Ebner Landy (43 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Hardback or Cased Book. Condition: New. The Character Sketch as Philosophy: Manners, Mores, Types. Book.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. An insightful exploration of the moral and political power of the character sketch in early modern Europe-and the implications for our own relationship to this genre today.In the fourth century BCE, the philosopher Theophrastus, a student of Aristotle, composed thirty character sketches depicting ordinary Athenian vices: idle chatter, bad timing, cowardice, shamelessness, and superstition, among others. Centuries later, this enigmatic text-known as the Characters-was feverishly translated and imitated by early modern Europeans convinced of its moral and political importance. Tracing this resurgence of the Theophrastan tradition, Katie Ebner-Landy sheds new light on the role of the character sketch as a philosophical tool.Ebner-Landy shows that the original Characters is best understood as a work of political philosophy, designed to urge Athenians toward civic virtue. It is this quality that made the text so resonant in early modern Europe, where the character sketch again served as a means of encouraging ethical behavior and cultivating political knowledge. During the English Civil War, for example, the character sketch was used to diagnose new political types such as the Roundhead and the Cavalier. By the era of the Enlightenment, however, moral philosophy's long association with the character sketch began to break down. A different approach to philosophy took hold, one that spurned literary descriptions of manners, mores, and types and instead emphasized the principles underlying knowledge itself. This shift, in turn, helped to drive a broader separation between literature and philosophy.A revealing intellectual history, The Character Sketch as Philosophy also encourages us to consider what literary description might contribute to ethics and political thought today-and to think critically about the kinds of character sketches on which we still rely, from the snob to the mansplainer.…

Condition: New.

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condition: new. Hardcover. An insightful exploration of the moral and political power of the character sketch in early modern Europe-and the implications for our own relationship to this genre today. In the fourth century BCE, the philosopher Theophrastus, a student of Aristotle, composed thirty character sketches depicting ordinary Athenian vices: idle chatter, bad timing, cowardice, shamelessness, and superstition, among others. Centuries later, this enigmatic text-known as the Characters-was feverishly translated and imitated by early modern Europeans convinced of its moral and political importance. Tracing this resurgence of the Theophrastan tradition, Katie Ebner-Landy sheds new light on the role of the character sketch as a philosophical tool. Ebner-Landy shows that the original Characters is best understood as a work of political philosophy, designed to urge Athenians toward civic virtue. It is this quality that made the text so resonant in early modern Europe, where the character sketch again served as a means of encouraging ethical behavior and cultivating political knowledge. During the English Civil War, for example, the character sketch was used to diagnose new political types such as the Roundhead and the Cavalier. By the era of the Enlightenment, however, moral philosophy's long association with the character sketch began to break down. A different approach to philosophy took hold, one that spurned literary descriptions of manners, mores, and types and instead emphasized the principles underlying knowledge itself. This shift, in turn, helped to drive a broader separation between literature and philosophy. A revealing intellectual history, The Character Sketch as Philosophy also encourages us to consider what literary description might contribute to ethics and political thought today-and to think critically about the kinds of character sketches on which we still rely, from the snob to the mansplainer. Katie Ebner-Landy shows that early modern Europeans, inspired by the ancient philosopher Theophrastus, embraced the character sketch as a source of moral and political education. Yet Enlightenment thinkers spurned this genre in favor of elaborating principles, thereby helping to drive a wedge between philosophy and literature. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New. An insightful exploration of the moral and political power of the character sketch in early modern Europe-and the implications for our own relationship to this genre today.In the fourth century BCE, the philosopher Theophrastus, a student of Aristotle, composed thirty character sketches depicting ordinary Athenian vices: idle chatter, bad timing, cowardice, shamelessness, and superstition, among others. Centuries later, this enigmatic text-known as the Characters-was feverishly translated and imitated by early modern Europeans convinced of its moral and political importance. Tracing this resurgence of the Theophrastan tradition, Katie Ebner-Landy sheds new light on the role of the character sketch as a philosophical tool.Ebner-Landy shows that the original Characters is best understood as a work of political philosophy, designed to urge Athenians toward civic virtue. It is this quality that made the text so resonant in early modern Europe, where the character sketch again served as a means of encouraging ethical behavior and cultivating political knowledge. During the English Civil War, for example, the character sketch was used to diagnose new political types such as the Roundhead and the Cavalier. By the era of the Enlightenment, however, moral philosophy's long association with the character sketch began to break down. A different approach to philosophy took hold, one that spurned literary descriptions of manners, mores, and types and instead emphasized the principles underlying knowledge itself. This shift, in turn, helped to drive a broader separation between literature and philosophy.A revealing intellectual history, The Character Sketch as Philosophy also encourages us to consider what literary description might contribute to ethics and political thought today-and to think critically about the kinds of character sketches on which we still rely, from the snob to the mansplainer.…

