Crump Robert (35 results)

hardcover. Condition: Very Good. Madden, Robert W. (illustrator). National Geographic Society December 1982 large 8vo. 199 pages. text block crisp. dust jacket in mylar.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Madden, Robert W. (illustrator). Small 4to 9" - 11" tall; 199 pages; Book Tight, Dust Jacket shows little wear of usage Text is clean no markings seen Illustrated in Color; BX262.

Soft cover. Condition: Fine. 1st Edition. Softcover, 39 pgs. Fine.

Hardcover. Condition: Very Good. No marks or DJ splits. Minimal use.

Soft cover. Condition: Very Good. Side-stapled, 44 pgs. From a group of publications obtained from Dennis Hopper's estate. Includes articles on cable TV, cartoons of East Europe, character actors, Fassbinder, filmmaking in Chicago, and more. Light corner wear, small closed tear to upper right corner, light rubbing to cover.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Oversized hardback book (194 pages) illustrated with mostly b/w reproductions (a few in color). Light rubbing on boards. INTERNATIONAL SHIPPING MAY REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-8-Middle-L-Flat) rareviewbooks.

Softcover. Soundly stapled binding. Pages clean, off-white. Wrappers have light shelf wear. ; Contents: Suckow, Modern figures of destiny: D. H. Lawrence and Frieda Lawrence. Rossman, The gospel according to D. H. Lawrence: religion in Sons and Lovers. Smailes (ed.), D. H. Lawrence: seven hitherto unpublished poems. Gajdusek, A reading of "A poem of friendship," a chapter in Lawrence's The White Peacock. Briscoe and Vicinus, Lawrence among the radicals: MMLA, 1969: an exchange. Beards and Willens, D. H. Lawrence: criticism; Septeber, 1968-December, 1969; a checklist. Crump, Doctoral dissertations on D. H .Lawrence, 1931-1968: a bibliography. Laurentiana. 9.0" tall; 92 pages. Very Good in No Dust Jacket dust jacket.

Gr.-8°, gebundene Ausgabe. Zahlreiche wunderbare Farbfotos, 207 S. Content: The Northwest; The East; The Southwest; California and Nevada, Mexico and Texas; The Midwest; Canada and Alaska, Hawaii Sprache: Englisch Gewicht in Gramm: 550.

Hard Cover. Dust Jacket Condition: Very Good. HBDJ, Oversized Brown cloth Titled in Silver Gilt on Spine, Fifth edition Revised,1970, minor rub wear FOX DJ with Tiny Chips Tear Wear Edges Extremities DJ, VG+/VG-, AS-IS, Interior nice tight clean light wear Fox, Spine DJ Darkened Fox with small chip Top Spine DJ end but Titles Intact, 256 pgs, Index, Quarto, DJ protected in Clear Mylar, 9 x 11 1/4 inches. .Book takes its name from the famous Slogan of the Pacific Electric, whose comfortable & Speedy interurbans linked So. Californias Mountains, Beaches , Orange Groves & Cities for more than half a Century. P. E. at its peak had 1,164 miles of track & operated 6,000 scheduled cars Daily. Including Maps, Charts,Historic Photos,Engineering Data Details of Major Lines including Exact Routes and When They Operated, The book is a narrative history of the interurbans and also of the men and cities which were part of them. It recalls the battles between the rail tycoons when Henry Huntington planned to use electric interurbans for a system spanning California & possibly the nation. It analyzes the factors which ended the interurban car.

Hardcover. Condition: new. Hardcover. Prior to World War I, printmaking in the United States was, with a few exceptions, primarily the domain of commercial enterprises that produced largely picturesque European scenes or depictions of popular towns on the East Coast. Prints of Minnesota scenes, especially by Minnesota artists, formed a very small part of American art exhibits. Robert Crump relates the fascinating story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing -- etchings, woodcuts, lithographs, drypoints, monotypes, and silk screens -- blossomed after the turn of the last century. He chronicles the support of the federal government during the 1930s and the important role played by local organisations such as the Minneapolis Institute of Art, the Walker Art Center, and the Minneapolis School of Art (now the Minneapolis College of Art and Design). This book offers short biographies of and sample prints by nearly two hundred printmakers, including Wanda Gag, Adolf Dehn, George Resler, Miriam Ibling, Syd Fossum, Gilbert Fletcher, and Gustav Goetsch.Crump's eye for memorable images makes the handsome volume a pleasure to behold for collectors and readers interested in Minnesota art. Notes on printing techniques and several appendices help newcomers appreciate the challenges of printmaking. Relates the story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing blossomed. This book chronicles the support of the federal government during the 1930s and the role played by local organisations such as the Minneapolis Institute of Art and the Walker Art Center. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New.

