Edited Butler (370 results)

Soft cover. Condition: Good. Inscribed by authors on front endpaper. Good condition. Some edge and corner. Light soiling to outside page edges. All intact. No writing or marking. Not Ex-Library. Inscribed by Author(s).

13th printing of the 3rd Edition. 248 pages. Fine paperback book in decorative wrappers (soft cover book).

Hardcover. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

softcover. Condition: Very Good. No Dust Jacket. Back cover has some light scratches. Illustrated by Butler, Yvan; Photographer (illustrator).

Hardcover. Condition: Good. No Jacket. Edge wear. Tanning along fore edges and pages. Rubbing and fading to boards. Spine creases.

Hardcover. Condition: Good. No Jacket. Edge wear. Tanning along fore edges and pages. Rubbing and fading to boards. Spine creases.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Very Good. No Jacket. Revised Edition. Concise edition, revised and updated. 466 pages. Book.

Paperback. Condition: Very Good. 1st. xii, 202 pages, illustrations; 22 cm. PRESENTATION COPY. Signed by the editor, with a personalized inscription, otherwise tight & clean. Corner crease/back cover, age toning. First paperback edition. *** An indispensable anthology of critical writings on the great French sculptor Auguste Rodin (1840-1917). **** CONTENTS: Introduction, by Ruth Butler; THE AGE OF BRONZE; Review of the Exhibition at the cercle artistique (1877)/ Anonymous; Review of the exhibition at the cercle artistique (1877), by Jean Rousseau; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; 1882 and 1883- Saint John, the portraits, and the portal; Review of exhibition at the Royal academy (1882), by Arthur Warren; Review of the Paris salon (1882), by Louis de Fourcaud; Review of the Paris salon (1882), by Paul Leorri; Review of the sculpture at the Paris salon (1882), by Phillp Burty; Review of the exposition des arts liberaux in the rue Vivienne (1883), by Gustave Geffory; Review of the exposition nationale (1883), by Paul Lefort; Review of the exposition nationale (1883), by G. Dargenty; Review of the salon and of the exposition des arts liberaux (1883), by Charles Fremine; Review of the St. John at the Royal Academy (1883), by Anonymous; The Gates of Hell and the Burghers of Calais; The Future Museum of Decorative Arts (1885), by Octave Mirbeau; "The man who returns from hell: Auguste Rodin" ( 1886), by Felicien Champsaur; "Visiting Rodin's studio" (1886), by Edmond de Goncourt; "Rodin and Zola" (1886), by Robert louis Stevenson; A visit to Rodin's studio (1888); Rodolphe Darzens; 1886-1889 MAJOR SUCCESS AT GEORGES PETIT, THE SALONS, AND AT THE EXPOSITION UNIVERSELLE; Review of the exposition internationale at Georges Petit (1886), by G. Dargenty and Armand Silvestre; Review of the exposition internationale at Georges Petit (1887), by J. K. Huysmans; Review of the Brussels Salon (1887)/ Octave Maus; "the sculptor rodin" (1889), by Gustave Geffroy; Review of te monet-rodin exhibition at Georges petit and Rodin's work at the exposition universelle (1889), by Andre Michel; Rodin enters the history of sculpture; "The new movement in sculpture " (1892), by W. C. Brownell; "Contemporary masters" (1895), by Louis Gonse; Rodin's fame in America (1896), by Lorado Taft; THE LATE 1890'S: A CRITICAL BACKLASH; "The failure of genius" (1896), by Felicien Champsaur; "Sculpture at the Paris Salons" (1897), by M. H. Spielmann; An interview with Sarah Bernhardt (1897), by Jacques Daurelle; "The truth about the salons of 1898 and 1899" (1899), by Paul Leroi; BALZAC: PUBLIC BATTLE; "Le vernissage" (May 1, 1898), by Jean Villemer; A letter to Robert Ross (1898), by Oscar Wilde; "Rodin's victory" (1898), by Jean Rameau; Rodin's defense (May 12, 1898), by Auguste Rodin; Rodin's Balzac (1898), by Arsene Alexandre; "Precious ridiculousness" (1898), by Henri Rochefort; "A masterpiece of modern art" (1898), by Frank Harris; 1900: World Renown; A letter for Rodin's exhibition catalogue (1900), by Claude Monet; The exposition universelle (1900), by Edmond Picard; "Notes on Rodin's sculpture" (1900), by Rudolf Kassner; "The gates of hell" (1900), by Anatole France; "Hands in Rodin's Work" (1900), by Gustave Kahn; "The centennial exhibition of French sculpture" (1900), by Gustave Geffroy; "Auguste Rodin, his work, his life, and his influence" (1901), by Camille Mauclair; Letters (1902), by Rainer Maria Rilke; THE MEANING OF RODIN'S ART; "Rodin" (1902), by Arthur Symons; Speech delivered for the inauguration of Rodin's Thinker in front of Pantheon (April 21, 1906), by Dujardin-Beaumetz; "Our Trajan's column: Rodin's tower of labor" (1907), by Ricciotto Canudo; "Auguste Rodin" (1907), by Charles Morice; RODIN'S GERMAN PUBLIC; "Rodin's work as an expression of the modern spirit" (1911), by Georg Simmel; "Auguste Rodin" (1904), byJulius Meier-Grafe; "Auguste Rodin" (1917), by Adolf von Hildebrand; RODIN AND THE YOUNGER MASTERS OF EARLY MODERN SCULPTURE; " A great contemporary artists" (1908), by Antoine Bourdelle; "A promenande through the salon d'automne" (1905), by Andre Gide; "The sculptures of Maillil" (1910), by Roger Fry; An interview with Aristide Maillol (1930's), by Judith Cladel; On Rodin (c. 1937), by Henri Matisse; "Homage to Rodin" (c. 1950), by Constantin Brancusi; RODIN'S WRITING; "the movement of ideas: Rodin's discourses on art" (1911), by Andre chaumeix; "Rodin interprets the cathedrals of France" (1914), by Emile Male; Rodin's Work: Posthumous assessment; "The last of the romantics is dead" (1918), by Elie Faure; "Rodin and the problem of sculpture" (1921), by Carl Burckhardt; "Romantic decadence" (1928), by Luc-Benoist; "realism in sculpture" (1929), by Agnes Rindge; "Rodin's superb one-sidedness" (1937), by Carola Giedion Welcker; THE REDISCOVERY OF RODIN; "Rodin's modernity" (1963), by Albert Elsen; On Rodin (1963 and 1971), byLeo Steinberg; "Rodin is a Rodin is a Rodin." (1967), by John Tancock; "Rodin: the language of sculpture" (1973), by William Tucker; "Rodin's walking man as seen by Henry Moore" (1967), by Albert Elsen. Size: 8vo. SIGNED.…

