Derriey (29 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. b/w Illustration (illustrator). First Edition. Size: 4to - over 9¾" - 12" tall. Book.

Condition: New. Brand New.

PB. Condition: very good, wraps (softcover). B&W illustrations (illustrator). 113pp ISBN 0486253228 A selection of plates from SPECIMEN-ALBUM, a portfolio originally published by the Gravure et Fonderie de Charles Derriey, Paris, 1862.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: F/ F/ND. y First Edition. SOFTBACK SHIPPED FROM THE UK.* Edition: 1st. Thus.* Date of Publication: 1987 (1862)* Publisher: Dover Publications.* Binding and cover condition: Soft decorative card covers. No bumps or rubs. Minimal shelf wear to edges & corners. No creases to spine or hinge. FINE* Contents condition: PRIVATE COPY NOT EX-LIBRARY. Clean, crisp, tight & bright. No Annotations or Inscriptions, no visible faults. FINE* Illustrations: 2,583 b/w, line drawings & figures in 113 plates.* Pages: 113 pp. text.* Product Description:- In the mid-19th century, type-founders plied their trade with an extraordinary exuberance, creating a new and dazzling range of type faces and ornamentation that in sheer versatility, ornate beauty and sumptuousness remain unsurpassed. Today, as never before, their work is sought by artists, designers and crafts people for its elegance, expressiveness and ability to command attention. This unique volume contains the work of one of the most celebrated type founders of that glorious era in type design: Charles Derriey, who from his Parisian foundry, fed the Victorians insatiable appetite for decoration and embellishment with a truly fabulous assortment of display types and printers ornaments.* This is a FINE copy with minimal shelf wear.* 1987-01-01. n.

Paperback. Condition: As New. 113p. A large softcover book in fine condition. From the DOVER PICTORIAL ARCHIVES SERIES. Measures approx. 12.25" x 9.25".

Paperback. Condition: Brand New. 2revised ed edition. 144 pages. 12.25x9.50x0.50 inches. In Stock.

paperback. Condition: Good.

Condition: Bueno. rich Sourcebook Of Intricate Victorian Typefaces And Printers Ornamentations & 8212 All Copyright-free.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: Buone. inglese Condizioni dell'esterno: Discrete con difetti, segni d'uso bruniture Condizioni dell'interno: Discrete con Difetti, bruniture.

Condition: Very Good. Publisher's original illustrated card wrap covers [softback]. 4to 12'' x 9½''. Contains 113 printed pages of designs. Light dust marking to the closed page edges, rubs to the cover edges and in Very Good clean condition, no dust wrapper as published. Member of the P.B.F.A. ISBN 0486253228 GRAPHIC DESIGN (Visual Arts).

Hardcover. Condition: Good. No Jacket. 1st Edition. Hardbound, no Dust Jacket. 1st Edition. Exceptionally rare specimen album by "The Raphael of Printers" Charles Derriey. Textured cloth boards show wear, with some bumping and loss to corners and spine edges and abrasions to covers. Hinges are soft but holding well. Binding is sound. Some interior pages show very minor foxing in margins. Interior is otherwise clean and plates are beautiful. VERY RARE!! [ Heavy - Please contact for overseas shipping quote ].

Soft cover. Condition: New. Facsimile reprint. 49 colour plates and 117 pages of black & white illustrations. A 19th century decorative source book for designers. Examples of fonts, border swags and general presentation for printed cards, books, menus, letterheadings, the ephemera of the day. A goldmine of ideas!!! Ref-210.

Derriey, Charles (1808-77). Specimen-album. [4, including price list], 185, [11]ff., ff. 1-185 printed on rectos only; ff. 107 and 130-134 omitted from the foliation as noted in the Table of Contents; leaf following f. 50 numbered "50-50." 37 leaves printed in color. Paris: Charles Derriey, 1862. 391 x 301 mm. Original publisher's binding of full dark blue morocco gilt elaborately decorated with type ornaments created by Derriey, inner gilt dentelles, all edges gilt; boxed. Small scuff on front cover, slight wear at hinges, front inner hinge cracking, but very good to fine. First Edition. Charles Derriey was one of France's most celebrated type founders of the nineteenth century, responsible for many developments in printing machinery. In 1862 he issued his Specimen-Album for distribution at the International Exhibition in London; deservedly famous, the book is a magnificent example of Derriey's type and ornament specimens, with numerous examples of his exceptional color work. "This is one of the most beautiful works ever issued from the French, or, indeed, any other press . . . The album was prepared for distribution at the International Exhibition of London in 1862, at which it was afterwards honoured with a prize medal" (Bigmore & Wyman, Bibliography of Printing I, p. 63). Of particular note are the color printed plates-of the 183 leaves, 37 are printed in three to eight colors and they are magnificent. "The precision of casting and fitting together of the ornaments when combined with incredible press work and register of the colors, silver and gold, is truly impressive" (J. Burke, Typographia, p. 520). The dark blue full morocco binding, decorated with type ornaments designed and created by Derriey, is one of the most remarkable bindings of the 19th century because of the exquisite subtlety of the Derriey designs stamped into the covers. The book opens with a three-page price list and table of contents, printed by Jules Claye on a single folded sheet. The remainder of the book, including all the black & white and color specimens, appears to have been printed by Paul Dupont, as "Imprimerie Paul Dupont" appears in tiny type at the foot of most of color specimens. The table of contents states the number of runs through the press required for each leaf; some of the color plates required eight runs. Maintaining the precise registration required for the superfine detail of these specimens, and the mixing all the subtle colors, would have been the greatest challenge for any printer. .

