Destampes (63 results)

Condition: Como nuevo. : Este libro, 'La Franc-Maçonnerie Et la Révolution', es una reproducción de una obra histórica importante de Louis d'Estampes. Publicado por Forgotten Books, este texto ha sido restaurado digitalmente a partir de una edición histórica, conservando el formato original y reparando imperfecciones. En casos excepcionales, alguna imperfección original puede persistir debido al valor histórico de la obra. El libro explora la relación entre la masonería y la revolución, ofreciendo una perspectiva histórica valiosa para aquellos interesados en estos temas. EAN: 9781332384174 Tipo: Libros Categoría: Historia Título: La Franc-Maçonnerie Et la Révolution Autor: Louis d'Estampes Editorial: Forgotten Books Idioma: fr Páginas: 560 Formato: tapa blanda.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Good. 1st Edition. 3 pages, 30 loose plates in a worn paper portfolio : 38 cm.

343pp. Prof. illus. Sm. sq. 4to. Wraps. Exhibition also shown at the Musée Carnavalet, Paris, Sept.-Nov. 1983.

Hardcover. Condition: Good. Light wear to boards. Content is aged toned. Weak hinges. No DJ.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Séguin frères 1884 dos du livre avec usures il manque le dos de la couverture et petite déchirure restaurée sur les trois premières pages.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Couverture souple. Condition: bon. R110024979: 25 NOV 1871. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 545 à 560. Lecture en colonnes. Illustrée de quelques gravures en noir et blanc. . . . Classification Dewey : 70.4413-Magasin pittoresque, universel et mosaïque.

Softcover. Folio, 37,5 x 27,5 cm. Dossier à ailes original en carton, dans la couverture illustrée originale, solidement fixée au dos, légèrement endommagée sur les bords et poussiéreuse. Ci-joint : 4 feuillets, dont 6 pages avec une préface imprimée / 30 planches monochromes, chacune sous-titrée. Propre, bon état général. - Veuillez également noter nos photos ! --- Originale Flügelmappe aus Karton, im originalen illustrierten Umschlag, dieser ist am Rücken fest montiert, etwas randlädiert und angestaubt. Inliegend: 4 Blatt, davon 6 Seiten mit Vorwort bedruckt / 30 einfarbige Tafeln, jeweils untertitelt. Sauberer, guter Gesamtzustand. - Bitte beachten Sie auch unsere Fotos ! -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K02304Y.

Paperback. Condition: Brand New. 464 pages. French language. 9.21x6.14x1.05 inches. In Stock.

Paperback. Condition: New. Print on Demand. This book explores the historical phenomenon of the Revolution, defined as the persistent struggle against established orders that began in the mid-18th century. The author demonstrates how the Revolution, whether manifested in religious, political, or social upheavals, has taken many forms yet remains a singular force. Through a comprehensive examination of primary source material, the book traces the roots of the Revolution and its impact on society. The author argues that it is a distinct and unprecedented event in human history and presents a profound analysis of the complex changes, challenges, and ideas it has brought about. The book provides valuable insights into the origins and nature of the Revolution, making it essential reading for anyone seeking to understand this pivotal era in human history. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Saint-Brieuc Imprimerie-lithographie de Prud'home - 1875 - In-8 - Broché - XXXIX & Pages Livres.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 562 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Couverture rigide. 650 reproductions par la photogravure sur cuivre, de vignettes, d'estampes et de tableaux de l'époque. (illustrator). Livre en français. 650 reproductions par la photogravure sur cuivre, de vignettes, d'estampes et de tableaux de l'époque. Reliure demi-maroquin à coins. 804 pages. à corriger. Livre.

