Devèria Achille (140 results)

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Pas de couverture. Condition: Très bon. Gravure ancienne en couleur,format 24 x 32 cm avec les marges,vers 1930,très bon état,pas de rousseurs et sur beau papier.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: D'occasion - Très bon état. Livre en très bon état général, envoi rapide et soigné en suivi. C2.

Loose Leaf. Condition: New. Reproduction. Original title: Self-Portrait German: Selbstporträt French: Autoportrait Spanish: Autorretrato High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (c. 1835). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: James Parry German: James Parry French: James Parry Spanish: James Parry High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (1828). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Woman colors a picture German: Frau färbt ein Bild French: La femme colore une image Spanish: La mujer colorea una imagen High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1830). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Mercy of the collector German: Barmherzigkeit des Sammlers French: Miséricorde du collectionneur Spanish: Misericordia del coleccionista High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1835). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of Maria Ruthven German: Porträt von Maria Ruthven French: Portrait de Maria Ruthven Spanish: Retrato de María Ruthven High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1832). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Young woman pulls brodequin out German: Junge Frau zieht Brodequin aus French: Une jeune femme sort brodequin Spanish: Mujer joven saca brodequin High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1831). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Young woman in her underdress German: Junge Frau in ihrem Unterkleid French: Jeune femme sous-vêtue Spanish: Mujer joven en su ropa interior High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1831). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. x, 396 pp., [8] pp. of plates : illustrated ; 25 cm. ; LCCN: 88-21919 ; OCLC: 18191403 ; grey and mauve cloth with silver lettering, in pictorial dustjacket ; 1st ed., 1st printing ; crease to back dustjacket flap ; VG/VG. Book.

Soft cover. Condition: Very Good. This catalog entry features a 1985 publication from the Musee Renan-Scheffer, focusing on Achille Deveria, a notable figure in Parisian Romanticism during the early 19th century. The book provides a detailed overview of Deveria's contributions to the artistic scene of his time, with illustrations and scholarly commentary. The publication is a hardcover edition, offering durable binding and clear print quality. From the Library of John Russell Taylor.

No Binding. Condition: Good. First Edition. 33.8 X 23.8 Cm. Dampstaining In Upper Right Corner, Small Intrusion Into The Printed Area. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Nicolas Lemercier (1797-1859) Was Known As A Printmaker, Painter And Draughtsman. He Was A Pupil Of Regnault And Lethière. Achille Jacques-Jean-Marie Devéria (1800 - 1857) Was A French Painter And Lithographer Known For His Portraits Of Famous Writers And Artists. Devéria Became A Student Of Anne-Louis Girodet-Trioson And Louis Lafitte. In 1822, He Began Exhibiting At The Paris Salon. At Some Point, He Opened An Art School Together With His Brother Eugène, Who Was Also A Painter. By 1830 Devéria Had Become A Successful Illustrator And Had Published Many Lithographs In The Form Of Notebooks And Albums (E.G., His Illustrations To Goethe's Faust, 1828) And Romantic Novels. He Also Produced Many Engravings Of Libertine Contents. Devéria's Experience In The Art Of The Vignette And Mezzotint Influenced His Numerous Lithographs, Most Of Which Were Issued By His Father-In-Law, Charles-Etienne Motte (1785-1836). Most Of His Work Consisted Of "Pseudo-Historical, Pious, Sentimental Or Erotic Scenes". (Wright) Since He Rarely Depicted Tragic Or Grave Themes, He Appears Less Romantic Than Many Other Artists Of The Time. His Paintings Were Mainly Done Using Watercolours. The French Poet And Critic Charles Baudelaire Referred To His Portrait Series As Showing "All The Morals And Aesthetics Of The Age". Devéria Was Also Known For Doing Portraits Of Artists And Writers, Whom He Entertained In His Paris Studio On Rue De L'ouest. The List Of His Sitters Includes Alexandre Dumas, Prosper Mérimée, Sir Walter Scott, Jacques-Louis David, Alfred De Musset, Charles Augustin Sainte-Beuve, Honoré De Balzac, Théodore Géricault, Victor Hugo, Marie Dorval, Alphonse De Lamartine, Alfred De Vigny, Jane Stirling, And Franz Liszt. In 1849 Devéria Was Appointed Director Of The Bibliothèque Nationale's Department Of Engravings And Assistant Curator Of The Louvre's Egyptian Department. In The Following Years, He Taught Drawing And Lithography To His Son, Théodule Devéria, And Both Worked On A Family Portrait Album From 1853 Until His Death. They Applied Ink Wash To Several Of The Portraits In The Album, Possibly In Preparation For Printing Lithographs From The Photographs. The Album Photographs By Théodule Devéria Are Dated 1854. Devéria Spent His Last Days Traveling In Egypt, Making Drawings And Transcribing Texts.

Condition: New.

