Eugene Helm (58 results)

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condition: Near Fine. 6 X 0.5 X 9 inches; 273 pages.

Trade Paperback. Condition: Like New. First Edition. First Edition, 2nd Printing. Not price-clipped ($19.95 price intact). Published by Prentice Hall, 1991. Octavo. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Soft Cover. Condition: Very Good. Reprint. Reprint in soft cover format, 8vo, 372pp, photo reproductions; card covers;VG Copy Size: 8vo - over 7¾" - 9¾" tall.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Paperback. Condition: Good. 1971 Joseph Boonin printing. Softcover. Shelf wear. Small tear to spine. Scattered underlining and markings.

Hardcover. Condition: Very Good. Inscribed by author to previous owner. Red hardcover shows only light cover wear. Text is unmarked and binding tight. Ships FAST!

Condition: Fine. Cloth.; 8vo.

Soft cover. Condition: Good to Worn - Marks, Browned.

Soft cover. Condition: Very Good. Front Cover Painting by Charles Dye Interior Artists: Steven R. Kidd; Earl Eugene Mayan; Harry Rosenbaum; Robert Stanley; Harvey Kidder; Robert Mariner; John McDermott; (illustrator). ARGOSY Men Adventure Magazine Volume 328, #4; (April /1949; Popular Publications;) Front Cover Painting by Charles Dye 114 pages including covers; Writers: Erle Stanley Gardner; Stewart Toland; Tom W. Blackburn; William Holder; Leslie T. White; Max Shulman; Gordon Ramsey; Thomas William Helm; James D. Woolf; James L. H. Peck; H. Colby Jones; Rip Newborn; James C. Adams; Interior Artists: Steven R. Kidd; Earl Eugene Mayan; Harry Rosenbaum; Robert Stanley; Harvey Kidder; Robert Mariner; John McDermott; *** Book Order # ADV9130; Condition= VG = (4.0) VERY GOOD; (Average Used Condition) Slight Bend to lower edge Back cover crease Price=US$19.00); Size: 4to - over 9¾" - 12" tall TRUE FIRST Edition MAGAZINE Format Thus. Book.

Condition: Gut. Formateinband: Paperback / kartoniert 475 S.; 21 cm 1. Aufl.; Rücken gering lesefaltig; sonst in gutem Zustand. Sprache: Deutsch Gewicht in Gramm: 650 [Stichwörter: Johann Sebastian Bach und seine Vorfahren und Söhne, Biographie, Familienbiographie].

* Mit zahlreichen Abbildungen und Notenbeispielen. 475 Seiten. 21 x 13 cm. Illustrierte Original-Broschur. (The New Grove - Die großen Komponisten). *** Mit vollständigen Werkverzeichnissen und ausführlicher Bibliographie der Vorfahren und Söhne des Thomaskantors. - Ordentliches Exemplar.

Condition: Gut. Jahr: 1993. Einband: Taschenbuch. Beschreibung: Umschlag berieben. Mit einigen Notizen mit Bleistift. Sonst gutes Exemplar. Sprache: de. 475 S.

Cloth. Condition: Good. No Jacket. Ex public library in original binding. Usual library faults, else slight wear. Text VG.

Condition: Gut. Jahr: 1990. Einband: Klappenbroschur. Beschreibung: Titelhinweis zur Orig.-Ausg.: The new Grove Bach family. Mit kl. Stempel auf dem Vorsatz. Aus dem Nachlass des Musikwissenschaftlers Ernest Warburton. Einbanddeckel mit Knickspur. Bis Seite 7 Läsuren an den Rändern der Seiten, sonst gut erhalten. Sprache: it. 452 S.

Soft cover. Condition: Very Good. 144 pages. Illustrated. Johann Sebastian Bach's Orchestra: Some Unanswered Questions (pp. 3-15) Hans-Joachim Schulze The Dresden Hofkapelle during the Lifetime of Johann Sebastian Bach (pp. 17-30) Ortrun Landmann The Editorial Transmission of C.P.E. Bach's Music (pp. 32-41) E. Eugene Helm A Chaconne by Georg Böhm: A Note on German Composers and French Styles (pp. 43-54) Peter Williams Türk, Touch and Slurring: Finding a Rationale (pp. 55-59) Daniel M. Raessler Early Fingering: Some Editing Problems and Some New Readings for J.S. Bach and John Bull (pp. 60-69) Mark Lindley The Rules for 'Through Bass' and for Tuning Attributed to Handel (pp. 70-74+77) Jane Troy Johnson.

Condition: Gut. Jahr: 1990. Einband: Klappenbroschur. Beschreibung: Titelhinweis zur Orig.-Ausg.: The new Grove Bach family. Mit kl. Stempel auf dem Vorsatz. Aus dem Nachlass des Musikwissenschaftlers Ernest Warburton. Sehr gutes Exemplar. Sprache: it. 452 S.

Condition: New.

Condition: New.

paperback. Condition: As New.

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Where did the major scale come from? Why does most traditional non-Western music not share Western principles of harmony? What does the inner structure of a canon have to do with religious belief? Why, in historical terms, is J.S. Bach's music regarded as a perfect combination of melody and harmony? Why do clocks in church towers strike dominant-tonic-dominant-tonic? What do cathedrals have to do with monochords? How can the harmonic series be demonstrated with a rope tied to a doorknob, and how can it be heard by standing next to an electric fan? Why are the free ocean waves in Debussy's La Mer, the turbulent river waves in Smetana's Moldau, and the fountain ripples in Ravel's Jeux d'Eau pushed at times into four-bar phrases? Why is the metric system inherently unsuitable for organizing music and poetry? In what way does Plato's Timaeus resemble the prelude to Wagner's Das Rheingold? Just how does Beethoven's work perfectly illustrate fully functional tonality, and why were long-range works based on this type of tonality impossible before the introduction of equal temperament? In this new century, what promising materials are available to composers in the wake of harmonic experimentation and, some would argue, exhaustion?The answers to these seemingly complicated questions are not the sole province of music professors or orchestra conductors. In fact, as E. Eugene Helm demonstrates in Melody, Harmony, Tonality: An Introduction, they can just as easily be explained to amateurs, and their answers are important if we are to understand how Western music works. The full range of Western music is explored through 21 concise chapters on such topics as melody, harmony, counterpoint, texture, melody types, improvisation, music notation, free imitation, canon and fugue, vibration and its relation to harmony, tonality, and the place of music in architecture and astronomy. Intended for amateurs and professionals, concert-goers and conductors, Helm offers in down-to-earth language an explanation of the foundations of our Western music heritage, deepening our understanding and the listening experience of it for all.Melody, Harmony Tonality: An Introduction is the paperback edition of Melody, Harmony,Tonality: A Book for Connoisseurs and Amateurs.