Dagon James (75 results)

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Paperback. Condition: Very Good. LOUISE MICHEL : Vidas Rebeldes This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Gebunden. Condition: Neu. Neu -A stunning selection of images of Steve McQueen taken by photography legend, Barry Feinstein. 128 pp. Englisch.

Seitenanzahl: 128 Sprache : Englisch Jedes Bild bisher unveröffentlicht. Atemberaubende Fotografien des ?King of Cool". Diese atemberaubenden Bilder von Steve McQueen, aufgenommen von der Fotolegende Barry Feinstein - auf der Rennstrecke, am Set von ?Bullitt" beim Entspannen mit Freunden - waren bisher völlig unveröffentlicht und werden in diesem Band erstmals in herausragender Qualität reproduziert. Feinstein war ein enger persönlicher Freund von McQueen, und seine Fotos vermitteln eine Intimität, die man bei Aufnahmen des Stars selten erlebt. Atemberaubende Fotografie. Nicht zu verpassen.

Hardcover. Condition: Near Fine. 1st Edition. Profusely illustrated with black and white photographs, mostly on the set of the film 'Bullitt' and McQueen at a racing car meeting. Excellent condition, minimal wear, looks almost as new.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9781909526044.

Gebunden. Condition: Neu. Neu -Brigid Berlin (born 1939) was one of the most prominent and colorful members of Andy Warhol's Factory in the 1960s and 1970s. Her legendary personal collection of Polaroids is collected here for the first time and constitutes an intimate, beautiful, artistic, outrageous insight into this iconic period. This wild photographic odyssey featured a foreword by cult filmmaker John Waters, who writes, 'Brigid was always my favorite underground movie star; big, often naked, and ornery as hell . The Polaroids here show just how wide Brigid's world was; her access was amazing. She was never a groupie, always an insider.' Berlin knew everyone and her lens captured them all: celebrities, Superstars, artists, herself and, of course, Warhol. As Waters observes, through her snaps, 'Andy was uncovered and revealed like never before.' The book also features an introduction by Bob Colacello, editor of Warhol's Interview magazine and features writer for Vanity Fair, who notes: 'In recording life, she captured our times. By myopically depicting her own transgressions and self- indulgences, she has prophetically reflected the narcissism and exhibitionism, the craving for fame and confusing of fame and infamy that have become the staples of American popular culture.' In discussing her style, he reflects, 'This is the opposite of fashion photography or studio portraiture. Brigid was a realist. What she saw is what you got.' 208 pp. Englisch.

Hardback. Condition: New.

Gebunden. Condition: Neu. Neu -Dieser atemberaubende Band ist die endgültige und umfassende Sammlung von Billy Names Schwarz-Weiß-Fotografien aus Warhols Factory. Names Fotografien aus dieser Zeit (1964-68) sind eines der wichtigsten fotografischen Dokumente eines einzelnen Künstlers in der Geschichte. Name lebte in einem winzigen Schrank in der Factory. Er war verantwortlich für die legendäre »Versilberung« des Raums mit Aluminiumfarbe und -folie, um die Installation zu vollenden. Als Warhol Name eine Pentax Honeywell 35-mm-Kamera schenkte, übernahm er die Rolle des Hausfotografen und Archivars. Dieser visuelle Essay, der in Zusammenarbeit mit Billy Name entstand, bietet eine umfassende Reise durch Warhols Welt. Name fotografierte zusammen mit Andy das tägliche Geschehen in der Factory, darunter Besuche von Lou Reed und Velvet Underground, Nico, Edie Sedgwick, Ivy Nicholson und Bob Dylan, und drehte Screen Tests und Spielfilme wie »Chelsea Girls«, »Vinyl und My Hustler«. (Text engl.) 448 pp. Englisch.

