Edited Schubert (78 results)

Soft cover. Condition: Good. Good condition. Some edge, corner surface rub wear to covers. Light cover soiling. All intact. No writing or marking. Not Ex-Library.

Hardcover. Text Figures, Color Photo Plates (illustrator). First American Edition. Copyright Date: 1977 Sm Quarto, 1977, PP.336, Very Good; Slight Weakening At Spine.

Hardcover. Condition: Very Good -. Dust Jacket Condition: Very Good -. First Published. Normal wear; a decent readable copy. 336 pages. Book.

softcover. Condition: Good. 1954. 7" x 10 1/2" softcover, 62 pages, good condition with owner's sticker and notations.

Paperback. Condition: Very Good. New York: Dover, 1973. "Unabridged, unaltered republication of Series 4 (1890), Series 5 (1890), Series 6 (1890), and pp. 93-105 of Series 21 (1897) of Franz Schubert's Werke. Kritisch durchgesehene Geasmmtausgabe, originally published by Breitkopf & Hartel of Leipzig." Clean and tight; lightly used; corners of back wrap panel creased. Decorated Wrapper (softcover). Very Good. Folio. Language: ENG.

Soft cover. Condition: Very Good. Very minor edgewear; otherwise a very lovely clean, bright and tight copy.

Soft cover. Condition: Very Good. No Jacket. Large quarto in stiff paper wraps. Condition: minor wear to binding; minor bumping to lower corner; else VG. 192 pages.

Soft cover. Condition: As New. From the Breitkopf & Hartel Complete Works Edition. 273 pages. Slight shelf wear to bottom edge of back cover. No markings,

Hardcover. Condition: Very Good. Dust Jacket Included. 1991. Mammals, Primates. Southern Illinois University Press. 296p., very good to near fine cloth and dust jacket. 10/25.

Condition: Good. Good condition. (symphonies, music scores, Schubert) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Softcover. Condition: Fine. 4to 11" - 13" tall; 48 pages.

Paperback. Condition: VG+. A recent reprint. Oversize green illustrated wraps with light edge wear, clean, well bound, no spine crease unmarked with bright and clean pages.

Softbound. Condition: Good. Octavo, mild wear to the spine, 79 pp. Text is in German. Articles are "Judengesetze im Burgenland von Stefan dem Heiligen bis Maria Theresia (1001-1780)," Ivan Hacker, "Das Judentum Ungarns 1780-1914,: Wolfdieter Bihl, "Assmilation und Emanzipation des ungarischen Judentums um die Mitte des 19. Jahrhunderts," Wolfgang Häusler.

Condition: Fair. Acceptable condition. Former Library book. 5th printing. (theology, Lutheran churches, Christian doctrine) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Soft cover. Condition: Good. No Jacket. A volume in the series entitled Dover Study and Playing Editions. on covers: some wear on edges, with pealing of color surface at bottom left corner of front.

Paperback. Condition: Very Good. . . . . 4to, paperback. Vg+ condition. Covers and contents clean, unworn, no marking or writing. Binding square and tight. 123 pp.

Paperback. Condition: Very Good. . . . . 4to, paperback. Vg+ condition. Covers and contents clean, unworn, no marking or writing. Binding square and tight. 108 pp.

Stapled wraps. Condition: Very Good-. Has some pencil marks/writing. ; Full chorus of mixed voices with organ and strings. Score for voices with piano accompaniment. ; Large 8vo; 62 pages.

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. Near fine blue cloth octavo hardcover 182pp. Mark free. Illustrated. west.

Paperback. Condition: Very Good. . . . . 4to, paperback. Vg+ condition. Covers and contents clean, unworn, no marking or writing. Binding square and tight. pp. 165-287.

Wrappers. Condition: Very Good. Printed wrappers Very good. 50 pp Ilus.

Hardcover. Condition: Very Good. 1st Edition. 'The Musicians Library'. Green cloth covered boards, beige cloth quarter binding. Lettering on front cover and spine gold gilt. Shelf wear, damage to cover. spine. This book was used by a singer. Light pencil notes throughout indicating dynamics, crescendos, inaccurate translations from German to English. 12.5 x 9.5" x 0.75". xxi, 219 pages. 3 pounds.

