Edited Rudolf Rasch (2 results)
The Late Baroque Era: From the 1680s to 1740
Edited by George Buelow; Contributing authors: George Buelow, Malcolm Boyd, Eleanor Selfridge-Field, Carolyn Gianturco, Julie Anne Sadie, Bernd Baselt, George Stauffer, Robert Munster, Susan Wollenberg, Donald Burrows, Rudolf Rasch, Louise Stein, and Milos Velimirovoc.
Language: English
Published by Prentice Hall, Englewood Cliffs, New Jersey 1994
- Softcover
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.Andover Books and Antiquities
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Softcover. xx, 521 pp. Music and Society. Softcover. Very good condition; touches of wear on covers.
- Hardcover
- First Edition
Seller: Luigi De Bei, PREGANZIOL, TV, ItalyLuigi De Bei
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US$ 188.31
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Rilegato. Condition: nuovo. Dust Jacket Condition: nuovo. prima edizione. BIO Rudolf Rasch studied musicology in Amsterdam and was affiliated with the Institute of Musicology, later Deparment of Media and Culture Studies, of Utrecht University from 1977 to 2010. His main research interests are the musical history of the Netherla…nds, tuning and temperament, and the works of composers such as Corelli, Vivaldi, Geminiani and Boccherini. He has published articles, books and editions related to all of these fields. SUMMARY Music is not only an art (either as the art of composition or the art of performance) but also a subject for scientific investigation. Scientists have always been interested in musical sound, philosophers in the impact of music on the human mind, and musicians may have been puzzled by the scientific foundations of their art. This book collects fourteen studies by authors from various countries about the interrelations between music and science as apparent in the long century from the lifetime of Leonardo da Vinci (1452-1519) to that of Galileo Galilei (1564-1642), a period termed Renaissance, Early Modern or the time of the (first) Scientific Revolution depending on the angle from which this period is approached. It is a time when the Aristotelian physics was replaced by modern pre-Newtonian physics, when Catholicism was challenged by the Reformation, when traditional polyphonic musical styles were supplemented by new monodic styles, vocal and instrumental. Both Leonardo and Galileo had vivid interests in music, but they were not the only ones. The ideas of scientists and philosophers, such as Marin Mersenne, René Descartes, Giordano Bruno and Philipp Melanchton are also discussed.Pages 440 Ills. 51 b/w and 40 musical examples Language Italian and English text.