Seitenanzahl: 208 Sprache : Englisch Brigid Berlin (1939-2020) war eines der prominentesten und schillerndsten Mitglieder von Andy Warhols Factory in den 1960er und 1970er Jahren. Ihre legendäre persönliche Sammlung von Polaroids wird hier zum ersten Mal gesammelt und bietet einen intimen, schönen, künstlerischen und unverschämten Einblick in diese ikonische Zeit. Diese wilde fotografische Odyssee wurde mit einem Vorwort des Kultfilmers John Waters versehen, der schreibt: »Brigid war immer mein liebster Underground-Filmstar; groß, oft nackt und verdammt störrisch. Die Polaroids hier zeigen, wie groß Brigids Welt war; ihr Zugang war erstaunlich. Sie war nie ein Groupie, sondern immer ein Insider.« Berlin kannte jeden, und ihr Objektiv hat sie alle eingefangen: Berühmtheiten, Superstars, Künstler, sie selbst und natürlich Warhol. Wie Waters bemerkt, wurde Andy durch ihre Schnappschüsse »enthüllt und enthüllt wie nie zuvor«. Das Buch enthält auch eine Einführung von Bob Colacello, dem Herausgeber von Warhols Interview-Magazin und Feuilletonisten der Vanity Fair, der anmerkt: »Indem sie ihr Leben festhielt, hielt sie unsere Zeit fest. Indem sie ihre eigenen Übertretungen und Selbstgefälligkeiten kurzsichtig darstellte, spiegelte sie prophetisch den Narzissmus und Exhibitionismus, das Verlangen nach Ruhm und die Verwirrung über Ruhm und Schande wider, die zu den Grundpfeilern der amerikanischen Populärkultur geworden sind.« Über ihren Stil sagt er: »Das ist das Gegenteil von Modefotografie oder Studioporträts. Brigid war eine Realistin. Was sie sah, ist das, was man sieht.«von Audrey Hepburn, aufgenommen von führenden Fotografen wie Dennis Stock, Howell Conant, Terry O'Neill, Bud Fraker und Bob Willoughby, sowie einen begleitenden Text der Modejournalistin June Marsh.

Seitenanzahl: 444 Sprache : Englisch Billy Name: The Silver Age: Black and White Photographs from Andy Warhol's Factory: Black & White Photographs from Andy Warhol's Factory Dieser atemberaubende Bildband ist die definitive und umfassende Sammlung von Billy Names Schwarz-Weiß-Fotografien aus Warhols Factory. Names Fotografien aus dieser Zeit (1964-68) zählen zu den bedeutendsten fotografischen Dokumenten eines einzelnen Künstlers überhaupt. Name lebte in einem winzigen Abstellraum in der Factory. Er war verantwortlich für die legendäre ?Versilberung" des Raumes, bei der er Aluminiumfarbe und -folie verwendete. Als Warhol Name eine Pentax Honeywell 35-mm-Kamera schenkte, übernahm dieser die Rolle des Hausfotografen und Archivars. Dieser in Zusammenarbeit mit Billy Name entstandene Bildband bietet eine umfassende Reise durch Warhols Welt. Name fotografierte zusammen mit Andy Warhol den Alltag in der Factory, darunter Besuche von Lou Reed und The Velvet Underground, Nico, Edie Sedgwick, Ivy Nicholson und Bob Dylan, und drehte Screen Tests und Filme wie ?Chelsea Girls", ?Vinyl" und ?My Hustler".

Hardcover. Condition: Near Fine. First Edition. (pictorial boards; no dust jacket, as issued) [extremely light handling wear, essentially presents as new] (B&W photographs) A posthumously-issued collection of photos of McQueen, by a photographer described in the Introduction as "an artist, photographer, filmmaker, thrill-seeker and long-time friend of McQueen, [who] was instinctively in tune with everything that was taking place on and off set" during the shooting of BULLITT. Most of the photos in the book are from that shoot, with some additional shots of McQueen engaged in his favorite off-screen pursuit, auto racing. (Because there seems to be some kind of unwritten rule that you can't publish a photographic book about Steve McQueen without including shots of him with cars and/or motorcycles.) Feinstein (1931-2011) was most famous for his work on record album covers during the 1960s and 1970s, but had a long a varied career photographing leading Hollywood and political figures of his day, and was also a cinematographer who shot (among other things) the Montery Pop Festival in 1967 and the Concert for Bangladesh in 1971. ****NOTE that additional postage charges will be assessed for international shipping of this somewhat heavy book; if this concerns you, please contact us for a shipping quote before placing your order.****.

gebundene Ausgabe. Condition: Sehr gut. 128 S. Zustand sehr gut. Ein schonend gelesenes Exemplar. Seiten sauber. 037 Sprache: Englisch Gewicht in Gramm: 1000.

