Etching William Strang (9 results)

Hardcover. Condition: Very Good +. Frontispiece Etching By William Strang, Two Plates (illustrator). 1st Edition. Xx, 366 Pp. 32 Pp Methuen Catalog At Rear Dated September 1895. 1895 Date On Title Page. Pinkish-Beige Cloth, Gilt Lettering On Spine, Elaborate Gilt Design On Front Cover Incorporating Initials Of Rlds And Sc, Top Edge Gilt, Deckled Edges. Light Wear, Gilt Brilliant, No Fraying.

Hardcover. Condition: Very Good +. Frontispiece Etching By William Strang, Two Plates (illustrator). 1st Edition. Xx, 366 Pp. 32 Pp Methuen Catalog At Rear Dated September 1895. 1895 Date On Title Page. Pinkish-Beige Cloth, Gilt Lettering On Spine, Elaborate Gilt Design On Front Cover Incorporating Initials Of Rlds And Sc, Top Edge Gilt, Deckled Edges. Light Wear, Gilt Brilliant, No Fraying. This Copy Very Nicely Inscribed From Claude To Violet With A Quote, Dated "3/12/95".

Hardcover. William Strang etching (illustrator). pp. I, 357. 12mo. Bound in red cloth, with gilt lettering to spine.,The subtitle continues: 'To Which is Added a Chapter on the Poetry by J. E. Barton and a Bibliography by John Lane together with a New Portrait by Vernon Hill and the Etched Portrait by William Strang'. Boards a bit bumped and scuffed, lightly soiled, and contents a bit shaken; else in good to very good condition. Former owner's ink name and date (Aug., 1923) on ffep. This is the New Edition, published in the same year as the first edition.

No Binding. Condition: Fine. Original Art Work. Sheet 35 X 24.5 Cm. Signed In The Plate. William Strang Ra (1859 - 1921) Was A Scottish Painter And Engraver. He Was Born At Dumbarton, The Son Of Peter Strang, Builder, And Educated At The Dumbarton Academy. He Studied Art Under Alphonse Legros At The Slade School For Six Years. He Was One Of The Original Members Of The Royal Society Of Painter-Etchers, And His Work Was A Part Of Their First Exhibition In 1881. Some Of His Early Plates Were Published In The Portfolio And Other Art Magazines. He Worked In Many Manners, Etching, Dry Point, Mezzotint, Sand-Ground Mezzotint, Nd Burin Engraving. Lithography And Wood-Cutting Were Also Used By Him To Create Pictures. A Privately Produced Catalogue Of His Engraved Work Contained More Than Three Hundred Items. Strang Produced A Number Of Paintings,[2] Portraits, Nude Figures In Landscapes, And Groups Of Peasant Families, Which Were Exhibited At The Royal Academy, The International Society, And Several German Exhibitions. He Painted A Decorative Series Of Scenes From The Story Of Adam And Eve For The Library Of A Wolverhampton Landowner Named Hodson; They Were Exhibited At The Whitechapel Exhibition In 1910. Some Of His Nude Model Drawings In Silver Point And Red And Black Chalk Are Very Beautiful As Well As Powerful And True. He Also Painted Landscapes, Mostly Small In Size. In Later Years He Developed A Style Of Drawing In Red And Black Chalk, With The Whites And High Lights Rubbed Out, On Paper Stained With Water Colour. He Drew Portraits Of Many Members Of The Order Of Merit For The Royal Library At Windsor Castle. In 1902 Strang Retired From The Royal Society Of Painter-Etchers, As A Protest Against The Inclusion In Its Exhibitions Of Etched Or Engraved Reproductions Of Pictures. His Work Was Subsequently Seen Principally In The Exhibitions Of The Royal Academy, The Society Of Twelve And The International Society, To Which He Was Elected In 1905. Strang Was Also Elected An Associate Engraver Of The Royal Academy When That Degree Was Revived In 1906. William Strang Was Master Of The Art Workers Guild In 1907. In 1955 David Strang Gifted The Bulk Of William Strang's Etchings To The National Gallery Of Scotland, Many Of Which Were Annotated By David For Clarification On Subject Matter.