Soft Cover. Reprint. Softcover. Large paperback, 387pp. Fine.

Cloth Over Board. Condition: Fair. No Jacket. First Edition. Cover suffers corner bumping, rubbing, and edge wear. Text is clean and tight in binding. This copy is ex-libris and thus contains all appropriate stamping and card jackets throughout. Size: 8vo - over 7¾" - 9¾" tall. Ex-Library.

Trade Paperback. Condition: Good+. No Jacket. Standard used condition. Reading copy or better. Used Book.

Soft cover. Condition: Fine. 1st Edition. Ca., Marion Zimmer Bradley Ltd, Fall 1991 volume 4 Number 2, Contents page in photos, Cover art by Gail Butler. 64 pages A fine copy. See Photos. Cover art by Gail Butler (illustrator).

Soft Cover. Fine. First. 8vo - over 7¾" - 9¾" tall. ISBN:1-56512-175-9. 306 pages.

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Hardcover. Condition: Good. Ex-library book with usual markings. Good Condition. Five star seller - Buy with confidence.

Paperback. Condition: Near Fine/NO DUSTJACKET. First Edition. Richfield Springs, NY: ***** Self Published *****. Near Fine/NO DUSTJACKET. (2006). First Edition. Paperback. 8vo., iii, 206 pp. . Black & White Photographs (illustrator).

