David Smith Wagner (17 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good-. First American Edition. (xviii) 264 pp. Quarter-bound in blue cloth on lavender boards; lettered in silver on the spine; headband. Edge and corner wear on the dustjacket; price intact; no interior markings. Dj art by Ray Colmer. Illustrated with line drawings by: John Stewart; Andrew Smith; David Lloyd; Dave Carson; Jim Pitts; Randy Broecker; Allen Koszowski; Alan Hunter; Russ Nicholson; Mark Dunn; and Tom Campbell. This anthology contains: The Terminus by Kim Newman; A Place of No Return by Hugh B. Cave; Dreams May Come by H. Warner Munn; The Forbidden by Clive Barker; The Frolic by Thomas Ligotti; Ever the Faith Endures by Manly Wade Wellman; The Last Wolf by Karl Edward Wagner; The Dark Country by Dennis Etchison; Dead to the World by Allen Ashley; The Generation Waltz by Charles L. Grant; Don't Open That Door by Frances Garfield; The Sorcerer's Jewel by Robert Bloch; The Strange Years by Brian Lumley; Red by Richard Christian Matheson; Extension 201 by Cyril Simsa; Tongue in Cheek by Mike Grace; In the X-Ray by Fritz Leiber; The Bad People by Steve Rasnic Tem; The Green Man by Kelvin Jones; and The Voice of the Beach - a novelette by Ramsey Campbell. Size: 8vo. Ray Colmer; John Stewart; Andrew Smith; David Lloyd; Dave Carson; Jim Pitts; Randy Broecker; Allen Koszowski; Alan Hunter; Russ Nicholson; Mark Dunn; Tom Campbell; (illustrator). Book. …

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good-. First American Edition. (xviii) 264 pp. Quarter-bound in blue cloth on lavender boards; lettered in silver on the spine; headband. Edge and corner wear on the dustjacket; price intact; no interior markings. Dj art by Ray Colmer. Illustrated with line drawings by: John Stewart; Andrew Smith; David Lloyd; Dave Carson; Jim Pitts; Randy Broecker; Allen Koszowski; Alan Hunter; Russ Nicholson; Mark Dunn; and Tom Campbell. This anthology contains: The Terminus by Kim Newman; A Place of No Return by Hugh B. Cave; Dreams May Come by H. Warner Munn; The Forbidden by Clive Barker; The Frolic by Thomas Ligotti; Ever the Faith Endures by Manly Wade Wellman; The Last Wolf by Karl Edward Wagner; The Dark Country by Dennis Etchison; Dead to the World by Allen Ashley; The Generation Waltz by Charles L. Grant; Don't Open That Door by Frances Garfield; The Sorcerer's Jewel by Robert Bloch; The Strange Years by Brian Lumley; Red by Richard Christian Matheson; Extension 201 by Cyril Simsa; Tongue in Cheek by Mike Grace; In the X-Ray by Fritz Leiber; The Bad People by Steve Rasnic Tem; The Green Man by Kelvin Jones; and The Voice of the Beach by Ramsey Campbell. Size: 8vo. Ray Colmer; John Stewart; Andrew Smith; David Lloyd; Dave Carson; Jim Pitts; Randy Broecker; Allen Koszowski; Alan Hunter; Russ Nicholson; Mark Dunn; Tom Campbell; (illustrator). Book. …