No Binding. Condition: Fine. Original Art Work. Sheet 35 X 24.5 Cm. Signed In The Plate. William Strang Ra (1859 - 1921) Was A Scottish Painter And Engraver. He Was Born At Dumbarton, The Son Of Peter Strang, Builder, And Educated At The Dumbarton Academy. He Studied Art Under Alphonse Legros At The Slade School For Six Years. He Was One Of The Original Members Of The Royal Society Of Painter-Etchers, And His Work Was A Part Of Their First Exhibition In 1881. Some Of His Early Plates Were Published In The Portfolio And Other Art Magazines. He Worked In Many Manners, Etching, Dry Point, Mezzotint, Sand-Ground Mezzotint, Nd Burin Engraving. Lithography And Wood-Cutting Were Also Used By Him To Create Pictures. A Privately Produced Catalogue Of His Engraved Work Contained More Than Three Hundred Items. Strang Produced A Number Of Paintings,[2] Portraits, Nude Figures In Landscapes, And Groups Of Peasant Families, Which Were Exhibited At The Royal Academy, The International Society, And Several German Exhibitions. He Painted A Decorative Series Of Scenes From The Story Of Adam And Eve For The Library Of A Wolverhampton Landowner Named Hodson; They Were Exhibited At The Whitechapel Exhibition In 1910. Some Of His Nude Model Drawings In Silver Point And Red And Black Chalk Are Very Beautiful As Well As Powerful And True. He Also Painted Landscapes, Mostly Small In Size. In Later Years He Developed A Style Of Drawing In Red And Black Chalk, With The Whites And High Lights Rubbed Out, On Paper Stained With Water Colour. He Drew Portraits Of Many Members Of The Order Of Merit For The Royal Library At Windsor Castle. In 1902 Strang Retired From The Royal Society Of Painter-Etchers, As A Protest Against The Inclusion In Its Exhibitions Of Etched Or Engraved Reproductions Of Pictures. His Work Was Subsequently Seen Principally In The Exhibitions Of The Royal Academy, The Society Of Twelve And The International Society, To Which He Was Elected In 1905. Strang Was Also Elected An Associate Engraver Of The Royal Academy When That Degree Was Revived In 1906. William Strang Was Master Of The Art Workers Guild In 1907. In 1955 David Strang Gifted The Bulk Of William Strang's Etchings To The National Gallery Of Scotland, Many Of Which Were Annotated By David For Clarification On Subject Matter.

No Binding. Condition: Fine. Original Art Work. Sheet 35 X 24.5 Cm. Signed In The Plate. William Strang Ra (1859 - 1921) Was A Scottish Painter And Engraver. He Was Born At Dumbarton, The Son Of Peter Strang, Builder, And Educated At The Dumbarton Academy. He Studied Art Under Alphonse Legros At The Slade School For Six Years. He Was One Of The Original Members Of The Royal Society Of Painter-Etchers, And His Work Was A Part Of Their First Exhibition In 1881. Some Of His Early Plates Were Published In The Portfolio And Other Art Magazines. He Worked In Many Manners, Etching, Dry Point, Mezzotint, Sand-Ground Mezzotint, Nd Burin Engraving. Lithography And Wood-Cutting Were Also Used By Him To Create Pictures. A Privately Produced Catalogue Of His Engraved Work Contained More Than Three Hundred Items. Strang Produced A Number Of Paintings,[2] Portraits, Nude Figures In Landscapes, And Groups Of Peasant Families, Which Were Exhibited At The Royal Academy, The International Society, And Several German Exhibitions. He Painted A Decorative Series Of Scenes From The Story Of Adam And Eve For The Library Of A Wolverhampton Landowner Named Hodson; They Were Exhibited At The Whitechapel Exhibition In 1910. Some Of His Nude Model Drawings In Silver Point And Red And Black Chalk Are Very Beautiful As Well As Powerful And True. He Also Painted Landscapes, Mostly Small In Size. In Later Years He Developed A Style Of Drawing In Red And Black Chalk, With The Whites And High Lights Rubbed Out, On Paper Stained With Water Colour. He Drew Portraits Of Many Members Of The Order Of Merit For The Royal Library At Windsor Castle. In 1902 Strang Retired From The Royal Society Of Painter-Etchers, As A Protest Against The Inclusion In Its Exhibitions Of Etched Or Engraved Reproductions Of Pictures. His Work Was Subsequently Seen Principally In The Exhibitions Of The Royal Academy, The Society Of Twelve And The International Society, To Which He Was Elected In 1905. Strang Was Also Elected An Associate Engraver Of The Royal Academy When That Degree Was Revived In 1906. William Strang Was Master Of The Art Workers Guild In 1907. In 1955 David Strang Gifted The Bulk Of William Strang's Etchings To The National Gallery Of Scotland, Many Of Which Were Annotated By David For Clarification On Subject Matter.