Softcover. Condition: Good. From the Breitkopf & Hartel Complete Works Collection, with new literal prose translations of the texts. 222 pages. Previous owners name on front endpaper. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Music::Sheet Music; United States; Music Sheets & Scores; ISBN: 0486248496. ISBN/EAN: 9780486248493. Inventory No: 268839.

Soft cover. Condition: Very Good. First Edition Thus. 160 pp sheet music. Clean sound, large paperback minor wear.

hardcover with dustjacket. Condition: acceptable; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDsm4to; 336 pages; acceptable hardcover with dustjacket; stains to few pages; foxing stains; tanning edges; some fading to dustjacket; tips bumped; previous owner name in ink front free end page; clean pages; edges bumped; prompt shipping with tracking.

Soft cover. Condition: Very Good. Sewn in printed wraps. Some spotting to rear cover. Interior is unmarked. [4], 31 pp. 8.75 x 5.75 inches. Tables correlating the Gospel of Peter fragment to its associated Septuagint verses and the four canonical Gospels (Matthew 27-28, Mark 15-16, Luke 23-24, John 19-20). Preceded by a couple pages recording, in several quotes, the opinion of the early church (Origin, Eusebius, etc.), and concluding with the two-page English translation by Rev. John MacPherson. Hans von Schubert (1859-1931) was a German Protestant theologian and historian. He held professorships at the University of Strasbourg, Kiel University and Heidelberg University.

Paperback. Condition: Fine. 1st. 383 pages; 21 cm. Tight, clean copy. *** "Through an extremely restricted vocabulary, Robert Ryman became a leading figure on the fringes of Minimalist and Conceptual art. This anthology of essays reviews and charts the evolution of the artist's critical reception. A comprehensive selection of over 60 essays and exhibition reviews has been collated into one volume, including texts by some of the most influential art historians and critics. The writings look at Ryman s work within the context of the 'challenge to painting' in the 1960s, as well as the artist's work in relation to other influential painters in art history. Drawing upon the words of key contemporary thinkers, an introduction by Vittorio Colaizzi explores the importance of elements of support, colour, brushstroke in Ryman's paintings." - Publisher. *** CONTENTS: Robert Ryman: Critical texts since 1967: The Silent Art, 1967, by Lucy R. Lippard; Review. Robert Ryman: Paul Bianchini Gallery, 1967, by Joseph Kosuth; New York Commentary, 1969, by Dore Ashton; Robert Ryman's Double Positive, 1971, by Carter Ratcliff; Robert Ryman, 1971, by Willis Domingo; Review. Robert Ryman at Fischbach Gallery and Dwan Gallery, 1971, by Kenneth Baker; Review. Art: Ryman's White-on-White Oeuvre, 1972, by John Canaday; "Ryman" Brand Paintings, 1972, by Naomi Spector; Ryman, Marden, Manzoni: Theory, Sensibility, Mediation, 1972, by Robert Pincus-Witten; Opaque Surfaces, 1973, by Douglas Crimp; Robert Ryman, John Weber Gallery, 1973, by Bruce Boice; Review. Strata: paintings, drawings and prints by Ellsworth Kelly, Brice Marden, Agnes Martin, Robert Ryman and Cy Twombly, 1974, by Lynda Morris; Robert Ryman: Unfinished III (Position), 1974, by Barbara R. Reise; Review. Robert Ryman: John Weber Gallery, 1974, by Ellen Lubell Note continued: Robert Ryman; active painting, 1975, by Catherine Millet; Review. Robert Ryman: John Weber Gallery, 1975, by Hilton Kramer; Appreciating Ryman, 1975, by Jeremy Gilbert-Rolfe; Ryman Dossier: About the destruction of the surface entity, 1978, by Christian Bonnefoi; Review. Robert Ryman: Sidney Janis Gallery, 1979, by Jeff Perrone; Robert Ryman: Reductionism [actual symbol not reproducible] Entropy, 1979, by Donald B. Kuspit; Robert Ryman: Another View, 1979, by Marcia Hafif; Irreproducible Ryman, 1980, by Thierry de Duve; Painting in Shreds, 1981, by Jean Clay; The End of Painting, 1981, by Douglas Crimp; Ryman's Tact, 1981, by Yve-Alain Bois; Review. Robert Ryman: Bonnier Gallery, 1983, by Stephen L. Kaplan; Review. Robert Ryman: Maeght Lelong, 1984, by Gerrit Henry; This Is Not a White Square, 1984, by Jean Fremon; Review. Robert Ryman: Leo Castelli Gallery, 1986, by Ellen Handy; Art at the Edge: Ryman's Vector and Cezanne, 1986, by Walter Thompson Note continued: Robert Ryman: The Charter Series: A Meditative Room for the Collection of Gerald S. Elliott, 1987, by Neal Benezra; Nonrepresentation in 1988: Meaning; production beyond the Scope of the Pious, 1988, by Jeremy Gilbert-Rolfe; Review. Robert Ryman: Dia Art Foundation, 1989, by Meyer Raphael Rubinstein, by Daniel Wiener; Red Desert and Arctic Dreams, 1989, by Donald B. Kuspit; Signed Ryman, 1990, by Jean-Pierre Criqui; Surprise and Equanimity, 1990, by Yve-Alain Bois; Robert Ryman: Ode to a Clean Slate, 1991, by Dan Cameron; Review. Robert Ryman: Pace Wildenstein, 1991, by Franklin Sirmans; Absence Made Visible: Robert Ryman's "Realist" Painting, 1992, by Thomas McEvilley; Interpretation or projection? Robert Ryman; after-thoughts on the retrospective in Schaffhausen, 1992, by Laura Arici; Robert Ryman Prints 1969-1993, 1993, by Amy Baker Sandback; Simple Gifts, 1993, by Robert Storr; A Paler Shade of White, 1993, by Robert Hughes Note continued: Ryman, 1993, by Arthur Coleman Danto; Review. New York, Museum of Modern Art: Robert Ryman, 1993, by David Carrier; Ryman's Poetics, 1994, by Christopher S. Wood; Review. Robert Ryman: Pace Wildenstein, 1996, by Lee Siegel; Robert Ryman: "Standard," 1967. Collectible.