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. (xviii) 264 pp. Personalized inscription on the title page by the editor, Stephen Jones, to editor/publisher/writer Raymond Alexander: "To Raymond. My first book! Your friend, Stephen Jones." Black boards lettered in gilt on the spine; headband. Lightly rubbed on the corners of the dustjacket; price clipped; aside from the editor's inscription, no interior markings. This includes three dropped-in prints on card stock by Chris Achilleos: Lovers; Red Dragon Challenge; and Black Tears. Dj art by Chris Achilleos; interior line drawings by: John Stewart; Andrew Smith; David Lloyd; Dave Carson; Jim Pitts; Randy Broecker; Allen Koszowski; Alan Hunter; Russ Nicholson; Mark Dunn; and Tom Campbell. This anthology contains: The Terminus by Kim Newman; A Place of No Return by Hugh B. Cave; Dreams May Come by H. Warner Munn; The Forbidden - a novelette by Clive Barker; The Frolic by Thomas Ligotti; Ever the Faith Endures by Manly Wade Wellman; The Last Wolf by Karl Edward Wagner; The Dark Country by Dennis Etchison; Dead to the World by Allen Ashley; The Generation Waltz by Charles L. Grant; Don't Open That Door by Frances Garfield; The Sorcerer's Jewel by Robert Bloch; The Strange Years by Brian Lumley; Red by Richard Christian Matheson; Extension 201 by Cyril Simsa; Tongue in Cheek by Mike Grace; In the X-Ray by Fritz Leiber; The Bad People by Steve Rasnic Tem; The Green Man by Kelvin Jones; and The Voice of the Beach by Ramsey Campbell. Size: 8vo. Chris Achilleos; John Stewart; Andrew Smith; David Lloyd; Dave Carson; Jim Pitts; Randy Broecker; Allen Koszowski; Alan Hunter; Russ Nicholson; Mark Dunn; Tom Campbell; (illustrator). Signed by Editor. Book.…

First Edition. First edition. Hardcover. 175 pages. Exhibition catalog for a show that ran April 3 through July 24, 2011. Foreword by Michael Govwn, Essays by Carol S. Eliel, Christopher Bedford, Alex Potts, and Anne M. Wagner. Includes numerous color and black and white illustrations and an extensive checklist. A near fine copy in illustrated boards with some slight bumping to the spine ends and to the bottom front corner. No dust jacket as issued.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. 149 pages. Richard foreman. Conor Patrick. Peter Abbs. John Gimlette. Richard Hamilton. Michael Holroyd. Edward Lucie-Smith. Patrick Meyer. David Newbold. Sonia Purnell. Will Stone and Anthony Vivis. John Sutherland. Tom Sykes. Gita von Wagner.

Oversized Hardcover. Condition: Good. David Smith welded Studebakers, army tanks, and some of the greatest American sculpture of the twentieth century. His blue-collar worldview influenced both his art and his politics. Today, he is best known for the strongly geometric forms of his Cui series from the 1960. The present volume accompanies the first major thematic exhibition of Smithâs work and reveals the importance of geometry throughout the artistâs oeuvre, from his earliest small-scale sculptures to his last monumental works and including his drawings, paintings, and photographs. The book takes its title from Smithâs days at the Art Students League in New York, where he learned about cubism, constructivism, and progressive social movements â" what Smith called âcubes and anarchy.â Through this prism, readers wee anew the bold ideas and subtle beauty of the sculptorâs work. With illustrations of more than fifty sculptures, along with drawings, paintings, and vintage photographs by David Smith. 176p.…

Condition: Fine. Dust Jacket Condition: Fine. First British edition. A fine first British edition hardcover in a fine dust jacket, no remainder marks, good straight tight bindings. A very nice copy. Chris Achilleos; John Stewart; Andrew Smith; David Lloyd; Dave Carson; Jim Pitts; Randy Broecker; Allen Koszowski; Alan Hunter; Russ Nicholson; Mark Dunn; Tom Campbell; (illustrator). …

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Brand New. reprint edition. 257 pages. 9.25x6.00x0.75 inches. In Stock.

textbook. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback. Condition: Brand New. reprint edition. 257 pages. 9.25x6.00x0.75 inches. In Stock. This item is printed on demand.

[2] pp.; 11 x 21 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard published in conjunction with meeting the artists held at Project Studio One / P.S. 1 on November 25, 1979. Good. Mailed copy mailing marks on recto and verso, otherwise Very Good.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…

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