Condition: new.

Condition: New. 2025. hardcover. . . . . .

Condition: New.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: New. Special order direct from the distributor.

Hardcover. Condition: Brand New. 368 pages. 9.25x6.12x9.25 inches. In Stock.

Condition: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condition: Neu. Neuware -An insightful exploration of the moral and political power of the character sketch in early modern Europe-and the implications for our own relationship to this genre today.In the fourth century BCE, the philosopher Theophrastus, a student of Aristotle, composed thirty character sketches depicting ordinary Athenian vices: idle chatter, bad timing, cowardice, shamelessness, and superstition, among others. Centuries later, this enigmatic text-known as the Characters-was feverishly translated and imitated by early modern Europeans convinced of its moral and political importance. Tracing this resurgence of the Theophrastan tradition, Katie Ebner-Landy sheds new light on the role of the character sketch as a philosophical tool.Ebner-Landy shows that the original Characters is best understood as a work of political philosophy, designed to urge Athenians toward civic virtue. It is this quality that made the text so resonant in early modern Europe, where the character sketch again served as a means of encouraging ethical behavior and cultivating political knowledge. During the English Civil War, for example, the character sketch was used to diagnose new political types such as the Roundhead and the Cavalier. By the era of the Enlightenment, however, moral philosophy's long association with the character sketch began to break down. A different approach to philosophy took hold, one that spurned literary descriptions of manners, mores, and types and instead emphasized the principles underlying knowledge itself. This shift, in turn, helped to drive a broader separation between literature and philosophy.A revealing intellectual history, The Character Sketch as Philosophy also encourages us to consider what literary description might contribute to ethics and political thought today-and to think critically about the kinds of character sketches on which we still rely, from the snob to the mansplainer. 408 pp. Englisch.…

Buch. Condition: Neu. Neuware -An insightful exploration of the moral and political power of the character sketch in early modern Europe-and the implications for our own relationship to this genre today.In the fourth century BCE, the philosopher Theophrastus, a student of Aristotle, composed thirty character sketches depicting ordinary Athenian vices: idle chatter, bad timing, cowardice, shamelessness, and superstition, among others. Centuries later, this enigmatic text-known as the Characters-was feverishly translated and imitated by early modern Europeans convinced of its moral and political importance. Tracing this resurgence of the Theophrastan tradition, Katie Ebner-Landy sheds new light on the role of the character sketch as a philosophical tool.Ebner-Landy shows that the original Characters is best understood as a work of political philosophy, designed to urge Athenians toward civic virtue. It is this quality that made the text so resonant in early modern Europe, where the character sketch again served as a means of encouraging ethical behavior and cultivating political knowledge. During the English Civil War, for example, the character sketch was used to diagnose new political types such as the Roundhead and the Cavalier. By the era of the Enlightenment, however, moral philosophy's long association with the character sketch began to break down. A different approach to philosophy took hold, one that spurned literary descriptions of manners, mores, and types and instead emphasized the principles underlying knowledge itself. This shift, in turn, helped to drive a broader separation between literature and philosophy.A revealing intellectual history, The Character Sketch as Philosophy also encourages us to consider what literary description might contribute to ethics and political thought today-and to think critically about the kinds of character sketches on which we still rely, from the snob to the mansplainer. 408 pp. Englisch.…

