Edited Butler (386 results)

Soft cover. Condition: Good. Inscribed by authors on front endpaper. Good condition. Some edge and corner. Light soiling to outside page edges. All intact. No writing or marking. Not Ex-Library. Inscribed by Author(s).

Hardback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

13th printing of the 3rd Edition. 248 pages. Fine paperback book in decorative wrappers (soft cover book).

Hardcover. Condition: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. 1st. xii, 202 pages, illustrations; 22 cm. PRESENTATION COPY. Signed by the editor, with a personalized inscription, otherwise tight & clean. Corner crease/back cover, age toning. First paperback edition. *** An indispensable anthology of critical writings on the great French sculptor Auguste Rodin (1840-1917). **** CONTENTS: Introduction, by Ruth Butler; THE AGE OF BRONZE; Review of the Exhibition at the cercle artistique (1877)/ Anonymous; Review of the exhibition at the cercle artistique (1877), by Jean Rousseau; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; 1882 and 1883- Saint John, the portraits, and the portal; Review of exhibition at the Royal academy (1882), by Arthur Warren; Review of the Paris salon (1882), by Louis de Fourcaud; Review of the Paris salon (1882), by Paul Leorri; Review of the sculpture at the Paris salon (1882), by Phillp Burty; Review of the exposition des arts liberaux in the rue Vivienne (1883), by Gustave Geffory; Review of the exposition nationale (1883), by Paul Lefort; Review of the exposition nationale (1883), by G. Dargenty; Review of the salon and of the exposition des arts liberaux (1883), by Charles Fremine; Review of the St. John at the Royal Academy (1883), by Anonymous; The Gates of Hell and the Burghers of Calais; The Future Museum of Decorative Arts (1885), by Octave Mirbeau; "The man who returns from hell: Auguste Rodin" ( 1886), by Felicien Champsaur; "Visiting Rodin's studio" (1886), by Edmond de Goncourt; "Rodin and Zola" (1886), by Robert louis Stevenson; A visit to Rodin's studio (1888); Rodolphe Darzens; 1886-1889 MAJOR SUCCESS AT GEORGES PETIT, THE SALONS, AND AT THE EXPOSITION UNIVERSELLE; Review of the exposition internationale at Georges Petit (1886), by G. Dargenty and Armand Silvestre; Review of the exposition internationale at Georges Petit (1887), by J. K. Huysmans; Review of the Brussels Salon (1887)/ Octave Maus; "the sculptor rodin" (1889), by Gustave Geffroy; Review of te monet-rodin exhibition at Georges petit and Rodin's work at the exposition universelle (1889), by Andre Michel; Rodin enters the history of sculpture; "The new movement in sculpture " (1892), by W. C. Brownell; "Contemporary masters" (1895), by Louis Gonse; Rodin's fame in America (1896), by Lorado Taft; THE LATE 1890'S: A CRITICAL BACKLASH; "The failure of genius" (1896), by Felicien Champsaur; "Sculpture at the Paris Salons" (1897), by M. H. Spielmann; An interview with Sarah Bernhardt (1897), by Jacques Daurelle; "The truth about the salons of 1898 and 1899" (1899), by Paul Leroi; BALZAC: PUBLIC BATTLE; "Le vernissage" (May 1, 1898), by Jean Villemer; A letter to Robert Ross (1898), by Oscar Wilde; "Rodin's victory" (1898), by Jean Rameau; Rodin's defense (May 12, 1898), by Auguste Rodin; Rodin's Balzac (1898), by Arsene Alexandre; "Precious ridiculousness" (1898), by Henri Rochefort; "A masterpiece of modern art" (1898), by Frank Harris; 1900: World Renown; A letter for Rodin's exhibition catalogue (1900), by Claude Monet; The exposition universelle (1900), by Edmond Picard; "Notes on Rodin's sculpture" (1900), by Rudolf Kassner; "The gates of hell" (1900), by Anatole France; "Hands in Rodin's Work" (1900), by Gustave Kahn; "The centennial exhibition of French sculpture" (1900), by Gustave Geffroy; "Auguste Rodin, his work, his life, and his influence" (1901), by Camille Mauclair; Letters (1902), by Rainer Maria Rilke; THE MEANING OF RODIN'S ART; "Rodin" (1902), by Arthur Symons; Speech delivered for the inauguration of Rodin's Thinker in front of Pantheon (April 21, 1906), by Dujardin-Beaumetz; "Our Trajan's column: Rodin's tower of labor" (1907), by Ricciotto Canudo; "Auguste Rodin" (1907), by Charles Morice; RODIN'S GERMAN PUBLIC; "Rodin's work as an expression of the modern spirit" (1911), by Georg Simmel; "Auguste Rodin" (1904), byJulius Meier-Grafe; "Auguste Rodin" (1917), by Adolf von Hildebrand; RODIN AND THE YOUNGER MASTERS OF EARLY MODERN SCULPTURE; " A great contemporary artists" (1908), by Antoine Bourdelle; "A promenande through the salon d'automne" (1905), by Andre Gide; "The sculptures of Maillil" (1910), by Roger Fry; An interview with Aristide Maillol (1930's), by Judith Cladel; On Rodin (c. 1937), by Henri Matisse; "Homage to Rodin" (c. 1950), by Constantin Brancusi; RODIN'S WRITING; "the movement of ideas: Rodin's discourses on art" (1911), by Andre chaumeix; "Rodin interprets the cathedrals of France" (1914), by Emile Male; Rodin's Work: Posthumous assessment; "The last of the romantics is dead" (1918), by Elie Faure; "Rodin and the problem of sculpture" (1921), by Carl Burckhardt; "Romantic decadence" (1928), by Luc-Benoist; "realism in sculpture" (1929), by Agnes Rindge; "Rodin's superb one-sidedness" (1937), by Carola Giedion Welcker; THE REDISCOVERY OF RODIN; "Rodin's modernity" (1963), by Albert Elsen; On Rodin (1963 and 1971), byLeo Steinberg; "Rodin is a Rodin is a Rodin." (1967), by John Tancock; "Rodin: the language of sculpture" (1973), by William Tucker; "Rodin's walking man as seen by Henry Moore" (1967), by Albert Elsen. Size: 8vo. SIGNED.

softcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Illustrated by Butler, Yvan; Photographer (illustrator). Back cover has some light scratches.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Good. No Jacket. Edge wear. Tanning along fore edges and pages. Rubbing and fading to boards. Spine creases.

Hardcover. Condition: Good. No Jacket. Edge wear. Tanning along fore edges and pages. Rubbing and fading to boards. Spine creases.

Soft cover. Condition: Very Good. No Jacket. Revised Edition. Concise edition, revised and updated. 466 pages. Book.

paperback. Condition: Very Good. Light overall wear, but is otherwise clean, straight and bright. 236 pp.

Paperback. Condition: Near Fine. 1st. xii, 202 pages, illustrations; 22 cm. Near fine. Tight, clean copy. Age toning. First paperback edition. *** An indispensable anthology of critical writings on the great French sculptor Auguste Rodin (1840-1917). *** CONTENTS: Introduction, by Ruth Butler; THE AGE OF BRONZE; Review of the Exhibition at the cercle artistique (1877), by Anonymous; Review of the exhibition at the cercle artistique (1877), by Jean Rousseau; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; 1882 and 1883- Saint John, the portraits, and the portal; Review of exhibition at the Royal academy (1882), by Arthur Warren; Review of the Paris salon (1882), by Louis de Fourcaud; Review of the Paris salon (1882), by Paul Leorri; Review of the sculpture at the Paris salon (1882), by Phillp Burty; Review of the exposition des arts liberaux in the rue Vivienne (1883), by Gustave Geffory; Review of the exposition nationale (1883), by Paul Lefort; Review of the exposition nationale (1883), by G. Dargenty; Review of the salon and of the exposition des arts liberaux (1883), by Charles Fremine; Review of the St. John at the Royal Academy (1883), by Anonymous; The Gates of Hell and the Burghers of Calais; The Future Museum of Decorative Arts (1885), by Octave Mirbeau; "The man who returns from hell: Auguste Rodin" ( 1886), by Felicien Champsaur; "Visiting Rodin's studio" (1886), by Edmond de Goncourt; "Rodin and Zola" (1886), by Robert louis Stevenson; A visit to Rodin's studio (1888); Rodolphe Darzens; 1886-1889 MAJOR SUCCESS AT GEORGES PETIT, THE SALONS, AND AT THE EXPOSITION UNIVERSELLE; Review of the exposition internationale at Georges Petit (1886), by G. Dargenty and Armand Silvestre; Review of the exposition internationale at Georges Petit (1887), by J. K. Huysmans; Review of the Brussels Salon (1887)/ Octave Maus; "the sculptor rodin" (1889), by Gustave Geffroy; Review of te monet-rodin exhibition at Georges petit and Rodin's work at the exposition universelle (1889), by Andre Michel; Rodin enters the history of sculpture; "The new movement in sculpture " (1892), by W. C. Brownell; "Contemporary masters" (1895), by Louis Gonse; Rodin's fame in America (1896), by Lorado