rilegatura. Condition: Good. I ed. (1925-7) dell'opera in 4 volumi in-8^ piccolo rilegati in mezza tela (dorso ed angoli rifiniti in tela ocra e piatti rifiniti in carta marmorizzata rosso scuro/beige/grigio. Titoli dorati al dorso) e con il taglio superiore delle pagine rosso scuro. Testi in italiano/francese. Incisioni in nero protette da carta velina. " (.) Giovanni Zecchi, negoziante di stampe in Bologna, crede far cosa grata ed utile agli stranieri ed ai nostri collo stampare una collezione de' disegni di tutti i monumenti sepolcrali del Cimitero Comunale incisi in rame a chiaro scuro, e di grandezza tascabile. / Ogni mese sortirà un fascicolo che conterrà quattro disegni, ad ognuno de' quali sarà annessa la iscrizione lapidaria ed una compendiosa memoria del defunto cui il monumento appartiene (.)"/ "(.) Jena Zecchi, merchand d'estampes à Bologne, persuadé de faire une chose agréable et utile aux Etrangers, et surtout aux Bolonais, leur offre une collection des dessins de tous lestombeaux du cimitière, gravés au burin, ombré, d'une dimension portative / Il en sortira tous les mois une livraison qui contiendra quatre dessins, y compris l''inscription lapidaire, et une noctice très succinte sur les personnages morts dont il sera fait mention (.)" (Avvertimento, p. 10/ Avertissement, p. 11). stato dell'opera nel complesso buona (pagine con qualche fioritura). Vol. I, 1925: pp. (12)+tavole 1-40+(46); Vol. II, 1925: pp. (8)+tavole 41-80+(46); Vol. III, 1927: pp. (8)+tavole 81-120+(50); Vol. IV, 1927: pp. (8)+tavole 121-160+(50). Book.

Couverture rigide. Condition: Très bon. Normal 0 21 false false false FR X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tableau Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} First edition and first issue of one of the most famous costumes and historical portraits collections of the 18th century. Colas, 250; Lipperheide 38; Brunet, II, 862; Vinet, 2104. It is one of the most precious since the beginning of printing since the sole portrait of "Marie-Antoinette en costume de cour, d'après Touzé, s'est vendu seul 265 F or, vente Behague (Marie-Antoinette in her court costume was sold alone for 265 gold F at the Behague sale)" (Cohen, I, 334). Yet a book of bibliophily was sold then from 10 Gold Fr. Precious copy of this sumptuous work (published in 44 parts of 6 plates each) here in the luxury issue with the rare portrait of Marie-Antoinette after Touzé. All the plates have been watercoloured at the time (one of them bears the autograph signature of Duflos on the back). "Only a small number of copies have been printed colored and with the plate framed with gilt fillets" (Bulletin Morgand et Fatout, n°8154). Among the characters represented we can see for example Louis XVI, Marie-Antoinette, Mehmed II, Henry VIII, Christina of Sweden, dignitaries such as the Mufti, the Persian High Priest, the Tartar Lama, the Great Lama, the Brahman, the Grand Vizier, the Emir Pasha, Tchorbadgi, Boluch-Bassi, Oliver Cromwell, a Japanese Shogun, a Hindustan lady, a Patagon, a Caribbean woman, Alkmey (King of Guinea), an Indian nobleman from the nation of Ottawa, a woman from Kamchatka, a woman from Congo, Samba Pango (King of Loango). Cohen, describes a complete copy with, as here, the title, the dedication to King Louis XVI and the Notice to the reader. Colas also mentions a second title-page, a notice to nobility and 17 ll. of text that we almost never see. The number of engravings varies from one copy to another. The most complete ones or those completed contain 264 engravings. Cohen and Colas do not mention any copy in this condition. Cohen only mentions "a beautiful copy bound in red morocco containing such as this one, a title, a dedication to the king and a notice to the reader, followed with 240 engravings; Colas describes the Bethmann copy with 254 plates and the Jonghe's one with 258 plates, but the latter in modern binding was missing the title-page. The copy is complete with the engraving representing Marie-Antoinette, "which is traded at premium price." The interest of this book lies in the fact that it depicts many famous characters from the arts, literature and from the political world in France and England. Copies not comprising the portrait of Marie?Antoinette are depreciated. "Very beautiful and rare work on costumes from all over the world by all kinds of people, including militaries, artists and kings i.a. Peter the Great, joan of Arc, René Descartes, but also rulers from America, China, Congo, etc. i.a. "Timur-Bek ou le grand Tamerlan, empereur du Mogol", "Mani-Monbada, reine de Congo", "DonAlvare, roy de Congo", "Cunne shote, chef des Chiroquois" etc"." Beautiful copy in contemporary coloring, each frame highlighted with gold, printed on large-paper, preserved in its contemporary binding.