Buch. Condition: Neu. Neuware -An insightful exploration of the moral and political power of the character sketch in early modern Europe-and the implications for our own relationship to this genre today.In the fourth century BCE, the philosopher Theophrastus, a student of Aristotle, composed thirty character sketches depicting ordinary Athenian vices: idle chatter, bad timing, cowardice, shamelessness, and superstition, among others. Centuries later, this enigmatic text-known as the Characters-was feverishly translated and imitated by early modern Europeans convinced of its moral and political importance. Tracing this resurgence of the Theophrastan tradition, Katie Ebner-Landy sheds new light on the role of the character sketch as a philosophical tool.Ebner-Landy shows that the original Characters is best understood as a work of political philosophy, designed to urge Athenians toward civic virtue. It is this quality that made the text so resonant in early modern Europe, where the character sketch again served as a means of encouraging ethical behavior and cultivating political knowledge. During the English Civil War, for example, the character sketch was used to diagnose new political types such as the Roundhead and the Cavalier. By the era of the Enlightenment, however, moral philosophy's long association with the character sketch began to break down. A different approach to philosophy took hold, one that spurned literary descriptions of manners, mores, and types and instead emphasized the principles underlying knowledge itself. This shift, in turn, helped to drive a broader separation between literature and philosophy.A revealing intellectual history, The Character Sketch as Philosophy also encourages us to consider what literary description might contribute to ethics and political thought today-and to think critically about the kinds of character sketches on which we still rely, from the snob to the mansplainer.…

Hardcover. Condition: Brand New. 368 pages. 9.25x6.12x9.25 inches. In Stock.

Condition: NEW.

Buch. Condition: Neu. Neuware - An insightful exploration of the moral and political power of the character sketch in early modern Europe-and the implications for our own relationship to this genre today.In the fourth century BCE, the philosopher Theophrastus, a student of Aristotle, composed thirty character sketches depicting ordinary Athenian vices: idle chatter, bad timing, cowardice, shamelessness, and superstition, among others. Centuries later, this enigmatic text-known as the Characters-was feverishly translated and imitated by early modern Europeans convinced of its moral and political importance. Tracing this resurgence of the Theophrastan tradition, Katie Ebner-Landy sheds new light on the role of the character sketch as a philosophical tool.Ebner-Landy shows that the original Characters is best understood as a work of political philosophy, designed to urge Athenians toward civic virtue. It is this quality that made the text so resonant in early modern Europe, where the character sketch again served as a means of encouraging ethical behavior and cultivating political knowledge. During the English Civil War, for example, the character sketch was used to diagnose new political types such as the Roundhead and the Cavalier. By the era of the Enlightenment, however, moral philosophy's long association with the character sketch began to break down. A different approach to philosophy took hold, one that spurned literary descriptions of manners, mores, and types and instead emphasized the principles underlying knowledge itself. This shift, in turn, helped to drive a broader separation between literature and philosophy.A revealing intellectual history, The Character Sketch as Philosophy also encourages us to consider what literary description might contribute to ethics and political thought today-and to think critically about the kinds of character sketches on which we still rely, from the snob to the mansplainer.…

Hardcover. Condition: new. Hardcover. An insightful exploration of the moral and political power of the character sketch in early modern Europe-and the implications for our own relationship to this genre today. In the fourth century BCE, the philosopher Theophrastus, a student of Aristotle, composed thirty character sketches depicting ordinary Athenian vices: idle chatter, bad timing, cowardice, shamelessness, and superstition, among others. Centuries later, this enigmatic text-known as the Characters-was feverishly translated and imitated by early modern Europeans convinced of its moral and political importance. Tracing this resurgence of the Theophrastan tradition, Katie Ebner-Landy sheds new light on the role of the character sketch as a philosophical tool. Ebner-Landy shows that the original Characters is best understood as a work of political philosophy, designed to urge Athenians toward civic virtue. It is this quality that made the text so resonant in early modern Europe, where the character sketch again served as a means of encouraging ethical behavior and cultivating political knowledge. During the English Civil War, for example, the character sketch was used to diagnose new political types such as the Roundhead and the Cavalier. By the era of the Enlightenment, however, moral philosophy's long association with the character sketch began to break down. A different approach to philosophy took hold, one that spurned literary descriptions of manners, mores, and types and instead emphasized the principles underlying knowledge itself. This shift, in turn, helped to drive a broader separation between literature and philosophy. A revealing intellectual history, The Character Sketch as Philosophy also encourages us to consider what literary description might contribute to ethics and political thought today-and to think critically about the kinds of character sketches on which we still rely, from the snob to the mansplainer. Katie Ebner-Landy shows that early modern Europeans, inspired by the ancient philosopher Theophrastus, embraced the character sketch as a source of moral and political education. Yet Enlightenment thinkers spurned this genre in favor of elaborating principles, thereby helping to drive a wedge between philosophy and literature. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: New.