Taft; THE LATE 1890'S: A CRITICAL BACKLASH; "The failure of genius" (1896), by Felicien Champsaur; "Sculpture at the Paris Salons" (1897), by M. H. Spielmann; An interview with Sarah Bernhardt (1897), by Jacques Daurelle; "The truth about the salons of 1898 and 1899" (1899), by Paul Leroi; BALZAC: PUBLIC BATTLE; "Le vernissage" (May 1, 1898), by Jean Villemer; A letter to Robert Ross (1898), by Oscar Wilde; "Rodin's victory" (1898), by Jean Rameau; Rodin's defense (May 12, 1898), by Auguste Rodin; Rodin's Balzac (1898), by Arsene Alexandre; "Precious ridiculousness" (1898), by Henri Rochefort; "A masterpiece of modern art" (1898), by Frank Harris; 1900: World Renown; A letter for Rodin's exhibition catalogue (1900), by Claude Monet; The exposition universelle (1900), by Edmond Picard; "Notes on Rodin's sculpture" (1900), by Rudolf Kassner; "The gates of hell" (1900), by Anatole France; "Hands in Rodin's Work" (1900), by Gustave Kahn; "The centennial exhibition of French sculpture" (1900), by Gustave Geffroy; "Auguste Rodin, his work, his life, and his influence" (1901), by Camille Mauclair; Letters (1902), by Rainer Maria Rilke; THE MEANING OF RODIN'S ART; "Rodin" (1902), by Arthur Symons; Speech delivered for the inauguration of Rodin's Thinker in front of Pantheon (April 21, 1906), by Dujardin-Beaumetz; "Our Trajan's column: Rodin's tower of labor" (1907), by Ricciotto Canudo; "Auguste Rodin" (1907), by Charles Morice; RODIN'S GERMAN PUBLIC; "Rodin's work as an expression of the modern spirit" (1911), by Georg Simmel; "Auguste Rodin" (1904), byJulius Meier-Grafe; "Auguste Rodin" (1917), by Adolf von Hildebrand; RODIN AND THE YOUNGER MASTERS OF EARLY MODERN SCULPTURE; " A great contemporary artists" (1908), by Antoine Bourdelle; "A promenande through the salon d'automne" (1905), by Andre Gide; "The sculptures of Maillil" (1910), by Roger Fry; An interview with Aristide Maillol (1930's), by Judith Cladel; On Rodin (c. 1937), by Henri Matisse; "Homage to Rodin" (c. 1950), by Constantin Brancusi; RODIN'S WRITING; "the movement of ideas: Rodin's discourses on art" (1911), by Andre chaumeix; "Rodin interprets the cathedrals of France" (1914), by Emile Male; Rodin's Work: Posthumous assessment; "The last of the romantics is dead" (1918), by Elie Faure; "Rodin and the problem of sculpture" (1921), by Carl Burckhardt; "Romantic decadence" (1928), by Luc-Benoist; "realism in sculpture" (1929), by Agnes Rindge; "Rodin's superb one-sidedness" (1937), by Carola Giedion Welcker; THE REDISCOVERY OF RODIN; "Rodin's modernity" (1963), by Albert Elsen; On Rodin (1963 and 1971), byLeo Steinberg; "Rodin is a Rodin is a Rodin." (1967), by John Tancock; "Rodin: the language of sculpture" (1973), by William Tucker; "Rodin's walking man as seen by Henry Moore" (1967), by Albert Elsen. Size: 8vo.

Soft Cover. Reprint. Softcover. Large paperback, 387pp. Fine.