Hardcover. Condition: Good. A COLLECTION OF RELIGIOUS COMMENTARY AND EARLY POLITICAL SATIRE 4to., three volumes in one. 1): pp. (4), 192; 2): 32 leaves; 3): FIRST EDITION: pp. 26, (2). Roman and Italic letter; printer's device on title, some decorated initials and head-pieces in 1) and 3); tiny marginal worm trails, a few leaves aged browned, light damp stain on upper corner on first half, title of 1) a bit soiled. A little age yellowing, a good copy in contemporary vellum, title gilt on morocco label to spine; slightly rubbed and stained, chipped lower corners; seventeenth-century manuscript shelf mark on front pastedown, early manuscript price and collation notes in English on front endpaper. An interesting collection of controversial treatises on early seventeenth-century religion and politics, two of which bear a false imprint to elude censorship. The opening work is the first and only Italian edition of an influential Stuart treatise on the situation of religion in Europe. An able politician and pioneering investor in North America, Edwin Sandys (1561-1629) completed his studies in Oxford, befriending his tutor Richard Hooker. Later, he travelled in Europe and in Venice wrote this anti-Catholic report with the help of the Venetian scholar Paolo Sarpi. The Relation was first published in 1605 against the author's will and then expanded until 1637. This remarkably early Italian translation is variously attributed to the pen of Sarpi or Giovanni Diodati the famous Calvinist pastor and scholar of the Bible and was almost certainly printed in Geneva (where a community of Italian immigrants, religionis causa, was settled). According to a recent reattribution, the translator may well have been William Bedell (1571-1642), chaplain to the English ambassador in Venice Sir Henry Wooton and later translator of the Bible into Irish. Although the peculiar printer's device on title shows a dolphin twisting around an anchor like the famous Aldine device, the Latin motto is incorrectly 'Festina tarde' instead of 'Festina lente'. The second work is a very early edition of a mordant political parody, printed several times in the course of 1615 and later on in the century under a fictitious printing place such as 'Cormopoli' or 'Cosmopoli'. This covering stratagem was necessary since the book ridiculed, alongside other European rulers, the king of Spain and the German Emperor. Traiano Boccalini (1556-1613) was a famous satirical author, whose most successful and entertaining work was Ragguagli di Parnaso. Pretending to be the official reporter of a divine parliament chaired by Apollo on Mount Parnassus, Boccalini fearlessly mocked the contemporary society and politics. The Pietra del paragone politico, published posthumously, was in fact a continuation of the Ragguagli. On leaf Bivr, one can find a witty account of Thomas More enquiring of Apollo as to the end of all heresies. The volume ends with a booklet printed by Antoine Estienne, scion of the renowned dynasty of French printers. Written by the Bishop of Chartes, Léonore D'Estampes (1589-1651), it is a defence of the unscrupulous expansionistic policy undertaken by Cardinal Richelieu and King Louis XIII in the Thirty Years' War, replying promptly to the pamphlet of the Jesuit scholar Jakob Keller entitled Ad Ludovicum XIII Regem admonitio. A counterfeited octavo edition with Estienne's name and device was published by Robert Young in London also in 1625. 1) BM STC It. 17th, 816; Brunet, V, 123; Graesse, VI, 263; Melzi, Opere anonime e pseudonime, II, 425. 2) BM STC It. 17th, 118; Brunet, I, 1019; Graesse, I, 457; L. Firpo, 'Le edizioni italiane della Pietra del paragone politico di Traiano Boccalini', Atti della Accademia delle Scienze di Torino, LXXXVI, 1951-52, n. 17. 3) Not in Gibson, Brunet or Graesse. Renouard, 216:1. Italian, Latin.

Couverture souple. Condition: Très bon. Edition originale. In-folio [44,5 x 31 cm] ; 1 page de faux-titre-1 page de grand titre-1 f. non ch. [table des gravures]-14 eaux-fortes hors texte, broché d'époque,dos fendu, couverture orange imprimée titre noir, bon exemplaire. Édition originale rare. Manque à Playfair et Tailliart. Envoi manuscrit signé sur la page de garde « Hommage affectueux de l'auteur à mon ami Edouard Simouneau ». Joli recueil de vues de l'oasis de Biskra, exécuté par l'artiste Couneau, aquatintiste de la seconde moitié du XIXe siècle.[Couneau (E.)]. RECUEIL D'ESTAMPES TRÈS RARE ÉDITÉ HORS COMMERCE AVEC UN ENVOI MANUSCRIT DE L'AUTEUR. FIRST EDITION. COMPLET.VERY SCARCE. Signé par l'auteur.