Hardcover. Condition: new. Hardcover. An insightful exploration of the moral and political power of the character sketch in early modern Europe-and the implications for our own relationship to this genre today. In the fourth century BCE, the philosopher Theophrastus, a student of Aristotle, composed thirty character sketches depicting ordinary Athenian vices: idle chatter, bad timing, cowardice, shamelessness, and superstition, among others. Centuries later, this enigmatic text-known as the Characters-was feverishly translated and imitated by early modern Europeans convinced of its moral and political importance. Tracing this resurgence of the Theophrastan tradition, Katie Ebner-Landy sheds new light on the role of the character sketch as a philosophical tool. Ebner-Landy shows that the original Characters is best understood as a work of political philosophy, designed to urge Athenians toward civic virtue. It is this quality that made the text so resonant in early modern Europe, where the character sketch again served as a means of encouraging ethical behavior and cultivating political knowledge. During the English Civil War, for example, the character sketch was used to diagnose new political types such as the Roundhead and the Cavalier. By the era of the Enlightenment, however, moral philosophy's long association with the character sketch began to break down. A different approach to philosophy took hold, one that spurned literary descriptions of manners, mores, and types and instead emphasized the principles underlying knowledge itself. This shift, in turn, helped to drive a broader separation between literature and philosophy. A revealing intellectual history, The Character Sketch as Philosophy also encourages us to consider what literary description might contribute to ethics and political thought today-and to think critically about the kinds of character sketches on which we still rely, from the snob to the mansplainer. Katie Ebner-Landy shows that early modern Europeans, inspired by the ancient philosopher Theophrastus, embraced the character sketch as a source of moral and political education. Yet Enlightenment thinkers spurned this genre in favor of elaborating principles, thereby helping to drive a wedge between philosophy and literature. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardback. Condition: New. An insightful exploration of the moral and political power of the character sketch in early modern Europe-and the implications for our own relationship to this genre today.In the fourth century BCE, the philosopher Theophrastus, a student of Aristotle, composed thirty character sketches depicting ordinary Athenian vices: idle chatter, bad timing, cowardice, shamelessness, and superstition, among others. Centuries later, this enigmatic text-known as the Characters-was feverishly translated and imitated by early modern Europeans convinced of its moral and political importance. Tracing this resurgence of the Theophrastan tradition, Katie Ebner-Landy sheds new light on the role of the character sketch as a philosophical tool.Ebner-Landy shows that the original Characters is best understood as a work of political philosophy, designed to urge Athenians toward civic virtue. It is this quality that made the text so resonant in early modern Europe, where the character sketch again served as a means of encouraging ethical behavior and cultivating political knowledge. During the English Civil War, for example, the character sketch was used to diagnose new political types such as the Roundhead and the Cavalier. By the era of the Enlightenment, however, moral philosophy's long association with the character sketch began to break down. A different approach to philosophy took hold, one that spurned literary descriptions of manners, mores, and types and instead emphasized the principles underlying knowledge itself. This shift, in turn, helped to drive a broader separation between literature and philosophy.A revealing intellectual history, The Character Sketch as Philosophy also encourages us to consider what literary description might contribute to ethics and political thought today-and to think critically about the kinds of character sketches on which we still rely, from the snob to the mansplainer.…