No Binding. Condition: Good. First Edition. 34.7 X 27.8 Cm. Dampstaining In Lower Right Corner, Outside The Printed Area. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Nicolas Lemercier (1797-1859) Was Known As A Printmaker, Painter And Draughtsman. He Was A Pupil Of Regnault And Lethière. Achille Jacques-Jean-Marie Devéria (1800 - 1857) Was A French Painter And Lithographer Known For His Portraits Of Famous Writers And Artists. Devéria Became A Student Of Anne-Louis Girodet-Trioson And Louis Lafitte. In 1822, He Began Exhibiting At The Paris Salon. At Some Point, He Opened An Art School Together With His Brother Eugène, Who Was Also A Painter. By 1830 Devéria Had Become A Successful Illustrator And Had Published Many Lithographs In The Form Of Notebooks And Albums (E.G., His Illustrations To Goethe's Faust, 1828) And Romantic Novels. He Also Produced Many Engravings Of Libertine Contents. Devéria's Experience In The Art Of The Vignette And Mezzotint Influenced His Numerous Lithographs, Most Of Which Were Issued By His Father-In-Law, Charles-Etienne Motte (1785-1836). Most Of His Work Consisted Of "Pseudo-Historical, Pious, Sentimental Or Erotic Scenes". (Wright) Since He Rarely Depicted Tragic Or Grave Themes, He Appears Less Romantic Than Many Other Artists Of The Time. His Paintings Were Mainly Done Using Watercolours. The French Poet And Critic Charles Baudelaire Referred To His Portrait Series As Showing "All The Morals And Aesthetics Of The Age". Devéria Was Also Known For Doing Portraits Of Artists And Writers, Whom He Entertained In His Paris Studio On Rue De L'ouest. The List Of His Sitters Includes Alexandre Dumas, Prosper Mérimée, Sir Walter Scott, Jacques-Louis David, Alfred De Musset, Charles Augustin Sainte-Beuve, Honoré De Balzac, Théodore Géricault, Victor Hugo, Marie Dorval, Alphonse De Lamartine, Alfred De Vigny, Jane Stirling, And Franz Liszt. In 1849 Devéria Was Appointed Director Of The Bibliothèque Nationale's Department Of Engravings And Assistant Curator Of The Louvre's Egyptian Department. In The Following Years, He Taught Drawing And Lithography To His Son, Théodule Devéria, And Both Worked On A Family Portrait Album From 1853 Until His Death. They Applied Ink Wash To Several Of The Portraits In The Album, Possibly In Preparation For Printing Lithographs From The Photographs. The Album Photographs By Théodule Devéria Are Dated 1854. Devéria Spent His Last Days Traveling In Egypt, Making Drawings And Transcribing Texts.

Condition: Good. Lithograph. 23 x 30 cm. From magazine publication "Le Charivari"; printed text on verso. Signed A. D. and Lith. de Benard in the plate. VG.

Maße: ca. 20 x 14 cm. -- Seltene Lithographie. -- leicht fleckig, sonst gut erhalten. || Rare lithograph. -- slightly stained, otherwise in good condition. -- Under the Restoration, the Extinguisher was a caricature motif very popular in liberal circles. The editors of the newspaper Le Nain Jaune (1814-1815) imagined ridiculing the men in power and the supporters of the clergy by awarding them the Order of the Extinguisher, denouncing the obscurantism and blindness of royalist circles. This lithograph is one of the rare works by Devéria with an anticlerical and satirical spirit. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

rigide. Condition: Assez bon. 150 Vignettes par Célestin Nanteuil, Tony Johannot, Devéria, Jeanron, Édouard May, Jean Gigoux, Camille Rogier, Achille Allier. Suivi d'un Catalogue complet des Romans, Drames, Poésies, ornés de vignettes, de 1825 à 1840, 1 vol. in-4 reliure demi-vélin à coins, reliure signée de Paul Vié, E. Dentu, Libraire-Éditeur. Paris, 1883,VIII-438 pp. Etat très satisfaisant (reliure un peu frottée avec 2 petits accrocs en dos, rouss., bon état par ailleurs) Langue: Français.

Kein Einband. Condition: Gut bis sehr gut. Dust Jacket Condition: Kein Schutzumschlag. Lithographie (1843) von Achille Devéria (1800-1857) aus dem Journal des Demoiselles. Rolandssage: Karl der Große vergibt seiner Schwester Bertha. Verso Montagespuren, Altersspuren. Darstellung (15.3 x 11.5cm) auf Papier (18.3 x 12.5cm) Lithograph (1843) by Achille Devéria (1800-1857) from Journal des Demoiselles. Roland legend: Charlemagne forgives his sister Bertha. Verso traces of mounting, signs of age. Image (15.3 x 11.5cm) on paper (18.3 x 12.5cm)# Jahr: 1843 Frankreich France Frankreich France Mythologie Mythology Achille Devéria, Lithographie, lithograph, Rolandssage, legend of Roland, Karl der Große, Charlemagne, Frankreich, France, 19. Jahrhundert, 19th century, Romantik, romanticism.

Kein Einband. Condition: Gut bis sehr gut. Dust Jacket Condition: Kein Schutzumschlag. Lithographie von Achille Devéria (18001857) aus dem 'Journal des Demoiselles'. Verso NS-Stempel. Darstellung (10.8 x 15.7cm) auf Papier (13.6 x 17.4cm) Lithograph by Achille Devéria (18001857) from the 'Journal des Demoiselles'. Verso Nazi stamp. Image (10.8 x 15.7cm) on paper (13.6 x 17.4cm)# Jahr: 1838 Frankreich France Aristokratie Aristocracy Lithographie, lithograph, Achille Devéria, 19. Jahrhundert, 19th century, Damen, ladies, Mode, fashion, Gesellschaft, society.