No Binding. Condition: Fine. Original Art Work. 35 X 24.5 Cm. Signed In The Plate. William Strang Ra (1859 - 1921) Was A Scottish Painter And Engraver. He Was Born At Dumbarton, The Son Of Peter Strang, Builder, And Educated At The Dumbarton Academy. He Studied Art Under Alphonse Legros At The Slade School For Six Years. He Was One Of The Original Members Of The Royal Society Of Painter-Etchers, And His Work Was A Part Of Their First Exhibition In 1881. Some Of His Early Plates Were Published In The Portfolio And Other Art Magazines. He Worked In Many Manners, Etching, Dry Point, Mezzotint, Sand-Ground Mezzotint, Nd Burin Engraving. Lithography And Wood-Cutting Were Also Used By Him To Create Pictures. A Privately Produced Catalogue Of His Engraved Work Contained More Than Three Hundred Items. Strang Produced A Number Of Paintings,[2] Portraits, Nude Figures In Landscapes, And Groups Of Peasant Families, Which Were Exhibited At The Royal Academy, The International Society, And Several German Exhibitions. He Painted A Decorative Series Of Scenes From The Story Of Adam And Eve For The Library Of A Wolverhampton Landowner Named Hodson; They Were Exhibited At The Whitechapel Exhibition In 1910. Some Of His Nude Model Drawings In Silver Point And Red And Black Chalk Are Very Beautiful As Well As Powerful And True. He Also Painted Landscapes, Mostly Small In Size. In Later Years He Developed A Style Of Drawing In Red And Black Chalk, With The Whites And High Lights Rubbed Out, On Paper Stained With Water Colour. He Drew Portraits Of Many Members Of The Order Of Merit For The Royal Library At Windsor Castle. In 1902 Strang Retired From The Royal Society Of Painter-Etchers, As A Protest Against The Inclusion In Its Exhibitions Of Etched Or Engraved Reproductions Of Pictures. His Work Was Subsequently Seen Principally In The Exhibitions Of The Royal Academy, The Society Of Twelve And The International Society, To Which He Was Elected In 1905. Strang Was Also Elected An Associate Engraver Of The Royal Academy When That Degree Was Revived In 1906. William Strang Was Master Of The Art Workers Guild In 1907. In 1955 David Strang Gifted The Bulk Of William Strang's Etchings To The National Gallery Of Scotland, Many Of Which Were Annotated By David For Clarification On Subject Matter.

