Published by University of California Press, 1980
ISBN 10: 0520042727 ISBN 13: 9780520042728
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: USED_GOOD. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by University of California Press, Berkeley, CA, 1978
ISBN 10: 0520034333 ISBN 13: 9780520034334
Seller: Cornerstone Books, Santa Ana, CA, U.S.A.
First Edition
Cloth. Condition: USED_FINE. Dust Jacket Condition: Fine. First Edition First Printing. This work is a study of the logistics of the Macedonian army. It addresses two basic questions: How did Alexander secure provisions for his army throughout Asia? How did logistics affect his strategy, tactics, and the time and direction of his marches? The book contains tables, maps, footnotes, appendices, a list of tables and maps, a bibliography, and an index. This HARDCOVER copy is clean and solid.
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Published by University of California Press, Berkeley, 1978
ISBN 10: 0520034333 ISBN 13: 9780520034334
Seller: Second Story Books, ABAA, Rockville, MD, U.S.A.
First Edition
Hardcover. Condition: UNSPECIFIED. First Edition. Octavo. Good Hardcover w/ Good Dustjacket; burgundy spine with white lettering; DJ has some discoloration, slight creasing and a few tears to top and bottom edges; boards show very minor shelf wear, else clean; binding tight; text block clean; 194 pp. 1348485. FP New Rockville Stock.
Published by Routledge, 2001
ISBN 10: 0415261627 ISBN 13: 9780415261623
Seller: Blue Vase Books, Interlochen, MI, U.S.A.
Condition: USED_GOOD. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.
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Published by University of Chicago Press, 1990
ISBN 10: 0226208702 ISBN 13: 9780226208701
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: USED_GOOD. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Routledge, 2001
ISBN 10: 0415261627 ISBN 13: 9780415261623
Seller: Southampton Books, Sag Harbor, NY, U.S.A.
First Edition
Trade Paperback. Condition: USED_ASNEW. First Thus. First Edition Thus, First Printing (2001). Published by Routledge, 1999. Octavo. Book is like new with very light toning to the top page ends. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
Published by Asti, Piemme, 2001
ISBN 10: 8838469083 ISBN 13: 9788838469084
Seller: medimops, Berlin, Germany
Condition: USED_VERYGOOD. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Published by University of California Press, Berkeley, 1978
Seller: Berryville Old Book Shop, Berryville, VA, U.S.A.
Hardcover. Condition: UNSPECIFIED. 194 pgs. Maps; bibliography. Very good hardcover copy in good dust jacket; light wear to jacket; black (tape?) spot on top front corner of jacket; minor soiling along page edges; number neatly written on front endpaper.
Published by Berkeley: University of California Press, 1978
Seller: Peter Lenz Bookseller, Cohoes, NY, U.S.A.
First Edition
Hardcover. Condition: USED_NEARFINE. No Jacket. 1st Edition. Near Fine hardcover w/out dj. First Edition, First Printing. Illustrated with tables and maps. Introduction, bibliography, index, 194pp.
Published by Univ of California Pr
Seller: MyLibraryMarket, Waynesville, OH, U.S.A.
Hardcover. Condition: USED_VERYGOOD. ***Please Read*** Dust Jacket is slightly worn with a small tear on the back corner - No marks on text - My shelf location - 54-c-43*.
Published by Piemme, 2019
ISBN 10: 8856668750 ISBN 13: 9788856668759
Seller: libreriauniversitaria.it, Occhiobello, RO, Italy
Condition: NEW.
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Published by University of Chicago Press, Chicago & London, 1990
ISBN 10: 0226208702 ISBN 13: 9780226208701
First Edition
Hardcover. Condition: USED_FINE. Dust Jacket Condition: Fine. First Edition; First Printing. Chicago & London: University of Chicago, (1990). First Edition, First Printing. Large 8vo. 264pp, Index, Bibliography, Notes. Grey-blue cloth. Fine condition in fine dj (minor spot on rear cover). 19 Photographs, 6 Maps, and 5 Plans. Corinth was the largest city in Roman Greece in the second century A.D. Engels offers a revisionist study, providing a detail history and a "provocative socioeconomic analysis" (dj). ISBN 0226208702; Illustratede; Large 8vo 9" - 10" tall; 264 pages.
Published by Routledge 1999, 1999
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New Zealand
Association Member: IOBA
Condition: UNSPECIFIED. Octavo hardcover (Near FINE) in d/w (Near FINE); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.
Condition: UNSPECIFIED. Asti, Piemme, 2001, 8vo brossura con sovraccopertina illustrata a colori, pp. 335, con 38 figure in nero nel testo.
Published by London: Routledge, 1999
ISBN 10: 0415212510 ISBN 13: 9780415212519
First Edition
Hardback. Condition: USED_VERYGOOD. 227p hardback, very good unclipped dustjacket with one small closed tear to top edge, excellent copy, fresh and clean, first edition Language: English.
Published by University of Chicago Press, 1990
ISBN 10: 0226208702 ISBN 13: 9780226208701
Seller: M & M Books, ATHENS, GA, U.S.A.
First Edition
Hardcover. Condition: USED_FINE. Dust Jacket Condition: Fine. 1st Edition. very small signature on front end page.
Published by Routledge, 1999
ISBN 10: 0415212510 ISBN 13: 9780415212519
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Condition: USED_GOOD. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 1.28.
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Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
Condition: UNSPECIFIED. 3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.
Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
Condition: UNSPECIFIED. 3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.