Paperback. viii, 137p., wraps, 5.5 x 8.25 inches, very good condition.

Paperback. Condition: Near Fine. 1st. xii, 202 pages, illustrations; 22 cm. Near fine. Tight, clean copy. Age toning. First paperback edition. *** An indispensable anthology of critical writings on the great French sculptor Auguste Rodin (1840-1917). *** CONTENTS: Introduction, by Ruth Butler; THE AGE OF BRONZE; Review of the Exhibition at the cercle artistique (1877), by Anonymous; Review of the exhibition at the cercle artistique (1877), by Jean Rousseau; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; 1882 and 1883- Saint John, the portraits, and the portal; Review of exhibition at the Royal academy (1882), by Arthur Warren; Review of the Paris salon (1882), by Louis de Fourcaud; Review of the Paris salon (1882), by Paul Leorri; Review of the sculpture at the Paris salon (1882), by Phillp Burty; Review of the exposition des arts liberaux in the rue Vivienne (1883), by Gustave Geffory; Review of the exposition nationale (1883), by Paul Lefort; Review of the exposition nationale (1883), by G. Dargenty; Review of the salon and of the exposition des arts liberaux (1883), by Charles Fremine; Review of the St. John at the Royal Academy (1883), by Anonymous; The Gates of Hell and the Burghers of Calais; The Future Museum of Decorative Arts (1885), by Octave Mirbeau; "The man who returns from hell: Auguste Rodin" ( 1886), by Felicien Champsaur; "Visiting Rodin's studio" (1886), by Edmond de Goncourt; "Rodin and Zola" (1886), by Robert louis Stevenson; A visit to Rodin's studio (1888); Rodolphe Darzens; 1886-1889 MAJOR SUCCESS AT GEORGES PETIT, THE SALONS, AND AT THE EXPOSITION UNIVERSELLE; Review of the exposition internationale at Georges Petit (1886), by G. Dargenty and Armand Silvestre; Review of the exposition internationale at Georges Petit (1887), by J. K. Huysmans; Review of the Brussels Salon (1887)/ Octave Maus; "the sculptor rodin" (1889), by Gustave Geffroy; Review of te monet-rodin exhibition at Georges petit and Rodin's work at the exposition universelle (1889), by Andre Michel; Rodin enters the history of sculpture; "The new movement in sculpture " (1892), by W. C. Brownell; "Contemporary masters" (1895), by Louis Gonse; Rodin's fame in America (1896), by Lorado Taft; THE LATE 1890'S: A CRITICAL BACKLASH; "The failure of genius" (1896), by Felicien Champsaur; "Sculpture at the Paris Salons" (1897), by M. H. Spielmann; An interview with Sarah Bernhardt (1897), by Jacques Daurelle; "The truth about the salons of 1898 and 1899" (1899), by Paul Leroi; BALZAC: PUBLIC BATTLE; "Le vernissage" (May 1, 1898), by Jean Villemer; A letter to Robert Ross (1898), by Oscar Wilde; "Rodin's victory" (1898), by Jean Rameau; Rodin's defense (May 12, 1898), by Auguste Rodin; Rodin's Balzac (1898), by Arsene Alexandre; "Precious ridiculousness" (1898), by Henri Rochefort; "A masterpiece of modern art" (1898), by Frank Harris; 1900: World Renown; A letter for Rodin's exhibition catalogue (1900), by Claude Monet; The exposition universelle (1900), by Edmond Picard; "Notes on Rodin's sculpture" (1900), by Rudolf Kassner; "The gates of hell" (1900), by Anatole France; "Hands in Rodin's Work" (1900), by Gustave Kahn; "The centennial exhibition of French sculpture" (1900), by Gustave Geffroy; "Auguste Rodin, his work, his life, and his influence" (1901), by Camille Mauclair; Letters (1902), by Rainer Maria Rilke; THE MEANING OF RODIN'S ART; "Rodin" (1902), by Arthur Symons; Speech delivered for the inauguration of Rodin's Thinker in front of Pantheon (April 21, 1906), by Dujardin-Beaumetz; "Our Trajan's column: Rodin's tower of labor" (1907), by Ricciotto Canudo; "Auguste Rodin" (1907), by Charles Morice; RODIN'S GERMAN PUBLIC; "Rodin's work as an expression of the modern spirit" (1911), by Georg Simmel; "Auguste Rodin" (1904), byJulius Meier-Grafe; "Auguste Rodin" (1917), by Adolf von Hildebrand; RODIN AND THE YOUNGER MASTERS OF EARLY MODERN SCULPTURE; " A great contemporary artists" (1908), by Antoine Bourdelle; "A promenande through the salon d'automne" (1905), by Andre Gide; "The sculptures of Maillil" (1910), by Roger Fry; An interview with Aristide Maillol (1930's), by Judith Cladel; On Rodin (c. 1937), by Henri Matisse; "Homage to Rodin" (c. 1950), by Constantin Brancusi; RODIN'S WRITING; "the movement of ideas: Rodin's discourses on art" (1911), by Andre chaumeix; "Rodin interprets the cathedrals of France" (1914), by Emile Male; Rodin's Work: Posthumous assessment; "The last of the romantics is dead" (1918), by Elie Faure; "Rodin and the problem of sculpture" (1921), by Carl Burckhardt; "Romantic decadence" (1928), by Luc-Benoist; "realism in sculpture" (1929), by Agnes Rindge; "Rodin's superb one-sidedness" (1937), by Carola Giedion Welcker; THE REDISCOVERY OF RODIN; "Rodin's modernity" (1963), by Albert Elsen; On Rodin (1963 and 1971), byLeo Steinberg; "Rodin is a Rodin is a Rodin." (1967), by John Tancock; "Rodin: the language of sculpture" (1973), by William Tucker; "Rodin's walking man as seen by Henry Moore" (1967), by Albert Elsen. Size: 8vo.…

