Corrigan Karina (39 results)

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. The definitive catalogue for the groundbreaking exhibition that explored the transformative impact of Asian luxury goods on the Netherlands in the 17th century. Written by a team of 30 international scholars, this volume documents how the Dutch East India Company (VOC) brought an "astonishing range" of exotic treasures—from Chinese blue-and-white porcelain to Indian chintz and Japanese lacquer—into the homes of Amsterdam's elite. It argues that these imports did not just decorate Dutch life but fundamentally reshaped it, inspiring artists like Rembrandt and Willem Kalf to incorporate these new textures and colors into their masterpieces. Key Features: The "Sensory" Experience: Essays detail the smells (spices), textures (silks), and visual brilliance of the objects that flooded the Dutch market. Catalogue Entries: Features 150 works of art, including the famous "Kraak" porcelain and rare Sawankhalok wares, placed side-by-side with the Dutch still-life paintings that depicted them. Cross-Cultural Analysis: Explores how Dutch delftware potters and textile dyers tried to imitate Asian technologies, leading to new European art forms. Quarto (31 cm). 356 pages. 250 color illustrations.…

Softcover. Condition: Near Fine Plus. First Soft Cover Edition. softcover, folded card covers., slight lean, minor impact. no other flaws or wear. clean. no markings. no bumps, tears or creases. strong sewn binding.; english text.; 356pp., illustrated throughout in color. seven essays by various contributors. detailed catalogue entries. well illustrated, scholarly treatment. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.…

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. 2022. Hardcover. . . . . .

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. A critical reconsideration of the history of photography that explores how commerce and conflict fueled its practice in nineteenth-century China Photographys development as a new form of art and technology coincided with profound changes in the way China engaged with the world in the nineteenth century. The medium evolved in response to war, trade, travel, and a desire for knowledge about an unfamiliar place. Power and Perspective provides a rich account of the exchanges among photographers, artists, patrons, and subjects in the treaty port cities that connected China and the West. Drawing primarily from the Peabody Essex Museums historic and largely unpublished collection of photographs, this generously illustrated volume examines the confrontations and collaborations that shaped the adoption and practice of photography in China. Offering an original reassessment of the colonial legacy of the medium, Power and Perspective addresses photographys representations of racial hierarchy and its entanglement with histories of European imperialism in nineteenth-century China. A critical reconsideration of the history of photography that explores how commerce and conflict fueled its practice in nineteenth-century China Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Good. Modest shelfwear to cover, creasing to spine, clean pages and sound binding.

Condition: new.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: New.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: As New. Unread book in perfect condition.

Condition: NEW.

Hardcover. Condition: Brand New. 339 pages. 11.00x10.00x1.25 inches. In Stock.

Condition: New. In English.

Hardcover. Condition: new. Hardcover. A critical reconsideration of the history of photography that explores how commerce and conflict fueled its practice in nineteenth-century China Photographys development as a new form of art and technology coincided with profound changes in the way China engaged with the world in the nineteenth century. The medium evolved in response to war, trade, travel, and a desire for knowledge about an unfamiliar place. Power and Perspective provides a rich account of the exchanges among photographers, artists, patrons, and subjects in the treaty port cities that connected China and the West. Drawing primarily from the Peabody Essex Museums historic and largely unpublished collection of photographs, this generously illustrated volume examines the confrontations and collaborations that shaped the adoption and practice of photography in China. Offering an original reassessment of the colonial legacy of the medium, Power and Perspective addresses photographys representations of racial hierarchy and its entanglement with histories of European imperialism in nineteenth-century China. A critical reconsideration of the history of photography that explores how commerce and conflict fueled its practice in nineteenth-century China Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Gebunden. Condition: New. KlappentextrnrnA critical reconsideration of the history of photography that explores how commerce and conflict fueled its practice in nineteenth-century China.

Soft cover. Condition: New. No Jacket. 1st Edition. English text; Paperback; 356 pages; 22.5 x 30.8 cm; 1.83 kg; LAST COPY. STILL WRAPPED IN PLASTIC BUT THE BOOK HAS A BUMP ON ONE CORNER.; Catalogue from the exhibitions held at the Rijksmuseum, Amsterdam, Netherlands from October 2015 to January 2016 and at the Peabody Essex Museum, Salem, Massachusetts from February to June 2016.; Rijksmuseum edition.; In the Golden Age, Dutch merchants shipped countless treasures from Asia to Amsterdam, enriching both increasingly prosperous Dutch households and the imagination of artists and craftspeople. Made of special, precious materials and adorned with intriguing exotic patterns no one had ever seen before, the Asian treasures caused a sensation. Fine white porcelain with blue designs from China, lacquer work from Japan, gems from India, silk fabrics and textiles from China, Japan and India, remarkably shaped shells, black ebony. The Dutch gasped at the beauty of it all and enthusiastically incorporated these treasures into their hitherto more modest interiors. Not only the super-rich, but also a large part of the growing middle class could afford to buy these exclusive items. Artists shaped new ways of looking at the world around them. In essays and entries by over thirty expert authors, this catalogue examines how a culture of luxury developed in the Golden Age.…

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Buch. Condition: Neu. Neuware - A critical reconsideration of the history of photography that explores how commerce and conflict fueled its practice in nineteenth-century China Photography's development as a new form of art and technology coincided with profound changes in the way China engaged with the world in the nineteenth century. The medium evolved in response to war, trade, travel, and a desire for knowledge about an unfamiliar place. Power and Perspective provides a rich account of the exchanges among photographers, artists, patrons, and subjects in the treaty port cities that connected China and the West. Drawing primarily from the Peabody Essex Museum's historic and largely unpublished collection of photographs, this generously illustrated volume examines the confrontations and collaborations that shaped the adoption and practice of photography in China. Offering an original reassessment of the colonial legacy of the medium, Power and Perspective addresses photography's representations of racial hierarchy and its entanglement with histories of European imperialism in nineteenth-century China. Distributed for the Peabody Essex Museum Exhibition Schedule: Peabody Essex Museum, Salem, MA (September 24, 2022-April 2, 2023).…