Condition: en bon état. Paris Begat 1820 une gravure en couleurs, sur papier vergé crème, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE à la main, FORMAT: 30,5 x 45 cm., sans date (1820) Paris Begat Editeur, en bon état imagerie sentimentale et vertueuse sous l'Empire et la Restauration . RARE. en bon état (good condition).

Condition: en bon état. Paris Cereghetti 1820 une gravure en couleurs, sur papier vergé crème, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE à la main, FORMAT: 30,5 x 45 cm., sans date (1820) Paris AGUSTONI Editeur, en bon état imagerie sentimentale et vertueuse sous l'Empire et la Restauration . RARE. en bon état (good condition).

Condition: en bon état. Paris Cereghetti 1820 une gravure en couleurs, sur papier vergé crème, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE à la main, FORMAT: 30,5 x 45 cm., sans date (1820) Paris Cereghetti Editeur, en bon état imagerie sentimentale et vertueuse sous l'Empire et la Restauration . RARE. en bon état (good condition).

Condition: en bon état. Paris Cereghetti 1820 une gravure en couleurs, sur papier vergé crème, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE à la main, FORMAT: 30,5 x 45 cm., sans date (1820) Paris Cereghetti Editeur, en bon état imagerie sentimentale et vertueuse sous l'Empire et la Restauration . RARE. en bon état (good condition).

Condition: en bon état. Paris Cereghetti 1820 une gravure en couleurs, sur papier vergé crème, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE à la main, FORMAT: 30,5 x 45 cm., sans date (1820) Paris Cereghetti Editeur, en bon état imagerie sentimentale et vertueuse sous l'Empire et la Restauration . RARE. en bon état (good condition).

Condition: en bon état. Paris Cereghetti 1820 une gravure en couleurs, sur papier vergé crème, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE à la main, FORMAT: 30,5 x 45 cm., sans date (1820) Paris AGUSTONI Editeur, en bon état imagerie sentimentale et vertueuse sous l'Empire et la Restauration . RARE. en bon état (good condition).

Condition: en bon état. Paris Chéreau, Jacques-Simon fils (veuve) marchand d'estampes 1800 une vue d'optique en couleurs, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE SUR PAPIER DE FORMAT: 34,5 x 51 cm., 1800 Paris chez Chéreau, Jacques-Simon fils (veuve) Editeur, en bon état Les vues d'optiques sont un type particulier d'estampes populaires publiées en Europe au XVIIIe siècle. Ces estampes étaient une forme de divertissement destinée à être vue à travers des appareils appelés « machines optiques », « optiques », « zograscopes ». Ces estampes étaient exposées par des forains ambulants dans les rues de toute l'Europe et étaient également collectionnées par les professionnels et les classes supérieures qui possédaient des machines optiques chez eux. Il y avait une grande curiosité pour l'apparence des villes européennes non visitées et des lieux exotiques aux confins du globe, et ces estampes étaient l'un des seuls moyens pour le grand public d'avoir un aperçu du monde. Les machines optiques utilisées pour ces gravures étaient équipées d'une lentille qui améliorait pour les spectateurs le grossissement et la perception de la profondeur tridimensionnelle des scènes représentées. Un miroir était souvent utilisé pour que les gravures en perspective puissent être vues à plat, et dans ces cas, les images étaient vues à l'envers. Il n'est donc pas rare que les scènes représentées soient dessinées à l'envers, et il y a souvent aussi un titre imprimé à l'envers en haut, permettant aux spectateurs de le lire rapidement. Il y avait généralement un texte supplémentaire au bas des gravures, souvent en plusieurs langues, qui pouvait être lu par l'opérateur de l'optique au bénéfice de son public . rare gravure . en bon état (good condition).

Paris, Chambre Syndicale, 1935, format in-8°, 136 pp dont ca. 50 de publicité. Broché, couverture souple d'origine (légèrement pouss. et petite restoration au dos avec ruban adhésif, sinon bon exemplaire.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1779 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 10 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 10.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1744 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 10 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 10.