Deborah C Payne (78 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Acceptable. Acceptable, Reading copy only, with writing/markings, bumps/creasing, and heavy wear. Standard-sized.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

paperback. Condition: As New. Never read, no marks or highlighting in the book. Our copy is paperback showing light shelf-wear.

Soft cover. Condition: read description. 80 pages. Creasing to 3 cm long and 1 cm. depth along inner top edge of front cover and also slightly visible on first few pages damaged/tear - noticeable but superficial damage otherwise a clean slim booklet in soft card covers. The Reformation. A Comedy (1673 - Joseph Arrowsmith) The Augustan Reprint Society Pub. No.237-238.…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780820317519. …

Stapled wraps. Condition: Very Good. First Edition. Very Good gray stapled wraps with a quarter inch burn mark to the back cover. 63 pages, unmarked. Mona Simpson, Claire Baker, Robin Goodfellow, Ellyn Hament, Harry Manson, P. B. Hegal, Jean Hodges, Gretchen Holbert, Dane E. Lacy, F. Nge, Daniel C. Payne, Carol Percy, Paul Ramont, Barbara Warren, Deborah Willis, Catherine Cleeves Diamond, Robert Jesse Cohen, Diana Heyer, Cynthia Robinson, Marcia Ward, Michael Winks. ; EBD01 E5E; 8vo 8" - 9" tall; 63 pages. …

Paperback. Condition: New. Co-authored by the resident dramaturg at Shakespeare Theatre Company and a long-time scholarly consultant, this book chronicles how a small repertory troupe at the Folger Theatre on Capitol Hill became an internationally renowned company performing in a lavish, multi-venue performing arts centre in downtown Washington, D.C. The artistic vision and business acumen of Michael Kahn, the founding Artistic Director, largely catalyzed this transformation, but so too did the forces of neoliberalism and, more recently, globalization and new media. Accordingly, Shakespeare in the Theatre: Shakespeare Theatre Company not only examines directorial decision-making but also 3 decades of social and economic change in the nation's capital, from the complexities of gentrification to the arts policies of successive administrations. In addition to discussions of directorial practice, this book examines the ambivalence of American theatre artists toward their British cultural inheritance. Analyses of representative productions and interviews with Kahn and his British successor, Simon Godwin, illuminate this complex relationship: one that aspires to a cosmopolitan Anglophilia while positioning classically trained American actors as worthy rivals to their counterparts at the RSC and the National Theatre of Great Britain.…

Condition: New.

Paperback. Condition: new. Paperback. Co-authored by the resident dramaturg at Shakespeare Theatre Company and a long-time scholarly consultant, this book chronicles how a small repertory troupe at the Folger Theatre on Capitol Hill became an internationally renowned company performing in a lavish, multi-venue performing arts centre in downtown Washington, D.C. The artistic vision and business acumen of Michael Kahn, the founding Artistic Director, largely catalyzed this transformation, but so too did the forces of neoliberalism and, more recently, globalization and new media. Accordingly, Shakespeare in the Theatre: Shakespeare Theatre Company not only examines directorial decision-making but also 3 decades of social and economic change in the nations capital, from the complexities of gentrification to the arts policies of successive administrations. In addition to discussions of directorial practice, this book examines the ambivalence of American theatre artists toward their British cultural inheritance. Analyses of representative productions and interviews with Kahn and his British successor, Simon Godwin, illuminate this complex relationship: one that aspires to a cosmopolitan Anglophilia while positioning classically trained American actors as worthy rivals to their counterparts at the RSC and the National Theatre of Great Britain. This behind-the-scenes account analyzes the evolution of the premier classical theatre company in the U.S. against the changing social and economic landscape of Washington, D.C. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: new.

Hardcover. Condition: Very good. First Edition. Inscribed by the editor on the front flyleaf. "This collection of essays centres on Double Falsehood, Lewis Theobald's 1727 adaptation of the 'lost' play of Cardenio, possibly co-authored by John Fletcher and William Shakespeare." Octavo. Original printed boards; issued without a dust jacket. Minor production error to the front board, which appears to be slightly taller than the rear; else crisp and clean.…

Condition: New.

Condition: New.

Condition: New. pp. 280.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 272 pages. 7.80x5.08x1.00 inches. In Stock.

Soft cover. Condition: New.

Condition: New. pp. 280.

Condition: New.

Condition: New. pp. 280.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Condition: New.

Paperback. Condition: new. Paperback. Co-authored by the resident dramaturg at Shakespeare Theatre Company and a long-time scholarly consultant, this book chronicles how a small repertory troupe at the Folger Theatre on Capitol Hill became an internationally renowned company performing in a lavish, multi-venue performing arts centre in downtown Washington, D.C. The artistic vision and business acumen of Michael Kahn, the founding Artistic Director, largely catalyzed this transformation, but so too did the forces of neoliberalism and, more recently, globalization and new media. Accordingly, Shakespeare in the Theatre: Shakespeare Theatre Company not only examines directorial decision-making but also 3 decades of social and economic change in the nations capital, from the complexities of gentrification to the arts policies of successive administrations. In addition to discussions of directorial practice, this book examines the ambivalence of American theatre artists toward their British cultural inheritance. Analyses of representative productions and interviews with Kahn and his British successor, Simon Godwin, illuminate this complex relationship: one that aspires to a cosmopolitan Anglophilia while positioning classically trained American actors as worthy rivals to their counterparts at the RSC and the National Theatre of Great Britain. This behind-the-scenes account analyzes the evolution of the premier classical theatre company in the U.S. against the changing social and economic landscape of Washington, D.C. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Paperback. Condition: new. Paperback. Co-authored by the resident dramaturg at Shakespeare Theatre Company and a long-time scholarly consultant, this book chronicles how a small repertory troupe at the Folger Theatre on Capitol Hill became an internationally renowned company performing in a lavish, multi-venue performing arts centre in downtown Washington, D.C. The artistic vision and business acumen of Michael Kahn, the founding Artistic Director, largely catalyzed this transformation, but so too did the forces of neoliberalism and, more recently, globalization and new media. Accordingly, Shakespeare in the Theatre: Shakespeare Theatre Company not only examines directorial decision-making but also 3 decades of social and economic change in the nations capital, from the complexities of gentrification to the arts policies of successive administrations. In addition to discussions of directorial practice, this book examines the ambivalence of American theatre artists toward their British cultural inheritance. Analyses of representative productions and interviews with Kahn and his British successor, Simon Godwin, illuminate this complex relationship: one that aspires to a cosmopolitan Anglophilia while positioning classically trained American actors as worthy rivals to their counterparts at the RSC and the National Theatre of Great Britain. This behind-the-scenes account analyzes the evolution of the premier classical theatre company in the U.S. against the changing social and economic landscape of Washington, D.C. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Condition: New. 2018. Paperback. . . . . .

Condition: New. In English.