Condition: Very Good. The way of all flesh - Samuel Butler. edited by James Cochrane /with an introduc.

Trade Paperback. Condition: Very Good. 1st Collier Books Edition 1966. 236 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Front cover is creased.

Hardcover. Condition: Good with no dust jacket. 275 pages plus maps. ex-university library copy with typical internal library stamps and markings, pocket on inside rear cover, stamped on page edges, glued down stickers on front cover (one has been inked out). recollections of South Africa ; Ex University Library; 5 1/2 x 8 1/2 ".…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. Small octavo. B&W illustrations. Condition: slight wear with slight bumping to corners; else near fine in fine DJ. Pages: xxi, 370.

Trade Paperback. Condition: Very Good. Updated Edition. 236 pp. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages and light shelf wear. Smooth covers. Pen markings throughout text. The Bettmann Archive (Cover Photo) (illustrator).…

Fine and bright stiff wraps with strong spine and clean text throughout.

Soft cover. Condition: Good +. 170pp. Minor external wear. Internally VG. No inscriptions. Includes supply & fitting of new correctly sized protective lyfjacket. Size: 8vo - over 7¾ - 9¾" tall. Book.

Soft cover. Condition: Good+. White soft cover with black lettering on front cover and spine, one word written in ink on front cover; cover shows moderate scuffing, minor creasing and shelf wear. Book is a little warped. Binding tight, pages very clean, no markings. Packaged carefully for shipment in cardboard with U. S. tracking. Oversized or heavy books may require extra postage for priority or international shipment.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st. Cloth, 228 pages, colour illustrations; 32 cm. Firm binding, clean inside copy. Lower right corners bumped. Dust jacket with light edgewear. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** "This volume is a unique retelling of America's story, with a southern perspective its recurring theme. This remarkable collection of 101 works includes selections from notable artists from the Colonial era to postmodern times." - Publisher. Size: Folio.…

First edition The original, previously unpublished text of the Memoirs and the Journal. Near fine in like pictorial dustjacket with crisp bright text throughout. Close to fine and bright in like pictorial dustjacket. From a scholar's library we note brief lining. Excellent reading copy.

Cloth - Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. 151 pages. Dust jacket is now in a clear Brodart protective sleeve.