Darla Crispin (44 results)

Soft cover. Condition: Very Good. This is a clean copy signed by the previous owner in the fep, but otherwise unmarked with light shelf wear.

Paperback. Condition: New. In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that not only Beethoven's op.47 should be called the Bridgetower rather than the Kreutzer Sonata but also that this makes a difference as to its meaning. Scott Burnham explains extreme contrasts between emotional and mechanical types of music in late Beethoven as stagings of the limits of human subjectivity. Jim Samson discusses Chopin's little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens's case study of Franz Lachner's Heine songs sheds light on radical experimentation by a so-called epigone in the period between Schubert and Schumann's miracle song year.Contributors: Scott Burnham, Princeton University; John Neubauer, University of Amsterdam; Jim Samson, Royal Holloway, University of London; Janet Schmalfeldt, Tufts University; Susan Youens, University of Notre Dame.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in "real time." For composers a work appears "whole and entire," with the presence of the score having the potential to compress, and even eliminate, the perception of time as "passing." The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research. Contributors: Bruce Brubaker, New England Conservatory; Pascal Decroupet, University of Liege; Mark Delaere, Catholic University of Leuven; Justin London, Carleton College; Ian Pace, University College Falmouth.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 1st edition. 200 pages. French language. 9.00x6.25x0.25 inches. In Stock.

Paperback. Condition: new. Paperback. In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that not only Beethoven's op.47 should be called the Bridgetower rather than the Kreutzer Sonata but also that this makes a difference as to its meaning. Scott Burnham explains extreme contrasts between emotional and mechanical types of music in late Beethoven as stagings of the limits of human subjectivity. Jim Samson discusses Chopin's little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens's case study of Franz Lachner's Heine songs sheds light on radical experimentation by a so-called epigone in the period between Schubert and Schumann's miracle song year.Contributors: Scott Burnham, Princeton University; John Neubauer, University of Amsterdam; Jim Samson, Royal Holloway, University of London; Janet Schmalfeldt, Tufts University; Susan Youens, University of Notre Dame In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: Good. Stamped non-returnable. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in "real time." For composers a work appears "whole and entire," with the presence of the score having the potential to compress, and even eliminate, the perception of time as "passing." The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research. Contributors: Bruce Brubaker, New England Conservatory; Pascal Decroupet, University of Liege; Mark Delaere, Catholic University of Leuven; Justin London, Carleton College; Ian Pace, University College Falmouth This book addresses the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9789058677341.

Condition: New. In English.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: Brand New. 1st edition. 200 pages. French language. 9.00x6.25x0.25 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware - In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that not only Beethoven's op.47 should be called the Bridgetower rather than the Kreutzer Sonata but also that this makes a difference as to its meaning. Scott Burnham explains extreme contrasts between emotional and mechanical types of music in late Beethoven as stagings of the limits of human subjectivity. Jim Samson discusses Chopin's little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens's case study of Franz Lachner's Heine songs sheds light on radical experimentation by a so-called epigone in the period between Schubert and Schumann's miracle song year.Contributors: Scott Burnham, Princeton University; John Neubauer, University of Amsterdam; Jim Samson, Royal Holloway, University of London; Janet Schmalfeldt, Tufts University; Susan Youens, University of Notre Dame.…

Condition: New. Brand New.

Paperback. Condition: Brand New. 1st edition. 198 pages. French language. 9.25x5.75x0.25 inches. In Stock.

Paperback. Condition: Brand New. 1st edition. 140 pages. French language. 9.50x6.00x0.50 inches. In Stock.

Condition: New. Brand New.

Kartoniert / Broschiert. Condition: New. Klappentextrnrn New Paths , the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing.

Paperback. Condition: new. Paperback. In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that not only Beethoven's op.47 should be called the Bridgetower rather than the Kreutzer Sonata but also that this makes a difference as to its meaning. Scott Burnham explains extreme contrasts between emotional and mechanical types of music in late Beethoven as stagings of the limits of human subjectivity. Jim Samson discusses Chopin's little-known musical upbringing in Warsaw, arguing that his grounding in eighteenth-century aesthetics (as opposed to theory) has thus far been neglected. Finally, Susan Youens's case study of Franz Lachner's Heine songs sheds light on radical experimentation by a so-called epigone in the period between Schubert and Schumann's miracle song year.Contributors: Scott Burnham, Princeton University; John Neubauer, University of Amsterdam; Jim Samson, Royal Holloway, University of London; Janet Schmalfeldt, Tufts University; Susan Youens, University of Notre Dame In New Paths, five renowned scholars discuss a variety of topics related to Romanticism, focusing especially on the years 1800-1840. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: new. Paperback. Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in "real time." For composers a work appears "whole and entire," with the presence of the score having the potential to compress, and even eliminate, the perception of time as "passing." The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research. Contributors: Bruce Brubaker, New England Conservatory; Pascal Decroupet, University of Liege; Mark Delaere, Catholic University of Leuven; Justin London, Carleton College; Ian Pace, University College Falmouth This book addresses the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: New. KlappentextrnrnQuestions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in r.