hardcover. Condition: New. Madden, Robert W. (illustrator). In shrink wrap. Looks like an interesting title!

Cloth. Dust Jacket Condition: With Jacket. Robert Brett (illustrator). First Edition. Near Fine in a very good jacket with light spotting PP 38, 24 poems Size: 8vo - over 7¾" - 9¾" tall.

HARDCOVER. Condition: New.

4° (27,7 x 20,7 cm); drahtgehefteter, farbig illustr. OKartbd.; 127 (1) Seiten mit zahlr. s/w-Abbildungen. Erste Ausgabe/First Edition. - Einband nur gering berieben; Heftseiten nachgedunkelt, aber sauber.

Paperback. Condition: Brand New. 334 pages. 10.00x8.00x0.76 inches. In Stock.

Hardcover. Condition: Brand New. 1st edition. 208 pages. 12.00x9.50x0.50 inches. In Stock.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Gebunden. Condition: New.

Hardcover. Condition: new. Hardcover. Prior to World War I, printmaking in the United States was, with a few exceptions, primarily the domain of commercial enterprises that produced largely picturesque European scenes or depictions of popular towns on the East Coast. Prints of Minnesota scenes, especially by Minnesota artists, formed a very small part of American art exhibits. Robert Crump relates the fascinating story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing -- etchings, woodcuts, lithographs, drypoints, monotypes, and silk screens -- blossomed after the turn of the last century. He chronicles the support of the federal government during the 1930s and the important role played by local organisations such as the Minneapolis Institute of Art, the Walker Art Center, and the Minneapolis School of Art (now the Minneapolis College of Art and Design). This book offers short biographies of and sample prints by nearly two hundred printmakers, including Wanda Gag, Adolf Dehn, George Resler, Miriam Ibling, Syd Fossum, Gilbert Fletcher, and Gustav Goetsch.Crump's eye for memorable images makes the handsome volume a pleasure to behold for collectors and readers interested in Minnesota art. Notes on printing techniques and several appendices help newcomers appreciate the challenges of printmaking. Relates the story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing blossomed. This book chronicles the support of the federal government during the 1930s and the role played by local organisations such as the Minneapolis Institute of Art and the Walker Art Center. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Diss. Durant, Oklahoma 1928. VII, 112 pages. Softcover. Stamped.[#78633].

paperback. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condition: Fair. No Jacket. Cover and binding are worn but intact. A reading copy in fair condition. Wear and fading on the covers. Stain on the edges. Notations made on a few pages. Secure packaging for safe delivery.

Paperback / softback. Condition: New. Crump, Robert E (illustrator). This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

LeatheBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 132. A perfect gift for your loved ones. Reprinted from 1928 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 132.

Vintage studio still photograph of Grant Williams from the 1962 film. A violent ex-con embarks on a murder spree, using his court-ordered weekly therapy sessions as his alibi. Actor Onslow Stevens' final film appearance. Screenplay by noted horror and mystery writer Robert Bloch. 8 x 10 inches. Near Fine.

Paperback. Condition: Very Good-. First Edition; First Printing. First Edition, First Printing (Stated). Very Good Minus with moderate wear to covers and no marks to text; corners bumped. Art/C1; 1886-1980; Oblong 8vo 8" to 9" tall; 203 pages.

paperback. Condition: near fine. First edition. Softcover. Pictorial cover. 203pp.With 510 representations of his prints. Laid in is a typed letter from publisher who has sent three sheets of additions and corrections that are loosely laid in rear of book.

142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.