No Binding. Condition: Fine. Original Art Work. Sheet 35 X 24.5 Cm. Signed In The Plate. William Strang Ra (1859 - 1921) Was A Scottish Painter And Engraver. He Was Born At Dumbarton, The Son Of Peter Strang, Builder, And Educated At The Dumbarton Academy. He Studied Art Under Alphonse Legros At The Slade School For Six Years. He Was One Of The Original Members Of The Royal Society Of Painter-Etchers, And His Work Was A Part Of Their First Exhibition In 1881. Some Of His Early Plates Were Published In The Portfolio And Other Art Magazines. He Worked In Many Manners, Etching, Dry Point, Mezzotint, Sand-Ground Mezzotint, Nd Burin Engraving. Lithography And Wood-Cutting Were Also Used By Him To Create Pictures. A Privately Produced Catalogue Of His Engraved Work Contained More Than Three Hundred Items. Strang Produced A Number Of Paintings,[2] Portraits, Nude Figures In Landscapes, And Groups Of Peasant Families, Which Were Exhibited At The Royal Academy, The International Society, And Several German Exhibitions. He Painted A Decorative Series Of Scenes From The Story Of Adam And Eve For The Library Of A Wolverhampton Landowner Named Hodson; They Were Exhibited At The Whitechapel Exhibition In 1910. Some Of His Nude Model Drawings In Silver Point And Red And Black Chalk Are Very Beautiful As Well As Powerful And True. He Also Painted Landscapes, Mostly Small In Size. In Later Years He Developed A Style Of Drawing In Red And Black Chalk, With The Whites And High Lights Rubbed Out, On Paper Stained With Water Colour. He Drew Portraits Of Many Members Of The Order Of Merit For The Royal Library At Windsor Castle. In 1902 Strang Retired From The Royal Society Of Painter-Etchers, As A Protest Against The Inclusion In Its Exhibitions Of Etched Or Engraved Reproductions Of Pictures. His Work Was Subsequently Seen Principally In The Exhibitions Of The Royal Academy, The Society Of Twelve And The International Society, To Which He Was Elected In 1905. Strang Was Also Elected An Associate Engraver Of The Royal Academy When That Degree Was Revived In 1906. William Strang Was Master Of The Art Workers Guild In 1907. In 1955 David Strang Gifted The Bulk Of William Strang's Etchings To The National Gallery Of Scotland, Many Of Which Were Annotated By David For Clarification On Subject Matter.

No Binding. Condition: Fine. Original Art Work. 35 X 24.5 Cm. Signed In The Plate. William Strang Ra (1859 - 1921) Was A Scottish Painter And Engraver. He Was Born At Dumbarton, The Son Of Peter Strang, Builder, And Educated At The Dumbarton Academy. He Studied Art Under Alphonse Legros At The Slade School For Six Years. He Was One Of The Original Members Of The Royal Society Of Painter-Etchers, And His Work Was A Part Of Their First Exhibition In 1881. Some Of His Early Plates Were Published In The Portfolio And Other Art Magazines. He Worked In Many Manners, Etching, Dry Point, Mezzotint, Sand-Ground Mezzotint, Nd Burin Engraving. Lithography And Wood-Cutting Were Also Used By Him To Create Pictures. A Privately Produced Catalogue Of His Engraved Work Contained More Than Three Hundred Items. Strang Produced A Number Of Paintings,[2] Portraits, Nude Figures In Landscapes, And Groups Of Peasant Families, Which Were Exhibited At The Royal Academy, The International Society, And Several German Exhibitions. He Painted A Decorative Series Of Scenes From The Story Of Adam And Eve For The Library Of A Wolverhampton Landowner Named Hodson; They Were Exhibited At The Whitechapel Exhibition In 1910. Some Of His Nude Model Drawings In Silver Point And Red And Black Chalk Are Very Beautiful As Well As Powerful And True. He Also Painted Landscapes, Mostly Small In Size. In Later Years He Developed A Style Of Drawing In Red And Black Chalk, With The Whites And High Lights Rubbed Out, On Paper Stained With Water Colour. He Drew Portraits Of Many Members Of The Order Of Merit For The Royal Library At Windsor Castle. In 1902 Strang Retired From The Royal Society Of Painter-Etchers, As A Protest Against The Inclusion In Its Exhibitions Of Etched Or Engraved Reproductions Of Pictures. His Work Was Subsequently Seen Principally In The Exhibitions Of The Royal Academy, The Society Of Twelve And The International Society, To Which He Was Elected In 1905. Strang Was Also Elected An Associate Engraver Of The Royal Academy When That Degree Was Revived In 1906. William Strang Was Master Of The Art Workers Guild In 1907. In 1955 David Strang Gifted The Bulk Of William Strang's Etchings To The National Gallery Of Scotland, Many Of Which Were Annotated By David For Clarification On Subject Matter.