Eric Salzman (121 results)

Condition: Good. . Owner's name on inside. Writing inside. 2nd edition.

paperback. Condition: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Good condition. 2nd edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Very Good. 3rd Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 3rd Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Fair. Paperback. Pages show few instances of underlining and annotation. Slightly tanned. Covers show light edge wear. COVER MAY NOT MATCH THE PICTURE ON THIS SITE.; 100% Satisfaction Guaranteed! Ships same or next business day!

Condition: Good. Good Condition. Has some writing/highlighting. Five star seller - Buy with confidence!

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 2nd. Clean, tight copy with light shelf wear. good dj with a tear on the rear jacket, very light chipping and fading - SR.

softcover. Condition: Nearly fine copy. 3rd ed. 8vo, 330 pp., Prentice Hall History of Music Series.

Paper Back. Condition: Good.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Very Good. No Jacket. BBC 03 8½"x11"; 98 pages; Soft Pictorial Cover; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. Due to USPS regulations, this item may require additional postage. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. BBC Music Magazine is a British monthly magazine that focuses primarily on classical music. Each edition comes together with an audio CD, often including BBC recordings of full-length works. The first issue appeared in September 1992. The magazine includes regular columns and reviews of new releases as well as several in depth feature articles by noted music writers. Each issue contains a CD featuring complete works by the greatest composers, performed by world-class artists and ensembles. This issue includes the audio CD "Purcell; Dido & Aeneas the Complete Opera" performed by the Taverner Choir & Players, conducted by Andrew Parrott, featuring Emily Van Evera (Dido) and Ben Parry (Aeneas); This issue contains the following articles: "Counterpoint: Company Profile" (Conifer Classics) by Nick Kimberley; "from an ivory tower: Java's music caught in the act by 'a gentleman at Semarang" by John Milsom; "Music in Art" (St. Cecelia with attendant saints by Raphael and St. Cecelia by Domenichino) by Tom Phillips; "A Lasting Inspiration: Jacqueline du Pre" by Piers du Pre, Hilary du Pre, George Pratt and Steven Isserlis; "Composers of the Year": Henry Purcell by Robert King; John Taverner by Henry Chadwick; Gabriel Faure by Robert Orledge; Bela Bartok by Peter Paul Nash, Anton Webern by Eleonore Buning, Jerome Kern by Eric Salzman, Paul Hindemith by Paul Silverthorns, Carl Orff by David Drew; "Today's Composers look to the year ahead" (Luciano Berio, Giya Kancheli, Priti Paintal, Dave Brubeck, Nicolas Maw, Mark-Anthony Turnage); "Kissin's not telling" (profile of pianist Evgeny Kissin) by Jeremy Siepmann; "Building a Library" (Richard Wagner's Die Meistersinger von Nurnberg) by John Warrack; "Brian Kay's Starter Collection" (essential performances from the classical repertoire) by Brian Kay; "Strange bedfellows" (jazz-rock fusion) by Ian Carr; "Quodlibet; Modes of expression" (composers expression marks) Fritz Spiegl; "Music that changed me" (Robert Lloyd, bass) interview by Margaret Rand.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Soft cover. Condition: Good. 2nd Edition. P/O name to front page, faded spine o/w clean, unmarked copy with solid, crease-free spine. TM/Music.

Condition: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Soft cover. Condition: Good. No Jacket. Tight And Square Trade Paperback. White Pictorial Wraps With Light Edge Wear. Previous Owner's Name On Inside Page And Outer Page Edges. Pages Within Are All Clean. History Of Music Series.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. Alternatives to grand opera and the popular musical can be traced back through the modernist experiments of the 60s, the Broadway and off-Broadway theater operas of the 30s and 40s, to early Stravinsky and Kurt Weill, and at least as far as the 1912 premiere of Schoenberg's Pierrot Lunaire. Yet this ongoing history has never been properly sorted out, its complex ideas and philosophy as well as musical and theatrical achievements never brought fully to light. The New Music Theater is the first comprehensive attempt in English to cover this still-emerging art form in its widest range. Written for the reader who comes from the contemporary worlds of music, theater, film, literature and visual arts, this book provides a wealth of examples and descriptions not only of the works themselves, but of the concepts, ideas and trends that have gone into the evolution of what may be the most central performance art form of the post-modern world. Authors Salzman and Desi consider the subject of music theatre from a social as well as artistic point of view, exploring how theater works in culture, and how music works in the theater. In the first part of the book, they treat the origins of theater itself, putting forth insightful discussions about the relationship between language and music, song and speech, story-telling and expression, theatrical movement and dance. Their exploration then moves into the crucial relationships between high art forms and popular culture, and between entertainment and instruction. The authors proceed in the book's second part to the forms that music theater has taken from ancient times to the present day, investigating its gradual transformations from popular theater to more structured high art forms, to the eclectic mixture of forms which flourish today. This brings the reader into the third part, in which Salzman and Deszy trace the contemporary music theater renaissance from the cubist, dadaist, and futurist experiments of the 20s and 30s to the inter-arts movements of the 50s and 60s. Here they survey the increasingly pervasive impact of media and technology and the influence of jazz, pop, and world beat on new theatre forms and styles of today. This section also features a special section on vocal style and language, and extended vocal techniques. The final and fourth part of the book assesses the present state of music theater. Illuminating their discussion with illustrations from current artists and their works, the authors sum up what we have learned, and respond to such questions as: How does music work in theater? What does it mean when people get up on stage and sing instead of speak? And how much of this is universal? Through this process, The New Music Theater both describes where we have been and points the way to the future of this all-encompassing art form. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. 3rd Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paper Back. Condition: Good.

Hardcover. Condition: Good. This edition was withdrawn from the library and is in the plastic protective covers. A card pocket is pasted on the inside back. There is a slight forward lean to the front cover. The library name stamped at the page edge now has a marker line through it. Despite these conditions the text remains clear and readable in a good binding.

Hardcover. Condition: Good. No Jacket. Due to age and/or environmental conditions, the pages of this book have darkened. Ex-Libris and is stamped as such. Boards show some signs of bowing. Minimal, but noticable damage due to wetness. Binding is somewhat loose. Leaves are starting to separate from the binding. Minimal, but noticable fading due to exposure to sunlight. Small wrinkles in the cover. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.