Stated First edition with a 1 present in the number line; 4to.; illustrated paper covered boards with illustrated endpapers, hardcover; black and white photographic illustrations by Barry Feinstein; very good.

Hardback. Michael Zagaris, Reel Art Press. It has been said of Michael Zagaris' photographic oeuvre that it is the "last untouched rock archive." Zagaris was responsible for shooting everyone in the rock music scene in San Francisco in the 1970s, including The Clash, Grateful Dead, Blondie, The Sex Pistols, Bob Dylan, Eric Clapton, Lou Reed and the Velvet Underground, Patti Smith, Led Zeppelin, and many more. Zagaris' photographs are some of the best portraits of their kind. Because a lot of his work was taken for pleasure rather than pay, the vast majority of his archive has remained unseen until now. 'Total Excess' is the complete anthology of his incredible rock photography. AUTHOR: Michael Zagaris (born 1945) grew up in the central valley of California. In 1967 he entered law school and also started working for Robert Kennedy as a speechwriter. The trauma of witnessing Kennedy's assassination at close quarters propelled Zagaris away from politics and law and into photography, and he began covering rock music in San Francisco. He also captured some of the most vital counterculture figures of that period, including Billy Bowers, Divine, Peter Berlin, The Cockettes and Jim Carroll, who used one of Michael's portraits for the cover of his book Basketball Diaries. In 1973 he became a a team photographer for the San Francisco 49ers, and the Oakland A's in 1981, both of which he continues to shoot to this day. Photographs throughout. Hardback.

Hardcover. Condition: Good. With dust jacket. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Wrappers. Condition: Near Fine. Near Fine. This issue features Veruschka.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Condition: new.

Condition: very_good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in very good condition! The cover and any other included accessories are also in very good condition showing some minor use. The spine is straight, there are no rips tears or creases on the cover or the pages.

Seitenanzahl: 192 Sprache : Englisch Wolman hat das Erlebnis und die Atmosphäre von Woodstock wie kein anderer Fotograf eingefangen. Am Ende habe er die meiste Zeit in der Wildnis damit verbracht. Er interessierte sich mehr für das Publikum als für die Künstler, seine Fotos sind äußerst eindrucksvoll und bieten einen selten zu sehenden Einblick in dieses legendäre Ereignis. ?Das, woran man sich aus den 60ern erinnern sollte, selbst gegen Ende im Jahr 1969, war dass alles völlig anders war, das Verhalten neu und unerwartet war. Außerdem waren die 1960er Jahre in jeder erdenklichen Hinsicht einfach unglaublich fotogen . das Veränderungen, die in den Köpfen der Menschen stattfanden, wurde hier visuell manifestiert. Ich meine, wie konntest du die Bilder nicht machen?' Baron Wolman's stunning black-and-white photographs of Woodstock are published here for the first time. The majority of images are completely unseen. Wolman captured the experience and atmosphere of Woodstock like no other photographer. "I ended up spending most of my time out in the wild with the crowd because what was happening 'out there' was just too interesting not to explore," he writes. More interested in the crowd than the performers, his photographs are hugely evocative and offer an insight into this legendary event that is rarely seen. "The thing to remember about the '60s, even near the end in '69 was that everything was totally different, the behavior was new and unexpected. Plus, the 1960s were simply wildly photogenic in every way imaginable . the changes that were taking place in the heads of the people were visually manifested. I mean, how could you not take pictures?" With accompanying text featuring an interview with Wolman and Woodstock creator, Michael Lang, and a foreword by musician Carlos Santana. Baron Wolman began his career as one of the first photographer's on the new Rolling Stone magazine in the '60s. He went on to capture that decade's pop and rock explosion, with images of Janis Joplin, the Rolling Stones, the Who, Jimi Hendrix, Pink Floyd and Bob Dylan, among many others. "I see myself as a kind of voyeur," he says. "I'm happiest when I'm invisible and watching. I just love to watch. I'm a chameleon and can adapt myself to the situation, and that, to me, is one of the gifts that I was given naturally, and that's how you get honest pictures.".

Hardcover. Condition: Brand New. pck har/cr edition. 206 pages. 11.25x9.25x1.00 inches. In Stock.

Hardback. Condition: New.

Wrappers. Condition: Near Fine. Near Fine. This issue incl. works & interview of Billy Name, works by Terry O'Neill, Michael Cooper, and more.