Hardcover. Condition: Very Good. Folio, a masterpiece of 19th century printing and type design, better than very good.(bysideclst).

Das in der eleganten Rue du Faubourg Saint-Honoré ansässige Designstudio Lizzie Derriey entwarf seit seiner Gründung 1928 bis in die 1990er Jahre hinein markante Muster für Stoffe sowohl für die großen Modehäuser wie Jean Patou, Givenchy, Oscar de la Renta und Yves Saint Laurent als auch für den Interior-Bereich. "Dans le domaine de l`ameublement, part belle est faite aux créatrices: Paule Marrot, Primerose Bordier, Lizzie Derriey sont autant de personnalités et d`autres femmes vont marquer le monde de la décoration et de la création textile. (Artikel `Le Textile au Féminin`, In intima magazine, 2016). Im Rahmen einer Ausstellung von Entwürfen aus dem Atelier Derriey, die 2011 im Luxus-Kaufhaus Liberty in London stattfand, wurde eine ehemalige Mitarbeiterin des Ateliers interviewt und sie erklärte, wie die Entwürfe entstanden und wie sie verkauft wurden: "The creation of the design was all done by hand using basic materials - paper, gouache, sable brushes. Before designers began exhibiting at large design fairs like Indigo and Surtex, and the designer halls at Heimtex, most designs were sold from the showrooms of the design studios. Therefore the buyers and clients would generally visit all these studios by appointment. They would have special design buying trips planned in their schedule at various times of the year, pounding the streets of Paris, Como, etc. Studios would also send out their Sales people to also pound the streets with their weighty portfolios and sometimes hope to sell a design or collection. In the old days the studio had very strict rules regarding the exposure of designers to clients. The European studios, especially the French ones, were quite obsessed about this. If they had a good designer who`s designs were selling well, they did everything in their power to keep them under wraps." (zitiert nach: Pattern People, 3. Juni 2011). Die vorliegende Sammlung von 30 Originalentwürfen zeigt die für das Atelier typischen floralen Muster, die teils durch mutige Farbkombinationen, teils durch ins Ornamentale weisende Abstraktionen oder Zitate aus der Flower-Power-Ästhetik ganz modern und lebendig wirken. Bis auf einen Entwurf in Bleistift und zwei nur ankolorierte Blätter sind alle Entwürfe minutiös ausgearbeitet und zeugen von der beeindruckenden Professionalität und Kreativität dieses in der Öffentlichkeit kaum bekannten Studios. - Zustand: Die Muster alle tadellos erhalten, die breiten weißen Ränder vereinzelt etwas fingerfleckig, am unteren rechten Rand handschriftliche Inventarnummern. Sprache: Französisch Gewicht in Gramm: 5000 In einer schönen, neueren Kassette, Groß-Folio.

No Binding. Condition: Good. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18 cm some wear and tear due to the disbinding.

No Binding. Condition: Good. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18 cm some wear and tear due to the disbinding.

[4]pp (price list and index, printed recto and verso on 2 leaves) and 182 (of 183?) plates, (printed recto only, approx. 50 in one, two, three or more colors, the color plates printed by Imprimerie Paul Dupont). With a large printed trade card or separate specimen, laid in. Folio. Type and ornament designer and typefounder Charles Derriey (1808-1877) issued this elaborate trade catalogue to coincide with the International Exhibition in London. The work is composed of the following sections: vignetes, ornate letters, pen flourishes, swashed and shaded cartouches, filets, rulings, music types, and finally the Specimen-Album itself: examples of trade cards, bill and letterheads, certificates, etc., all printed using the decorative materials and motifs in the preceeding samples. "One of the most beautiful works ever issued from the French, or, indeed any other press" (Bigmore & Wyman, Bibliography of Printing, p. 163). "This is one of the most colorful and elaborate type specimen books of all time. The precision of casting and fitting together of the ornaments when combined with incredible press work and register of the colors, silver and gold is truly impressive" (Burke, Typographia 520). The tools used to decorate the spine were designed by Derriey. Jammes 127; Burke, Typographia 520; Bigmore & Wyman, Bibliography of Printing, p. 163; Gray, 19th cent. ornamented typefaces, p. 146; St. Bride Foundation Catalogue, p. 245 Contemporary morocco-backed pebbled cloth boards, spine gilt, minor staining to rear cover, silk moire endpapers, gilt edges. Bookplate on front pastedown [4]pp (price list and index, printed recto and verso on 2 leaves) and 182 (of 183?) plates, (printed recto only, approx. 50 in one, two, three or more colors, the color plates printed by Imprimerie Paul Dupont). With a large printed trade card or separate specimen, laid in. Folio.