David Diviney (91 results)

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Canadian First. Complete number line from 1 to 10; minor wear; otherwise a solid, clean copy with no marking or underlining; illustrated with both black and white and colour reproductions of photographs. Book.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. Close to the edge. contains seven essays and statements by Gerald Ferguson that define this important conceptual artist's approach to his art and his times. Beginning with his first works in Halifax in the late 1960s and ending with his statement for his last exhibition, New Paintings -- Landscapes, held in Toronto in 2009, Ferguson's collected writings are a unique document in Canadian art history. Ferguson's writings are accompanied by 20 plates of his key works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. ABout new book, unmarked, in dust jacket with two 1/2" edgetears.; 10.60 X 8.50 X 0.90 inches; 146 pages.

Hardcover. Condition: About Fine. 1st Edition. Hardcover with pictorial boards and endpapers. Profusely illustrated throughout, mostly in colour. Several full/double page images. Clean, unmarked, and square. 4to.

Softcover. Condition: Near Fine. Dust Jacket Condition: Fine. First Edition. Stiff clean book, about new, in crisp white dust jacket; 8.25 X 0.5 X 9.75 inches; 180 pages; Close to the edge. Contains seven essays and statements by Gerald Ferguson that define this important conceptual artistâs approach to his art and his times. Beginning with his first works in Halifax in the late 1960s and ending with his statement for his last exhibition, New Paintings â" Landscapes, held in Toronto in 2009, Fergusonâs collected writings are a unique document in Canadian art history. Fergusonâs writings are accompanied by 20 plates of his key works.…

Softcover. Condition: Fine. Near Fine. First Edition. Stiff clean book, about new, in crisp white dust jacket; 8.25 X 0.5 X 9.75 inches; 180 pages; Close to the edge. Contains seven essays and statements by Gerald Ferguson that define this important conceptual artistâs approach to his art and his times. Beginning with his first works in Halifax in the late 1960s and ending with his statement for his last exhibition, New Paintings â" Landscapes, held in Toronto in 2009, Fergusonâs collected writings are a unique document in Canadian art history. Fergusonâs writings are accompanied by 20 plates of his key works.…

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. ABout new book, unmarked, in crisp barely rubbed dust jacket. Text in French, en francais.; 10.60 X 8.50 X 0.90 inches; 146 pages.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. ABout new book, unmarked, in crisp barely rubbed dust jacket. Text in French, en francais. Publisher's promotional letter laid-in.; 10.60 X 8.50 X 0.90 inches; 146 pages.

Condition: As New. Unread book in perfect condition.

Paperback. pp. 93. 4to. Colour photographs. Very good+.

Condition: New.

Hardcover. Condition: new. Hardcover. From painters, weavers, sculptors, printmakers, makers of video and installation art, rug hookers, and beyond, Nova Scotia is home to some of the country's finest artists. Terroir showcases that talent and unearths its roots by exploring how local histories and traditions, the landscape, and the human condition give rise to works of art specific to time and place. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. David Askevold broke into the art scene when his work was included in the seminal exhibition Information at New York's MOMA 1970, which cemented Conceptualism as a genre. He later became recognized as one of the most important contributors to the development and pedagogy of conceptual art; his work has been included in many of the genre's formative texts and exhibitions. This illustrated volume takes readers on an eclectic journey through the various strains of Askevold's pioneering practice - sculpture/installation, film and video, photography and photo-text works, and digital imagery. David Askevold moved from Kansas City to Halifax in 1968 to lecture at the Nova Scotia College of Art and Design. During the early 1970s, his famous Projects Class brought such artists as Sol Lewitt, Vito Acconci, John Baldessari, Dan Graham, and Lawrence Weiner to work with his students, focusing critical attention on his adopted city and on his own unorthodox approach to making art. He quickly became on one of the most important conceptual artists practicing in Canada and throughout his career he remained at the vanguard of contemporary practice. David Askevold: Once Upon a Time in the East features essays by celebrated writer-curators Ray Cronin, Peggy Gale, Richard Hertz (author of The Beat and the Buzz), and Irene Tsatsos as well as several of Askevold's contemporaries including Aaron Brewer, Tony Oursler, and Mario Garcia Torres. It accompanies an exhibition that will open at the National Gallery of Canada in October 2011 and will tour thereafter to the Confederation Centre of the Arts in Charlottetown and the Art Gallery of Nova Scotia in Halifax.…

Condition: Fine. 141 Pp. Illustrated throughout Foreword by Ray Cronin. Book done for a travelling exhibition held at The National Gallery of Canada and Confederation Centre Art Gallery and the Art Gallery of Nova Scotia Grey cloth in dust jacket with illustrated end papers.