Hardcover. Condition: Fine. 1st. Pictorial boards, 335 pages, colour illustrations; 28 cm. English Edition. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. Lots of Political Pop in this great catalogue. *** "A new kind of figurative art appeared during the 1960s in Europe and the United States. While in New York Pop Art offered a fresh perspective on an America in the throes of frenzied change, in Paris French painters and others from Italy, Spain, Portugal, Germany and Iceland also began exploiting images that had their origins in advertising, cinema and the popular press. Grouped under the umbrella term Narrative Figuration, they soon became the uncompromising critics of what was dubbed the consumer society. They were for the most part politically committed artists and many of them were actively involved in the political agitation that led up to the events of May 1968 in France. Once standard bearers, the Narrative Figuration artists have now been rediscovered by museums, which, like the Centre Pompidou, are dedicating increasing numbers of exhibitions to their work. Thanks to the acquisition of major works, the collection of the Fondation Gandur pour l'Art in Geneva now provides what is without doubt one of the most exhaustive selections of works by Adami, Aillaud, Arroyo, Err , Fromanger, Jacquet, Klasen, Monory, Rancillac, Schlosser, St mpfli, T l maque and Voss, to name a few. Edited by Jean-Paul Ameline, who curated the Figuration narrative, Paris, 1960-1972 exhibition, held at the Grand Palais in 2008, this catalogue includes all its key works, with commentary and analysis by curators and art historians specializing in a movement that left an indelible mark on 1960s Europe." - Publisher. Size: 4to. Collectible.

Soft cover. Condition: New. 9783795762780. Yellow cloth softcover. Edition Eulenberg, No. 403. Not ex. library. 108 pages. Contents new clean, tight and bright. Book.

Condition: Used - Good. Good paperback. 1978 edition - vocal score with SATB parts and keyboard reduction; cover basically uncreased with curly, slightly worn corners; spine uncreased with a little damage to top edge (mended); owner's sticker on first page; otherwise, a clean, tidy, unmarked copy. Used - Good. Good paperback.