From correspondance by Christophe Plantin we know that he was involved in this project from 1587 onwards. But he never published this suite. ( It was done by the Antwerp Jesuits). In 1605 Plantin's son in law Jan Moretus aquired the plates from Carolus Scribanus - the head of the Antwerp Jesuit College. Antoon Wiericx engraved 58 plates, 57 were done by Hieronymus Wiericx, 17 by Jan Wiericx , 11 by Adriaen Collaert, 9 by Karel de Mallery, 1 by Jan Collaert and 1 by the unkown engraver I.N. The drawings were made by the Roman draughtsman B.Passaro and are preserved in the Brussels Royal Library. In 1607 Moretus published the plates together with Nadal's commentary ( our copy here is from this edition). This is a very fine copy of one of the most outstanding illustrated books of the 16th century , the ultimate Jesuit counter-reformatory answer ; published in the most northern bastion of Roman Catholic Europe, against Protestant Northern Europe. ** See Manuel Insolara. La spiritualité en images aux Pays-Bas.Leuven, 1996, pp. 135-141. Also : P.A.Fabre on the illustrations in '' Les Jésuites à l'age baroque ''. Grenoble, 1996.

10. [1]Antverpiae (Antwerpen), no printer ( Nutius ) , 1593, in-folio, 32,7 cm, engraved title + suite of 153 engravings. (the 6 text leaves which go with this edition are to be found in [ item 2] . Bound in later boards covered with marbled paper, leather title label on smooth spine. Printed on unwatermarked paper. With some marginal small stains and foxing spots at some pages. Plates 61, 73, and 78 have a restoration at the inner margin, not affecting the engraved image. Plates 81, 98, 104 and 145 have small restorations in the upper margin, also not affecting the engraved image. [Together with] [2] Adnotationes et meditationes in evangelia., Antwerpen, Martinus Nutius, 1594, in-folio, (8) nn pp ( engraved title, pp7/8 blank) + 595 pp + (7)nn pp ( ultimate and penulitmate pp. blank) . Bound in contemporary vellum, with gilt supra libro (canon view), vellum damaged with some loss of material, interior good. (copy from the library of the Friar Minor of Maastricht ( small stamp) Both books in first edition. The plate suite [1] , a real masterpiece of Flemish bookillustration in the 16th century, appeared anonymously in Antwerp in 1593. The publishers were the Antwerp Jesuits **. An explanatory text by Natalis [our item 2] was published one year after these suite was published (in 1594). The engavings were commissioned by the Headquarters of the Jesuit Order in Rome. From correspondance by Christophe Plantin we know that he was involved in this project from 1587 onwards. But he never published this suite. This was done by the Antwerp Jesuits, the printer was Nutius. Only in 1605 did Plantin's son in law Jan Moretus aquire the plates from Carolus Scribanus - the head of the Antwerp Jesuit College. Antoon Wiericx engraved 58 plates, 57 were done by Hieronymus Wiericx, 17 by Jan Wiericx , 11 by Adriaen Collaert, 9 by Karel de Mallery, 1 by Jan Collaert and 1 by the unkown engraver I.N. The plates in our copy carry also the name of the designer, which indicates a first edition . (In the Plantin edition of 1607 -Imhof N1- most designer names were removed). The drawings were made by the Roman draughtsman B.Passaro and are preserved in the Brussels Royal Library. ** See Manuel Insolara. La spiritualité en images aux Pays-Bas.Leuven, 1996, pp. 135-141. Biblio. ref. [1] USTC 402295 Pettegree 22113 . [2] USTC 403349 - Pettegree 22114 .

Single Sheet. Condition: Near Fine. Original Engraving. Original Engraving, 6 3/8 X 3 5/8". Maarten De Vos Of Antwerp (1532-1602). De Vos Studied In Rome 1551,Then To Venice Where He Was The Pupil And Friend And Collaborator Of Tintoretto. In 1558 He Returned To Antwerp Where He Worked As A Painter. He Executed Some Engravings, And Was A Prolific Source Of Drawings That Were Then Engraved And Published By Others. In The Twenty Pieces Depicting The Celebrated Women Of The Old Testament, His Drawings Were Engraved By Adrien Collaert (C. 1560-1618) And Karel De Mallery (C, 1576-After 1631), Two Of Phillip Galle's Sons-In-Law, And Adrien's Brother Hans / Jan Collaert (1566-1628). Sara (New Holl. De Vos 224 Ii/Ii), Published In Antwerp By Phillip Galle (1537-1612). This Example Is A Fine, Very Eary Printing, All Lines And Shade Lines Very Sharp. Mounted On A Fragment Of An Album Sheet. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.