Cloth Over Board. Condition: Fair. No Jacket. First Edition. Cover suffers corner bumping, rubbing, and edge wear. Text is clean and tight in binding. This copy is ex-libris and thus contains all appropriate stamping and card jackets throughout. Size: 8vo - over 7¾" - 9¾" tall. Ex-Library.

Trade Paperback. Condition: Good+. No Jacket. Standard used condition. Reading copy or better. Used Book.

Cover art by Gail Butler (illustrator). Ca., Marion Zimmer Bradley Ltd, Fall 1991 volume 4 Number 2, Contents page in photos, Cover art by Gail Butler. 64 pages A fine copy. See Photos.

Single Issue Magazine. Condition: Good. cover art by V. E. Pyles (illustrator). First Edition; First Printing. New York: The Frank A. Munsey Company 1937. First Edition Pulp magazine in Pictorial wrappers, 144 pages, illustrated. Includes "The Man Who Lost His Head" by Theodore Roscoe, "Close---But No Cigar" by Richard Sale, the second of six parts of "Sandhog" by Borden Chase, "Sierra Gold" by John K. Butler, etc. A Good copy with the spine cocked, cover creasing with the usual edge wear, chipping/light-colored staining to the cover corners at the spine heel, clear/cellophane tape to the inside fore-edge of the front cover, text paper toned. See Photos mag 21/E.

Soft Cover. Fine. First. 8vo - over 7¾" - 9¾" tall. ISBN:1-56512-175-9. 306 pages.

Trade Paperback. Condition: Very Good. The Bettmann Archive (Cover Photo) (illustrator). Updated Edition. 236 pp. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages and light shelf wear. Smooth covers. Pen markings throughout text.

Paperback. Condition: Near Fine/NO DUSTJACKET. Black & White Photographs (illustrator). First Edition. Richfield Springs, NY: ***** Self Published *****. Near Fine/NO DUSTJACKET. (2006). First Edition. Paperback. 8vo., iii, 206 pp. .

Paperback. viii, 137p., wraps, 5.5 x 8.25 inches, very good condition.

Trade Paperback. Condition: Very Good. 1st Collier Books Edition 1966. 236 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Front cover is creased.

Trade Paperback. Condition: Very Good. Susan Mitchell (Cover Design); Simon Marsden (Front Cover Photo); Howard Coster (Back Cover Photo_) (illustrator). 527 pp. Solidly bound copy with moderate external wear and clean text. Relevant newspaper article included from previous owner. Stain on bottom edge.

Hardcover. Condition: Good. Ex-library book with usual markings. Good Condition. Five star seller - Buy with confidence!

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good-. An encyclopedia of astronomy -- its history and the discoveries of modern astronomy, written by and for non-specialists. Lavishly illustrated with B&W photos and line drawings. A Map of the Heavens (National Geographic Society) is laid in. 226 pp. Slight browning to page ends, previous owner name inside front cover. DJ is edgeworn with a few small tears.

Soft Cover. Condition: Very Good. Butler Udell Design (Cover Design) (illustrator). 451 pp. Nearly flawless copy with tight binding, crisp pages and clean text. Minimal external wear. An Ex-University-Library (Barnard College, New York!)-Book with all the usual and standard signs (stamps, stickers, envelope, etc.).

Soft Cover. Condition: Very Good. Butler Udell Design (Cover Design) (illustrator). 451 pp. Nearly flawless copy with tight binding, crisp pages and clean text. Minimal external wear. An Ex-University-Library (Barnard College, New York!)-Book with all the usual and standard signs (stamps, stickers, envelope, etc.).

Soft Cover. Condition: Very Good. Butler Udell Design (Cover Design) (illustrator). 451 pp. Nearly flawless copy with tight binding, crisp pages and clean text. Minimal external wear. An Ex-University-Library (Barnard College, New York!)-Book with all the usual and standard signs (stamps, stickers, envelope, etc.).

Hardcover. Condition: Good with no dust jacket. 275 pages plus maps. ex-university library copy with typical internal library stamps and markings, pocket on inside rear cover, stamped on page edges, glued down stickers on front cover (one has been inked out). recollections of South Africa ; Ex University Library; 5 1/2 x 8 1/2 ".