Dimitrijevic Braco, Signed (4 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Limited Edition. Book is clean and tight. Very nice over-sized about 11 1/2" tall. Heavy paper with illustrations by Braco depicting his life. Artwork is page sized in color. At end of book is page showing that this is copy #635 of 1500 signed books. With a small label with Braco D on it for signature. ; 4to 11" - 13" tall; 0 pages; Signed by Author.

Soft cover. Condition: Very Good. 1st Edition. Nice copy, inscribed by the artist. Inscribed by Author(s).

No Binding. Condition: Near Fine. 37,5x79,5 cm. Triangular poster for major exhibition documenting conceptual art in Europe since 1968. List of exhibiting artists: Art & Language, Joseph Beuys, Christian Boltanski, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Tony Cragg, The Red Crayola, Hanne Darboven, Jan Dibbets, Braco Dimitrijevic, Luciano Fabro, Hans Peter Feldmann, Barry Flanagan, Gilbert & George, Hans Haacke, Imi Knoebel, Yannis Kounellis, Richard Long, Mario Merz, Panamarenko, Giulio Paolini, Ann et Patrick Poirier, Gerry Schum, Ger Van Elk, Jean Luc Vilmouth, Gilberto Zorio. Signed in pencil by Joseph Beuys. Rare. // [Ref: FONDAZIONE BONOTTO, CODE FXC1532; TATE, Ref AR00995] // Minor chipping on lower right corner. Else in VG+ / Excellent overall condition. Signed by Illustrator(s).

Edition published in response to Braco Dimitrijevi??s exhibition at the Städtisches Museum Mönchengladbach, March 1975. The large offset print, is signed in pencil by Dimitrijevi?, and numbered from an edition of 80 copies. It forms part of Dimitrijevi??s ?Casual Passer-By? series, which he began in 1971. Each work in the series features a large-scale headshot photograph of a person that the artist met at random in the street. The title of each work records the exact time and place that Dimitrijevi? met the person, but generally not the exact date. The photographs reproduced in the edition were placed in prominent positions on the façades of museum buildings, or in public places such as in the underground or on advertisement displays in the street. The large format of the photograph and its display on the façade of a building were deliberately chosen to be misleading to a viewer, who upon seeing it would immediately assume that the person was famous or important. Within Communist Yugoslavia in the late 1960s and in the 1970s, such large-scale photographs were reserved for political leaders and the ideological elite. Offset print on thin cardboard.